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... thinking of a whole generation of intellectuals. Research into the unity of “form” in the structure of human cognition was also in many ways mediated by the Kantian tradition. To prove this thesis I first look at the philosophy of Gustav Shpet who creatively interpreted the German tradition and proposed an original project of his own, and then I examine the theory of Ernst Cassirer, an outstanding representative of Neo-Kantianism who in the later period of his work proposed considering the phenomena ...

... until our days. The author notes the peremptory character of some of Shpet’s claims as well as his description of Kant’s influence on Humboldt as suggestion. The author also considers Shpet’s critique of subjectivism, which robs subjectivism of creativity and confines it to the capacity to convey what has been understood and to err. Finally, Shpet’s methodology (the question of identity and difference) and the role of terminology in his own works is considered. The positing of identity as ...

... texts by Daniil Kharms, portraying it as a process where the social and aesthetic practices of both the translator and the reader manifest in the creation and perception of a secondary text. The study scrutinizes literary translation as a linguistic and creative endeav­our, illustrating the meticulous approach of the translator Kim Jung A in authentically repre­senting the author's ideology and aesthetics. Furthermore, the article, for the first time, un­veils the ways in which the aesthetics of the ...

... programme, gives rise to both stable forms of verse and new genre-thematic complexes. The Records demonstrate how poetry allowed the poet to unveil the underside of the myth of the poet, revealing the role of conceptualizations in the development of creative individuality and the associated rhythm. A comprehensive examination of Bibikhin's expertise in verse and his poetry addresses several related questions: how late Sovi­et independent philosophy initially interpreted cultural creativity, not ...

The discussion aims to identify the interpretive mechanisms that provide an interface be­tween text and context (between language and the world, language and culture, language and society). It is a multi-level system of interfaces connected by inversion and recursion relations and operations. We identify this system as a pragmasemantics. It also acts as an interface platform for correlation/transformation of intra-system semantic units and extralinguistic objects within a set of possible worlds....

... Feshchenko, V. V., 2018. Literaturnyi avangard na lingvisticheskikh povorotakh [The Linguistic Turns of the Literary Avant-Garde]. St. Petersburg (in Russ.). Feshchenko, V. V., 2022. Andrey Bely’s linguistic innovation in terms of theory of linguistic creativity. Proceedings of the V. V. Vinogradov Russian Language Institute, 1, pp. 208—219, https://doi.org/10.31912/pvrli-2022.1.22 (in Russ.). Gorbanevskaya, N., 2012. Moi Milosh [My Milos]. Moscow (in Russ.). Hejinian, L., 2023. Slepki dvizheniya ...

... Neuropoetry is interpreted through the metaphor of a “battle of poetic languages” (in accordance with the conventions of the rap battle genre) — as a communicative field in which anthropic and digital authors interact as equal participants in the creative act, jointly forming new prerequisites for the reader’s perception of a literary text. The ‘co-creation’ of anthropic and digital authors is considered in terms of the actor-network theory of Latour. In interactions between a person and ...

... the Soviet period. In: A History of Russian Thought. Cambridge, pp. 311—339, https://doi.org/10.1017/CBO9780511845598.017 . Tikhomirov, B. N., 2019. Sergey Nechaev’s “A Revolutionary’s Catechism”. A Historical Document and Its Role in the Creative History of The Demons. Dostoevsky i mirovaya kul'tura. Filologicheskii zhurnal [Dostoevsky and World Culture. Journal of Philology], 3 (7), pp. 162—178, https://doi.org/10.22455/2619-0311-2019-3-162-178 (in Russ.). Tillich, P., 1995. Izbrannoe: ...

The main purpose of this work is to explore the experience of confronting guilt ‘after Auschwitz’ in the creative dialogue between two significant poets of the twentieth century — Paul Celan and Johannes Bobrowski. Despite their importance, their works remain inade­quately studied, particularly in the context of the interaction between language and existence,...

