The media image of San Escobar in the space of fictional worlds: a socio-semiotic perspective
... the evolution of the concept of "context" in linguistics from the perspective of systemic functional grammar, cognitivism, social semiotics and multimodal discourse analysis. The analytical part of the article explores the constructed media image of the fictitious state of San Escobar through the prism of the following contexts: situational-medial, cultural-cognitive, linguistic, intentional and socio-economic. Summing up the specifics of the formation of meaning in narrative social practices,...
The Image of Contemporary Russia n Language and Culture: the Thematic Issue of «Russian Review»
The article is an overview of the thematic issue of the Polish research journal "Russian Review" dedicated to the image of modern Russia in political, media, poetic, marketing and didactic types of discourse. Both national and international research works are taken into consideration. Nowadays researchers become increasingly interested in the category of image. A noticeably stronger position of anthropological,...
Escapism: non-constructive ways of teenage personal self-determination
The protest against outdated patterns of self-image and the inability to defend modern patterns self-image becomes traditional contradiction in teenager’s self-determination. Difficulties of self-determination in the real relationship define teenager’s escapism and search for the value of self-image in a virtual existence. This study highlights the mechanisms and conditions under which escapism becomes dangerous for adolescents, distorts their self-image, and contributes to the loss of its adequacy...
Semiotic Inversions in the Formation of the Political Image in the Media Discourse: the image of Russia in German media
The article describes the process of forming the political image of Russia in socio-political media through semiotic inversions. It is claimed that in the modern media discourse, the political image is based on the pre-established ‘rules of the game’. The author holds that historical facts are often replaced by false models of reality in the modern mass media discourse.
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Digital poetry between the printed page and cinema: the difference in agency structures
... out in 1967 and 1973, respectively. The poet's creative journey from crafting 'poem-pictures' to producing 'poem-movies' sparks inquiries into the contrasting subjective frameworks of printed poems versus their digital adaptations translated into a media language akin to cinema.
The author suggests analysing the layers of media mediation in printed and digital texts as distinct material conditions of communication prompting readers to encounter a 'moment of intensity', as Hans Ulrich Gumbrecht ...
Embedding imagology in Translation Studies
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Media fakes in the election campaign in France in 2022
... developing “psychic news” during the electoral campaign in 2022. It has been then established that candidates for the office from the “left” in the person of Emmanuel Macron and the “right” in the person of Marine Le Pen and Eric Zemmur used media labels in their public statements. Each candidate seeks to create a certain image of their own to be attractive to the electorate. To achieve this task, French politicians in the electoral struggle turned to inaccurate information to obtain the maximum possible support of voters in the elections.
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The image of modern Russian innovations in the Danish mass media
... media to modern Russian innovations. The research is timely because of the Russian interest in the experience of Denmark — one of the "innovation leaders" of the EU. The author analyses a number of publications on Russia in the Danish mass media. The positive image of Russian innovations in Danish periodicals is analysed against the background of historical stereotypes. The article also describes the Danish national innovation system. The image of Russian innovations in the Danish mass media is positive; however,...
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‘People in Black’: Semantization of the concepts ‘sectant’ and ‘baptist’ in the anti-religious campaign of 1958—1964
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Artistic individual image of the language in P.Celan's poetry
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Speech aggression as a means of preserving and promoting the Neo-pagan worldview: the case of Rodnoverie
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Petroleum as a space for non-translation: Hikmet, Negarestani, Parshchikov
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Electric energy cooperation in the Baltic Sea region and the role of Russia in it
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Company history as a subgenre of the corporate website
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Creative Potential of Artificial Intelligence in the Context of the Idea of the New Enlightenment
... and AI, formulate criteria for assessing creativity, and analyse recent achievements in modelling creative processes in AI. I also focus on the utilisation of various algorithms for implementing diverse forms of creative activities, including text, image and music generation. Additionally, I present diverse opinions of researchers regarding creativity in AI. To systematise these perspectives, I propose a classification which allows their ranking. The conclusion emphasises that currently the issue ...
On the less obvious manifestations of the poetic function: a translator’s view
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