Petroleum as a space for non-translation: Hikmet, Negarestani, Parshchikov
... poems based on his impressions of his visit to Azerbaijani capital, the city of Baku. They will be included in the collection Song of the Sun-drinkers (1928) and will soon be translated into Russian. The Baku cycle was one of the first attempts at a symbolic representation of petroleum in Russian poetry, in many ways foreshadowing the later poetics of the subject, which will develop on Russian material only in the 2000s. One can look at these poems by Hikmet as one of the first attempts to create ...
Ekaterinburg — Sverdlovsk — Ekaterinburg: the city image in the dynamics of a toponymic text
.... Baranov, ed.
Vseobshchaya istoriya arkhitektury. Tom 12. Kniga pervaya. Ar
khi
tektura SSSR
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Lotman, Yu. M., 1984. The symbolism of St. Petersburg and the problems of the semiotics of the city. In:
Trudy po znakovym sistemam. Semiotika goroda i gorodskoi kul'tury.
[Sign Systems Studies. Semiotics of the city and urban culture], 18. Tartu, pp. 30—45 (in Russ.).
Lotman,...
Die Bibel als moralisches Bilderbuch? Kants ‚doktrinale Hermeneutik‘ und ihr Nutzen für die moralische Kultur des Menschen
... a coherent analysis of so-called “doctrinal hermeneutics” by examining notable passages from Religion within the Bounds of Bare Reason and the Critique of the Power of Judgment. It is first shown that doctrinal hermeneutics essentially relies on symbolic hypotyposis, which can be understood as thinking by analogy supplemented with a reference to intuition. Here, both an historical and a contemporary interpretation inform the reconstruction of what Kant understands by “symbolic hypotyposis”....
Semantic potential of the lexeme twilight in Russian poetry
... selected lexeme, as per corpus data, with the second date serving as a conditional endpoint corresponding to the conclusion of the Silver Age of Russian lyrics. The aim of the linguistic and poetic analysis is to discern patterns in the figurative and symbolic utilization, as well as the individual reinterpretation of the term 'twilight' by poets across various literary methods, trends, and schools, including baroque, classicism, sentimentalism, romanticism, realism, and modernism. The conducted analysis ...
Ideas about private space boundaries and tact in Russian communicative culture: results of a sociolinguistic experiment
... kommunikativnye tsennosti v novykh i noveishikh sferakh russkoi rechi
[Speech and genre communicative values in new and emerging areas of Russian Speech]. Saratov (in Russ.).
Deryabin, Yu. I. and Deryabina, V. A., 2011. Private space as a figurative and symbolic reality.
Aktual'nye problemy gumanitarnykh i estestvennykh nauk
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ka.ru/article/n/lichnostnoe-prostranstvo-kak-obrazno-simvolicheskaya-realnost ...
Language of digital poetry description: the semiotic and literary aspects
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Zapadnoevropeiskii simvolizm i problema sinteza iskusstv: opyt intermedial'nogo analiza
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Tishunina, N. V., 2003. Interaction of arts in a literary work as a problem of comparative literature.
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‘Hallberd of Balderdash’ or an attempt at decoding Alexei Chicherin’s construemes (dedicated to the 100th anniversary of their publication)
... effectively than words alone.
The study emphasises the enigmatic nature of the titles of Chicherin's books, the Nietzschean subtexts of his self-presentation, encrypted allusions to the esoteric and magical tradition of the Tarot, and religious symbolism. Sixteen illustrations help understand Chicherin's logic behind the creation of his four 'construemes', including the most mysterious composition called 'Raman' ('the shortest Kan-Fun Novel in the world'). The structure of this text synthesises ...
The imago image of ‘flowers of evil’: from Charles Baudelaire to Joris-Karl Huysmans
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Impossible ‘qui pro quo’: Fedor Dostoevsky and Zinaida Gippius (the short story “Ivan Ivanovich and the Devil”)
... connection between Gippius's story and Dostoevsky’s novel. However, the presence of another link — the ‘qui pro quo principle’ — has yet to be explored in Gippius's text. The analysis demonstrates that the principle manifests through the symbolic pairing of the main characters and is closely tied to the theme of temptation. The use of the ‘qui pro quo’ principle in the story results in an inverted portrayal of the motif of temptation. It is argued that one of the defining characteristics ...
Heine’s dolnik in the academic discussion and the Russian translation practice of the 1900s—1930s
... new poetic meters in the works of both older and younger generation of symbolists inevitably led to attempts at their scientific comprehension and description. This paper demonstrates that in writings on Russian verse, starting with Andrei Bely's “Symbolism”, the concepts of ‘dolnik/pauznik’ have been consistently analysed in comparison with German tonic verse in general and Heine's poetry in particular. The theoretical interest in ‘dolnik’ was fueled not only by the prevailing poetic ...