... The problem of speech genres in the works of M. M. Bakh­tin. In: Zhanry rechi [Genres of speech]. 3. Saratov, pp. 92—104 (in Russ.). Bakhtin, M. M., 1979. Problems of speech genres. In: Estetika slovesnogo tvorchestva [Aesthetics of verbal creativity]. Moscow, pp. 237—280 (in Russ.). Bakhtin, M. M., 1996. Problema rechevykh zhanrov [The problem of speech genres]. Vol. 5. Moscow, pp. 159—206 (in Russ.). Balashova, L. V. and Dementev, V. V., 2022. Russkie rechevye zhanry [Russian ...

... guiding the reader through the text; meta-position in digital text analysis has the quality of relativity. A possible course of digital intermedial text analysis is proposed based on these considerations. Asmus, V. F., 1962. Reading as work and creativity. Voprosy literatury [Problems of Literature], 9, pp. 34—46 (in Russ.). Barthes, R., 1994. Izbrannye raboty. Semiotika. Poetika [Selected works. Semiotics. Poetics]. Moscow (in Russ.). Beloedova, A. V. and Kozhemyakin, E. A., 2002. Multimodal ...

... borrowings from English in the speech of representatives of youth culture . Ural'skii filologicheskii vestnik. Seriya: Yazyk. Sistema. Lichnost': lingvistika kreativa [Ural Philological Bulletin. Series: Language. System. Personality: linguistics of creativity], 1, pp. 175—182 (in Russ.). Ginza, D. I. and Gorbunova, V. S., 2017. English borrowings in the Russian language. Bulletin of Science and Practice , 4 (17), pp. 304—307 (in Russ.). Is it possible to say “kak po mne, tak…” (as for ...

... dialogue between quasi-minds: on Charles Peirce's unfinished project. In: I. V. Zykova, ed. Diskurs i yazyk v epokhu «bol'shikh dan­nykh»: Variativnost', kreativnost', eksperiment [Discourse and language in the era of “big Data”: Variability, creativity, experiment]. Moscow, 368 p. (in Russ.). speech aggression, conflict communication, speech act, discrediting, identity model, rodnoverie 55-71 10.5922/2225-5346-2024-4-4

... corresponding material of other languages — laying the groundwork for future typological studies. Italian language examples collected by the authors are used for illustrations. Aijmer, K., 2014. Conversational Routines in English: Convention and Creativity. Lon­don; New York, https://doi.org/10.4324/9781315845128 . Ameka, F. A., 1987. Comparative analysis of linguistic routines in two languages: English and Ewe. Journal of Pragmatics , 11, pp. 299—326, https://doi.org/10.1016/ 0378-2166(87)90135-4....

... Demyankov, V. Z., 2022a. Semantic reduplication in statements about the pos­sib­le. Kognitivnye issledovaniya yazyka [Cognitive studies of language], 4 (51), pp. 39—43 (in Russ.). Demyankov, V. Z., 2022b . ‘Probability’ and ‘Possibility’ in Creative Language Use: on Impossible Possibility in German Texts . RUDN Journal of Language Studies, Semiotics and Semantics , 13 (3), pp. 589—607, https://doi.org/10.22363/2313-2299- 2022-13-3-589-607 (in Russ.). Grice, P., 1975. Logic and conversation....

The present study examines Velimir Khlebnikov’s early poem “Vam” (“To You”, 1909), addressed to Mikhail Kuzmin. Drawing on Kuzmin’s diary entries and Khlebnikov’s corres­pon­dence, it seeks to reconstruct the poets’ personal and creative relationship, clarify the da­ting of the young author’s letter to his mentor, and analyze the mechanisms of textual address within the poem. Particular attention is given to the poem’s intertextual dimensions. The first is literary, involving ...

..., Matevosyan-the-person suffered defeat as a traditionalist. But Matevosyan-the-writer, who developed non-traditional writing methods to describe the metamorphoses of the collap­sing ‘mix of mores’, achieved victory as a modernist. Matevosyan's creative toolkit includes various types of metaphors. The comparative ana­lysis made it possible to identify them in the broad space between epiphany and enowning. From the general idea of epiphany, the study moves on to lyrical metaphor, and from it ...

... and the cultural and cognitive factors ensuring the high productivity of the suffix in naming new phenomena, including youth subcultures and social media trends, are revealed. It is con­cluded that speakers of modern English demonstrate linguistic creativity, using the formant in various structural models to nominate diverse phenomena that possess axiological signifi­cance at the present stage of societal development. ing word formation, suffix -ing, affixoid, derivational model 16-26 ...

