On poetic emotiology in poetry and beyond
... language is, of course, most obvious in poetry, but a broad understanding of the poetic function allows us to speak of the "poetic in the non-poetic". In the segment of the article related to non-poetical communication, linguistic representations ... ... illusions" are considered on the example of PR-discourse and advertising discourse. Attention is focused on discursive transformations associated with the formation of a mythological world in which its own special laws operate. In both discourse ...
Technological Metaphor and Communicative Models in Contemporary Russian Poetry
... poetic text and metaphorization strategies, and the implicit functioning of a technological metaphor at the level of the whole text, which affects the communication structure of poetic discourse. The key parameters of the new communication models in poetic discourse include the transformation of the prototypical space of the poetic text, changes in the principles of poetic framing, semantic and syntactic compression, multiple integration of mental spaces, referential uncertainty, the functioning of computer terms as metaphors ...
“The Voice of Hotness from the Margins”. On the interaction of poetry and politics
... quality of poetry contrasts with what has been termed "police aesthetics" by Vatulescu, which reflects the conformity and uniformity inherent in consumer society. The article contends that, within the contemporary cultural landscape, the transformative potential of poetic expression risks being co-opted by aestheticizing practices prevalent in consumer culture. As a result, the subversive nature of poetic utterance is somewhat diluted, as it becomes assimilated into commodifying forces. However, the article also ...
Brian Bilston’s multimodal poetic practices: interactions between the digital and the analogue
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New Technologies and Pragmatic Techniques in Contemporary Poetry
The paper examines the linguistic and communication changes taking place in poetic discourse under the influence of new media. The digital interface (blogs, social networks, applications) affects the transformation of all the parameters of communication, due to the dominance of information channels and codes. The interaction of poetic language with colloquial speech and the influence of digital technologies lead to the creation of new strategies of ...
Poetical text as a way of organizing city space
Since the sixties of the twentieth century, different algorithms for using poetic texts in the transformation of urban space have emerged. Poetic discourse is being increasingly contextualized in space, whose role in the contemporary cultural system and specific tasks of urbanism has been growing. In the urban context, poetry may acquire different ...
Mapping Poetic Bilingualism in Europe: Language Contacts and Cultural Transfers
... ponotranjeno prevajanje, kontrolirana shizofrenija, kulturno bogastvo. In: Novak, B. Salto immortale. Studie o prevajanju poezije. Druga kniga. Ljubljana, p. 239—246.
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multilingualism, bilingualism, poetry, Europe,...
Semantic potential of the lexeme twilight in Russian poetry
The article provides an in-depth analysis of both direct and figurative usages, as well as the figurative transformations of the term 'twilight' in Russian poetry spanning over a century and a half of its evolution. The linguistic and poetic examination focuses on contexts featuring the lemma 'twilight' within the poetic corpus of the Russian National Corpus, specifically those related to the period from 1756 to 1917. The chosen timeframe aligns with the initial recording of the ...
Current practices in French poetic discourse: Christian Prigent, Michèle Finck and Anne-James Chaton
... theatrical production (Finck) and computer processing of the author's voice (Chaton). Contemporary poetry, especially French, persists in its quest for new codes for accessing the reader, seeking innovative forms of conveying vicarious experiences with transformative potency. Prigent, Finck, and Chaton fully harness the power of the sounding voice in their poetic work: distinctive intonations, prosody, and timbre become auditory 'anchors', substituting the mnemonic techniques of traditional poetic systems. The ancient power of vocal impact is augmented by modern technologies. Modern poetry, moving beyond ...
Poetical reduplications in Alexander Vvedensky’s fiction
... tension between repeated grammar patterns and their lexical realisations, which allows Vvedensky to demonstrate the potential extensibility of syntactic models and make grammatical semantics a compensatory mechanism that fills the semantic void of the poetic utterance. Vvedensky's thematization of reduplication as the "doubling of the world" is a mirror, which deforms and transforms reality. Mirror semiosis illustrates the loss of iconicity by reduplication and, as a consequence, the impossibility to represent the object by its reflection. The authors conclude that on the level of vocabulary and grammar, reduplication ...
Text reinterpretation and the motif of transformation in a short form of Internet poetry
... thing → person, person → thing, person → animal, etc. Most frequent is the reciprocal transformation of men and cats. The transformation motif binds objects in the manner of a metaphor.