Author-coined terminology in Russian verse theory: the formalist legacy
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Semiotics of ‘the new Soviet man’ concept in the works of the Strugatsky brothers: from the “Noon Universe” to the “Doomed City”
... transformation over the course of their literary work. The analysis of the semiosphere of the novel ”The Doomed City” (“Grad obrechennyi”, 1975) demonstrates that the Strugatskys succeeded in tracing the genesis of the ‘Soviet man’ through a symbolic system of images: from the revolutionary-destroyer of the 1920s, to the builder-creator of the 1930s; from the obedient executor—a cog in the state machine—of the 1940s and 1950s, to the individual of ‘developed socialism’ in the 1960s—1970s....
What is good: to the history of evaluative adjectives in the language of the early Soviet period
... of the article analyzes the role of the adjective ‘good’ as a universal rhetorical tool used to create an optimistic image of socialist reality. This word gradually loses its subjective evaluative value, turning into a standard ideological stamp symbolizing positivity and conformity to socialist norms. The second section discusses the reinterpretation of the concept of a good person and the emergence of the opposition between a good person and a good communist, where the former remains the bearer ...
Ideology in the mailman's bags: towards the pragmatics of the postage stamp
... semiotic artefacts that lose their utilitarian meaning and acquire new cultural connotations. The analysis of the series of postage stamps dedicated to the anniversaries of Alexander Pushkin, proposed in the article, illustrates the changes in cultural symbols during the period from 1937 to 2024. The specifics of the commemorative stamps show how not only the approach to depicting Pushkin himself is changing, but also the symbolic context in which they are included: from endowing Pushkin with the features ...
Cultural code of the city: the interrelation of verbal and visual texts
... information within sculptural works, and to determine the role of these objects in enriching the city’s cultural code and in shaping a unique sociocultural context for its inhabitants. The objects of analysis are physical art installations, carriers of deep symbolic meaning within the cultural and semiotic field of urban space and represented in the visual cluster of the city’s cultural code. These sculptures were created based on or inspired by literary texts. Using examples of narrative sculptural compositions ...
Towards a dictionary of urban untranslatables
The article presents a comprehensive study of urban untranslatables — unique cultural practices, terms, and semiotic codes deeply rooted in specific historical and social contexts. Focusing on phenomena such as Russian ‘ЖКХ-арт’ (municipal utility art), French ‘flânerie’, Indian ‘jugaad’, Spanish ‘tertúlia’, and Argentine ‘merendero’, the authors demonstrate that these concepts resist translation due to their embeddedness in local collective memory and everyday practices. The central thesis...
Visual language of the city: a case study of the visual perception of third places (the case of Nizhny Novgorod)
... various semiotic resources such as colour, imagery, graphic design, texture, and verbal signs—and on the reception and decoding of this mosaic of visually perceived signs by the audience. The visual landscape of the city is saturated with images and symbols that carry particular cultural and value-laden meanings for its inhabitants. Examining the temporal dimension of objects of material culture makes it possible to trace the connection between the past and the present and to highlight elements of ...
The cultural code of Saint Petersburg: the city in the perception of its residents
The article presents the results of a study on the cultural code of the city, using Saint Petersburg as a case study. The author conceptualizes the city as a symbolic space saturated with meanings that can be encoded and decoded. Accordingly, the study employs the category of the ‘cultural code’ as a relatively stable system for organizing cultural meanings mentally rooted in the collective representations ...
Olfactory opposition of “one’s own — another’s” in the context of the war
... fragments in Russian and German that contain references to olfactory processes; the factual material was extracted from works of fiction devoted to the events of the two world wars. The research vector was built taking into account that the semantic and symbolic connotations of smells are closely connected with the sociocultural context, and olfactory experience is subjective. It is proved that the smell in the discourse of war performs two key functions – an evaluative and a boundary function; the ...
Time synaesthesia in W. Shakespeare’s texts: the semantics and pragmatics of colour
... color, not being an independent entity but a quality, acquires in the space of the literary text additional metonymically conditioned meanings through its correlation with the phenomena of existence, in some cases rising to the level of value-laden symbolic co-meanings. The semantics and pragmatics of each color that shades time in Shakespeare’s texts are determined by metonymic correlation with the phenomena of the external and internal world. Thus, black color, identified with the darkness of ...
The topos of the forest in N. Hawthorne’s “The Scarlet Letter”
The article explores the symbolism of the forest in N. Hawthorne’s “The Scarlet Letter.” This study aims not only to interpret the meanings associated with this topos but also to illustrate its role in developing three internal plots within the novel. A brief overview ...