... national level. The article addresses the critic’s role in the development of literature, his influence on the formation of aesthetic taste, his mediation between the author and the audience, and the nature of the political engagement in literary creativity demanded by the time, as well as the relationship between the creator and power. Chapelain’s texts are examined in their entirety, allowing for the tracing of the development of guiding ideas and the deepening of fundamental concepts in his ...

... archives. This raises the question of the exist­ence of alternative titles in the song’s textual history, their origins and textual status, the source of the title “Prervannyi polet”, and the reasons for its eventual textual consolidation. The creative history of the text is traced based on surviving manuscripts, authorized type­scripts, and materials from audio archives. The study reveals that at different stages in the song’s history, the author used various titles for it; a number of ...

... Arab and African Students on the Example of Euthanasia Pro­cedure. Mezhdunarodnyi zhurnal eksperimental'nogo obrazovaniya [International Jour­nal of Experimental Education], 6, pp. 67—71 (in Russ.). Kuz'mina, N. V., 2016. The megapolis image: the creative aspect. Kul'tura i tsi­vi­lizatsiya [Culture and Civilization], 4, pp. 186—191 (in Russ.). Kuznetsova, A. V. and Petrulevich, I. A., 2021. Urban identity and the image of the city in the communicative paradigm of toponymy. Mir nauki. Sotsiologiya,...

..., Fr., 1975. Ritual and Knowledge Among the Baktaman of New Guinea . New Ha­ven: Yale University Press. Bühler, K., 1934. Sprachtheorie. Die Darstellungsfunktion der Sprache . Jena. Campbell, D., 1960. Blind variation and selective retentions in creative thought as in other knowledge processes. Psychological Review , 67, pp. 380 — 400. Campbell, N. R., 1957. Foundations of Science . New York: Dover Publications. Delancey, C. S., 2007. Meaning Naturalism, Meaning Irrealism, and the Work ...

... domain constitutes the ecological niche of humans as organism-environment systems. It is in this continuously self-constructed human niche that the uniquely human power to reasoning (intelligence) emerges and develops. Humanness rests in language as the creative beginning of the world in which we exist as organisms capable of speech. Bunnell, P., 2020. Reflections on languaging. Constructivist Foundations , 15 (2), pp. 152—155. Button, T., 2013. The Limits of Realism . Oxford. Cariani, P., ...

... decoration of St. George’s Cathedral in Yuryev-Polskoy. Iskusstvoznanie [Art History], 3, pp. 80—99 (in Russ.). Lotman, Yu. M., 2010. Semiosfera [Semiosphere]. St. Petersburg (in Russ.). Maksimov, P. N., 1976. Tvorcheskie metody drevnerusskikh zodchikh [Creative me­thods of Old Russian architects]. Moscow (in Russ.). Simyan, T. S., 2019. From Biosphere to Noosphere: Theory and Practice. Kritika i se­miotika [Critique and Semiotics], 1, pp. 173—197 (in Russ.). Simyan, T. S., 2020. Visualization of ...

... Linguistics, 33, pp. 190—212. Jakobson, R., 2004. On linguistic aspects of translation. In: L. Venuti, ed. The Trans­lation Studies Reader. New York; London: Routledge, pp. 138—143. Järlehed, J. and Jaworski, A., 2015. Typographic landscaping: creativity, ideo­logy, movement. Social Semiotics, 25 (2), pp. 117—125. Kirsanov, D. M., 2007. Istoriko-morfologicheskaya model' razvitiya russkogo nabornogo shrifta. Vzaimosvyaz' ob"ektivnykh i sub"ektivnykh faktorov [Historical and morpholo­gi­cal ...

... literally interpreting the ut­terance, the ally, on the contrary, is open to a variety of contexts and is ready to participate in a play of the pragmatic unfolding of an utterance. The latter type of reception underlies the possibility of the recipient’s creative engagement with a communicative experiment of the avant-garde. Austin, J. L., 1962. How to Do Things with Words. Oxford. Bobrinskaya, E. A., 2015. “The Beauty and Necessity of Violence”. Mythopoetics of early Futurism. Iskusstvoznanie ...

