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Vladimir Bibikhin: the connoisseur of poetry and the poet
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‘Reaching out’ beyond the text: philosophical notes
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Delez, Zh., Gvattari, F., 1998. Chto takoe filosofiya? [What is philosophy?]. St. Petersburg: Aleteia (in Russ.).
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Indirect translation: Main trends in practice and research
... the time coordinates of ITr practice as well as the diachronic evolution of ITr studies. The why questions looks into the motivations for ITr and into the historical neglect in the Translation Studies discipline. Finally, the how question considers selected details of ITr processes as well as the methods used in identifying most probable mediating texts and languages. The article ends with a brief consideration of prospects for research on ITr training. The what question concerns terminological ...
The Notion of Free Will in Sergey Hessen’s Conception of Culture
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Shpet, Humboldt, Kant: Forms, Concepts, Schemes. Terms and Ideas
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Meaning in life and meaning in the text (roundtable proceedings)
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Conceptualisation of transfer and translation in modern linguistics
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On the Semiotic Model of Image
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Images of Paradise in the Russian Poetry of the End of the 20th Century
... literary tradition that comes from Dante, Mandelstam, and Tsvetaeva.
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The philosophical and legal content of Sergey Hessen’s concept of personality
... Hessen developed an original understanding of the ideal of state organisation — a democratic state that incorporates the principles of liberalism and socialism.
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The symptoms of the impending catastrophe in the final repertoire of the New Koenigsberg Drama Theatre
... (New Dramatic Theater) in Königsberg, staged in April 1944, four months before the destruction of the city’s historic center due to Anglo-American bombing. The aim of the study is to identify the specifics of the theater’s dramaturgical repertoire selection during the Nazi era in a frontline city, in the context of its historical fate. The plays of Hermann Sudermann — “Teya,” “Fritzchen,” and “The Last Visit” — as well as Johan Braun’s comedy “Through My Eyes” are examined....
Gustav Shpet’s “Notes on Kant”: On the Meaning of “Positive Critique”
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Semyon Frank and Yakov Golosovker: On Kantian Motives in the Works of Dostoyevsky
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The dialogue between linguistics and the poetic avant-garde in Russia in the 1920—1930s: experiments with a universal language
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Neo-Kantian Question on Method, the Problem of Form and the Meaning of Variability in Gustav Shpet and Ernst Cassirer’s Philosophy
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Linguocognitive Bases for the Integration of the Poetic Text into Cinematic Discourse
... Intermediality and interdiscursivity are explored as intrinsic properties of cinema, serving as tools for shaping the unique style and aesthetics of filmmakers. Two films, “Stalker” by Andrei Tarkovsky and “Ugly Swans” by Konstantin Lopushansky, are selected as primary sources for analysis due to their continuity and innovative qualities. The research employs a comprehensive methodology, including parameterization of linguistic creativity, corpus annotation, and conceptual analysis of verbal and ...
Ideas about private space boundaries and tact in Russian communicative culture: results of a sociolinguistic experiment
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Prerequisites for the formation of Neostructuralism as an integral linguistic paradigm
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