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Impossible ‘qui pro quo’: Fedor Dostoevsky and Zinaida Gippius (the short story “Ivan Ivanovich and the Devil”)
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Frame approach to analysing the semantisation of the biblical quasi-anthroponym prodigal son in the language of Russian poetry
... slots, the biblical quasi-anthroponym prodigal son determines how deeper meanings associated with the poetic interpretation of that eternal plot develop in the text. The inheritance of meanings is carried out both explicitly and implicitly, whereas the poetic interpretation of the biblical plot retains an essential connection with the basic protoframe. In most contexts, the meanings of the basic frame undergo a transformation when biblical symbolism is cancelled out, and the quasi-anthroponym ‘prodigal son’ merely communicates a generalised phraseological meaning.
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Petroleum as a space for non-translation: Hikmet, Negarestani, Parshchikov
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Cities, mountains, roads... (the image of a city in formulaic paronymic collocations)
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Non-translation as palimpsest in hermetic poetry
... languages — all this develops together with the optics of studying writing and the loosening of the dominant hierarchies of poetic subjectivity and artistic form. In the poetry of metarealists Arkady Dragomoshchenko and Alexei Parshchikov, non-translation ... ... of creating palimpsest marginalia, structuring the perception of interweaving images both through donor text and through the transformation of its motives. And the discommunicative palimpsest of Ekaterina Zakharkiv’s poem “Hiroo Onoda” is based ...
Conceptualisation of transfer and translation in modern linguistics
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Conceptualizing emotions through discourse: a pragmatic view on the reader's interest
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The Riddle as an Object of Linguistic Research
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The topos of the forest in N. Hawthorne’s “The Scarlet Letter”
... contradicted by their act of cutting down the forest, which is depicted in the novel as a locus amoenus. The forest serves as a transformative space in the lives of the main characters; notably, only Hester Prynne successfully undergoes the “forest initiation.... ... exploration of spatial poetics in Hawthorne’s work.
Vasileva E.V.
Nathaniel Hawthorne, “The Scarlet Letter”, spacial poetics, forest, the topos of the forest
51-64
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Gothic components of science fiction’s genealogy
... scientific and technical issues. The goal of the presented research is detecting the nature, methods and specifics of the transformations of the Gothic plot that led to the formation of the science fiction genre. It is achieved by the use of comparative,... ... of experimentation or as an object of scientific exploration. In Russian literature, V. F. Odoevsky made a move from Gothic poetics towards long-term social, scientific and technological forecasting in a fiction text. The role of Gothic in the genesis ...
Christmas and Easter archetypes in A. Varlamov’s story “The Little Star”: to the plot and character typology problem
... archetype, with its main idea of the resurrection, focuses on the spiritual reality of the Heavenly World, which requires the transformation of the soul, while the Christmas archetype carries the idea of the incarnation of God, and hence there is a need ... ...
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Modern Russian prose, A. Varlamov, Christian axiology, Easter archetype, Christmas archetype, poetics of plot
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The myth as a source of cultural legitimation: the rock and hip-hop versions of the legend of Orpheus and Eurydice
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Tsivgun T. V., Chernyakov A. N.
myth, neomythologism, rock opera, hip hopera, transformational poetics
71-80
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Tsvigun, T. V., Chernyakov, A. N.
myth, neomythologism, rock opera, hip-hopera, transformational poetics
81-92
Where and how meanings emerge
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Imposture as a problem of reference: semiotics of the name in Boris Godunov
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Events and narration in socio-cultural practices
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Interdiscursivity as a linguocreative appropriation of discourses: the avant-garde and Andrey Tarkovsky
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... amplification of meaning and emergence of new semantic projections. The investigation of the play — theatrical performance transformations made it possible to identify the specific levels of semiotic creativity, which correspond to the degree of pragmatic ... ... level of pragmatic modulation, which account for different pragmatic effects produced and illustrated the realization of the poetic function of a sign in a multimodal discourse.
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Digital storytelling and micro-narratives — new forms of representation of personal experience and collective creativity
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The tragedy Boris Godunov occupies a unique place in A. S. Pushkin’s oeuvre. It was a turning point, when the author needed the whole power of his poetical genius, when a work beyond traditional literary and aesthetic styles, which interchange and establish a canon of a new style that transforms its predecessors in an act of creativity, appeared in Russian culture. Boris Godunov marked the birth of an individual author’s style in Russian art. A unique literary world — the world of Pushkin — manifested itself in a work of art....
Language as mimesis (lyric poetry in H.-G. Gadamer’s herm¬e¬neutics)
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A major principle of Indo-European poetry or arbitrary etymologising? A review of modern international publications on anagrams in the cultures of Ancient East and Antiquity
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