... significant degree of transformation of its literary basis and by a varied appropriation of certain types of discourse in the process of making a film as an original artistic-aesthetic object. Elements of different types of discourse act as linguistic and creative means that influence the heuristic potential of the verbal system of a film. Beloglazova, E. V., 2010. Interdiscursivity. Diskurs-Pi [Discourse-P], 9, pp. 359—360 (in Russ.). Chernyavskaya, V. E., 2009. Lingvistika teksta: Polikodovost',...

... result and consequences of events. In these systems, an event triggers social and cultural processes and creates social reality. Bakhtin, M. M., 1990. Tvorchestvo Fransua Rable i narodnaja kul'tura Srednevekov'ja i Renescansa [Francois Rabelais' creativity and folk culture of the Middle Ages and Re­naissance]. Moscow (in Russ.). Bakhtin, M. M., 1997—2012. Sobranie sochinenij [Collected Works]. Moscow (in Russ.). Bridgman, P. W., 1934. A Physicist’s Second Reaction to Mengenlehre. Scripta ...

... Russian Revolution. In: Vekhi. Iz glubiny [Vekhi. De profundis]. Moscow, pp. 250—289 (in Russ.). Berdyaev, N. A., 1994. Dostoevsky: an interpretation. In: N. A., Berdyaev, ed. Filosofiya tvorchestva, kul'tury i iskusstva : v 2 t. Tom 2 [Philosophy of Creativity, Cul­ture and Art : in 2 vols. Volume 2]. Moscow, pp. 7—145 (in Russ.). Dostoevsky, F. M., 1972—1990. Polnoe sobranie sochinenii : v 30 t. [Complete works : in 30 vols.]. Leningrad (in Russ.). Fiut, A., 2001. Pragnienie wiary. Tygodnik ...

... author shares the process of writing a story with other participants in the digital world. The interaction between the author and the audience is transformed under the influ­ence of the hypertext system of cross-references. Each participant in this creative process acts not only as a co-creator, but also as a co-author of many narratives. The narratives, which translate personalized evaluative and often pseudo-expert opinions into the public space, are becoming increasingly emotional to the detriment ...

... mythological world in which its own spe­cial laws operate. In both discourse types, orientation towards results correlates with orienta­tion towards the message itself. Bakhtin, M. M., 1986. Estetika slovesnogo tvorchestva [The aesthetics of verbal creativity]. Moscow, 445 р. (in Russ.). Fateeva, N. A., 2001. The main trends in the development of poetic language at the end of the XX century. Novoe literaturnoe obozrenie [New literary review], 4, pр. 416—434 (in Russ.). Feshchenko, V. V., 2021....

... 10, pp. 145—153 (in Russ.). Norman, B. Yu., 2014. Communication without understanding. Ural'skii filologi­cheskii vestnik: Yazyk. Sistema. Lichnost'. Lingvistika kreativa [Ural philological bulletin: Lan­guage. System. Personality. Linguistics of creativity], 1, pp. 4—14 (in Russ.). Orlitskii, Yu. B., 2002. Minimal text (udeteron) as part of the heading-final com­plex of a poetic text. In Yu. B. Orlitskii ed. Stikh i proza v russkoi literature [Verse and prose in Russian literature]. Moscow: ...

... as an interaction between the writer and the reader in the process of interpreting a poetic work. The poetic function of syn­tactic means is analysed on the example of Yevgeny Boratynsky’s poem "Autumn", which plays a special role in his creative heritage. Along with the poetic function, the emotive, phat­ic, conative, referential and metacommunicative functions of syntactic constructions are re­vealed. The author demonstrates the breadth of the functional spectrum of syntactic units ...

... the Russian literary avant-garde and the avant-garde advertising-propagandа — outreach. A discursive analysis of Russian literary (experi­mental) and advertising (avant-garde) texts is carried out from the standpoint of the theory of linguistic creativity. For each of the working subcorpora (artistic and advertising discourses of the 1910—1930s), the authors distinguish macro-discursive, micro-discursive and inter-discursive parameters that affect linguistic innovations at different levels ...