Political discourse in Internet communications of local communities: theoretical background
... interactions among political actors, including the expansion of internet communications through the participation of “non-professional” subjects. These may include local communities formed on the basis of territorial commonality, identity, and symbolic space. By using digital platforms and channels of interaction, such communities become full-fledged participants in political processes at the local and regional levels. Their participation is characterized by the ability to shift rapidly between ...
Figures of national and regional history in the cultural memory of Kalinin-graders
... of the regional variant of the “pantheon of heroes” — an important structural element of the cultural memory of Kaliningrad residents. Peter the Great (across all age groups), Joseph Stalin, and Catherine II possess the greatest potential as “symbols of Russia,” whose activities respondents generally evaluate positively. At the same time, regarding Joseph Stalin and Vladimir Lenin as historical figures, a conflict potential is revealed in the historical memory of Russian society concerning ...
“Behind my back, between one corner kick and the next, they had gassed three thousand people”: football in the Auschwitz concentration camp
... a topic as football in Auschwitz confirms that even under the most extreme conditions— when life stood on the brink of annihilation—there existed a drive for self-expression and the preservation of human nature. For the prisoners, football held symbolic meaning—it was not only an attempt to escape from the brutal reality but also a kind of refuge, a space where they could, even if only briefly, feel free.
Auschwitz concentration camp, prisoners, Nazism, football, history of sports, history ...
Cities, mountains, roads... (the image of a city in formulaic paronymic collocations)
... correlation of sound and semantic gestures in a poetic text. In: Trudy po znakovym sistemam. Semiotika teksta [Works on sign systems. Semiotics of the text], 11. Tartu: Tartu State University, pp. 98—119 (in Russ.).
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The geopoetics of the city K.: the optics of perception
... destiny: an interview with Thomas Venclova. In: O. Shcheblykin, ed. Mir Iosifa Brodskogo. Poet v zakrytom garnizone [The world of Iosif Brodsky. A poet in a closed garrison]. St. Petersburg, pp. 40—50 (in Russ.).
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Ventslova, T., 2012. The Konigsberg Text of Russian ...
Representation of the image of Kaliningrad in the names of guided city tours
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Hoppe, B., 2004. Fighting the Enemy’s Past: Konigsberg/Kaliningrad as a Place ...
Gorod and grad in the Russian poetry of the 18th century
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Nebol'sin, S. A., 2013. “Russian Phoenix”: Moscow in 1812 as a symbol of Russian and European poetry. Filologicheskaya regionalistika [Philological regional studies], 1 (9), pp. 7—22 (in Russ.).
Patroeva, N. V., 2021. The image of the temple in the collection of E. A. Boratynsky “Twilight” and the problem ...
Semio-poiesis: on the birth of the semiosphere from the biosphere
The article discusses a possible development of Yuri Lotman’s concept of semiosphere by supplementing it with the idea of semio-poiesis. Analysis of the processes of origination, evolution and functioning of the genetic code makes it possible to describe the main mechanisms of these processes. The associations of material phenomena (in this case nucleotides and amino acids) led to the establishment of semiotic links, resulting in mechanisms of information storage and transmission, allowing the...
Text as a meaning-generating dialogue and a lacing metaphor: the experience of converging Yuri Lotman’s and Michail Bakhtin’s approaches
...
Tulchinskii, G. L., 2019. Extensions of the Semiotic Analysis Capabilities: the Sources and Content of the “Deep Semiotics” Concept.
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Cultural discrepancy within Russian-speaking community in Israel
... modern discursive practices: materials of reports and reports of the International Scientific and Practical Conference]. Moscow, pp. 414—422.
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A poetic function in an expanding context: title — monoverse — polytext (on the example of Ivan Zhdanov's poetry)
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Chizhov, N. S., 2020. Poetics of heading in I. Zhdanov's book “Air ...
Interdiscursivity as a linguocreative appropriation of discourses: the avant-garde and Andrey Tarkovsky
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The phenomenology of Pushkin’s ‘universal sympathy (based on ‘Аscene from ‘Faust’, ‘The feast in the time of plague’, and ‘the Wanderer’)
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... Perestroika poets inherit from Pushkin polystylism, a propensity to parody when analysing cultural codes and precedent texts, and fundamental dialogicity. Particular attention is paid to variations on the theme of Pushkin's ‘Monument’ as well as the symbolism of his name, which turned into somewhat of a common noun used to refer to any poet. The predominance of allusions to quotes in references to Pushkin points to the desire of perestroika poets engage in an equal dialogue with the national genius....
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The conceptualization of the philosophy of the text requires a preliminary idea about the ways of the textual presentation of philosophy as such. At the same time, philosophical views per se are difficult to classify and systematize — at best, they are arranged by eras and cultural-ethnic factors. In this regard, it seems fruitful and justified not to build various rationalistic constructions but to take an open look at the very existence of philosophizing. From such perspectives, philosophy appears...
The text in the context of the Tartu Semiotic School: problems and prospects
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