... of Pushkin by the avant-garde is considered as a peculiar variant of cultural apophaticism when the object of reflection is asserted through its consistent negation. The factography of the Russian avant-garde proves that, from its earliest stages the creative system has been constructing its own Pushkin myth, within which the poet has the role of both an object of cultural overcoming and the reference point for the development of a new art. Through negation, the avant-garde strives to ‘discharge’ ...

.... Linguocreative mechanisms for constructing a speech act "threat". Ural'skii filologicheskii vestnik. Ser.: Yazyk. Sistema. Lichnost': Lingvistika krea­tiva [Ural philological bulletin. Ser.: Language. System. Personality: Linguistics of creativity], 2, pp. 81—88 (in Russ.). Fedorova, L. L., 1991. Typology of speech impact and its place in the structure of com­munication. Voprosy yazykoznaniya [Topics in the study of language], 6, pp. 46—50 (in Russ.). Chesnokov, I. I., 2015. Discursive ...

... provincial context]. Vol. 7. Arzamas. pp. 133—142 (in Russ.). Kroo, K., 2005. The Queen of Spades A. S. Pushkin in the novel F. M. Dostoevsky «Player». In: K. Kroo, ed. Tvorcheskoe slovo Dostoevskogo — geroi, tekst, intertekst [Dos­toevsky's creative word — hero, text, intertext]. St. Petersburg. pp. 9—29 (in Russ.). Kunilsky, A. E., 2006. «Lik zemnoi i vechnaya istina». O vospriyatii mira i izobrazhenii geroya v proizvedeniyakh F. M. Dostoevskogo [«The face of the earth and the eternal ...

The article deals with the process of structuring the concept of the fictitious state of San Escobar from the perspective of social semiotics, including the broadly understood context and media environment for constructing the image. The creation of the internet memes was in­spired by a lapsus linguae of the Polish Minister of Foreign Affairs Witold Waszczykowski. Major changes in the communicative space, the dominance of digital media resources and multimodal messages, the hegemony of visual culture...

... transformations, namely: thing → person, person → thing, person → animal, etc. Most frequent is the reciprocal transformation of men and cats. The transformation motif binds objects in the manner of a metaphor. Dymarskii, M. Ya., 2012. Between genre and creativity, or Toward the formation of a pie-like thinking of a linguistic personality. In: Zhanry rechi: Sbornik nauchnykh statei. Pamyati K. F. Sedova [Speech Genres: Collection of scientific articles. In memory of K. F. Sedov]. Vol. 8. Saratov, Moscow....

This paper discusses intertextual and intervisual tools for creating the past — present — future dialogic axis in urban practices, using the example of graffiti and inscriptions in Gdansk and Kaliningrad. The authors describe the urban space as an object of research, give a definition of the urban inscription, characterize the semiotic nature of the latter, consider ter­minology problems relating to the category of intertextuality, and broadly interpret the inter­texteme as a tool in the ‘past —...

... Orthodoxy in the novel IS. Shmeleva "The Inexhaustible Chalice". Vestnik Tambovskogo universiteta. Seriya: Gumanitarnye nauki [Bulletin of the Tambov University. Series: The humanities], 5(23), pp. 109-111 (in Russ.). Sobolev, N.I., 2012. From the creative history of I. Shmelev's story "The Inexhaustible Chalice". Problemy istoricheskoi poetiki [Problems of historical poetics], 10, pp. 328-340 (in Russ.). Tatarkin, V.I., 2011. Vozvrashchayas' v istokam khristianskogo ucheniya [Returning ...

... Comparative Analysis of Facebook, LinkedIn and ASmallWorld. New Media and Society, 11 (1—2), pp. 199—229. Zhao, S., Shchekoturov, AV., Shchekoturova, S. D., 2017. Personal Profile Settings as Cultural Frames: Facebook versus Vkontakte. Journal of Creative Communications, 12 (3), pp. 171—184.

... ed. Eksperimental'naya poeziya: izbrannye stat'i [Experimental Poetry: Featured Articles]. Königsberg — Malbork: Simplicius, pp. 101—110 (in Russ.). Panfilov, A.Yu., 2015. K probleme tvorcheskoi biografii A. N. Chicherina [To the problem of the creative biography of A. N. Chicherina]. Available at: http://samlib.ru/p/panfilow_a_j/chicherin2.shtml [Accessed 03 September 2018]. Pirs, Ch. S., 2000. Logicheskie osnovaniya teorii znakov [The logical foundations of the theory of signs]. St. Petersburg ...

... https://azbyka.ru/otechnik/Sergej_Averincev/pochemu- evangelija-ne-biografii/ [Accessed 12 November 2018] (in Russ.). Bakhtin, M. M., 1979. Author and hero in aesthetic activity. In: M. M. Bakhtin, ed. Estetika slovesnogo tvorchestva [Aesthetics of verbal creativity]. Moscow: Iskusstvo. pp. 7—180 (in Russ.). Bitsilli, P. M., 1995. Elementy srednevekovoi kul'tury [Elements of medieval cul­ture]. Vol. XXVIII. St. Petersburg: Mifril (in Russ.). Zhivov, V. M., 1994. Svyatost': kratkii slovar' agiograficheskikh ...

... Moscow. 10. Vinokur, G. O., 1959. Izbrannye raboty po russkomu yazyku [Selected works on the Russian language]. Moscow. 11. Vislova, A. V., 1993. Stsenicheskoe tvorchestvo A. A. Mironova i problema stilya v akterskom iskusstve 60—80-kh godov [Scenic creativity of A. A. Mironov and the problem of style in the acting art of the 60s-80s], PhD. Moscow. 12. Voloshinov, V. N., 1928. The newest trends of linguistic thought in the west. Literatura i marksizm [Literature and marxism], 5, pp. 115—149. 13....

... analyst]. Simferopol. 17. Formozov, A. A., 2004. Russkie arkheologi v period totalitarizma. Istoriograficheskie ocherki [Russian archeologists in the era of totalitarism. Historiographic essays]. Moscow. 18. Shunkov, V. I., 1952. Boris Dmitrievich Grekov (Creative way). In: V. P. Volgin, ed. Akademiku Borisu Dmitrievichu Grekovu ko dnyu semidesyatiletiya: sbornik statei [To academician Boris Dmitrievich Grekov on the day of his seventieth birthday: collection of articles]. Moscow.

... analysis. The author emphasizes Kant’s contribution to the German philosophical and scientific discourse of the Enlightenment and summarizes current findings on the philosopher’s style and language. It is shown that the analysis of Kant’s linguistic creativity (new terms, syntactic models, utterance structures, communicative speech structure, modality, text generation mechanisms, metaphors, and pragmatics) can be paired with the study of the verbal-semantic, cognitive, and motivational levels of ...

... this poetic generation of moving from the literary underground to the centre of the literary process and by changing the reality reflected in poetry, the appearance in this reality of signs of "paradise life" and new, sometimes surpassing the creative personality, opportunities for self-expression. There is also a connection between the new "paradise" poetry and the literary tradition that comes from Dante, Mandelstam, and Tsvetaeva. Averintsev, S. S., 1982. Paradise. In: S. A....

... beskonechno malykh [Introduction to the analysis of infinite]. Vol. 1. Moscow, GI Fizmatlit (in Russ.). Acemoglu, D., Robinson, J.A., 2012. Why Nations Fail. The Origins of Power, Prosperity and Poverty. N.Y.: Crown Business. Bergson, H., 1946. The Creative Mind: An Introduction to Metaphysics. New York: Philosophical Library. Dijk, Т. van., 1998. Ideology: A Multidisciplinary Approach. London. Galtung, J., 1977. Essays in methodology. Vol. 1: Methodology and ideology. Copenhagen: Christian Ejlers....

1. Грешных В. И. Генрих фон Клейст: лекция А. В. Карельского // Балтийский филологический курьер. 2011. № 8. 2. Гугнин А. А. В. И. Грешных как исследователь немецкого романтизма:несколько юбилейных заметок // Художественный текст: современные интерпретации. Калининград, 2011. 3. Павлов Е. Шок памяти: Автобиографическая поэтика Вальтера Беньямина и Осипа Мандельштама. Берлинская хроника. М., 2005.