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... which he or she lives. Thus, even if literature is in­capable of affecting reality, it can change the way the latter is perceived. A fictional world is not just a reality — it is a reality of a higher order. Aristotle, 2017. Poetika. Ritorika [Poetics. Rhetoric]. St. Petersburg (in Russ.). Bakhtin, M., 1994. To the philosophy of action. In: M. Bakhtin, ed. Raboty 20-kh godov [The work of the 20s]. Kiev (in Russ.). Domanski, Y. V., 2018a. The art world and the real world. In: M. M. Golubkov,...

..., 2007. Similarity analysis and the translation profile. Belgian Journal of Linguistics, 21(1.1), pp. 53—66. Chesterman, A. and Baker, M., 2008. Ethics of renarration. (Interview with Mona Baker). Cultus, 1(1), pp. 10—33. Cheyfitz, E., 1991. The Poetics of Imperialism: Translation and Colonization from The Tempest to Tarzan. Oxford: Oxford University Press. Dolar, M., 2006. A voice and nothing more. Cambridge, MA: The MIT Press. Fernyhough, C., 2017. The voices within: The history and science ...

... Benjamins. Pym, A., 2004b. “Propositions on cross-cultural communication and translation”. Target, 16(1), pp. 1—28. Schäffner, C., ed., 1999. Translation and Norms. Clevedon: Multilingual Matters. Sengupta, M., 1990. “Translation, Colonialism and Poetics: Rabindranath Tagore in Two Worlds”. Translation, History and Culture. London and New York: Pinter. Solum, K., 2017. “Translators, editors, publishers, and critics: Multiple translator­ship in the public sphere”. Textual and Contextual ...

... [Bulletin of the Tambov University. Series: The humanities], 5(23), pp. 109-111 (in Russ.). Sobolev, N.I., 2012. From the creative history of I. Shmelev's story "The Inexhaustible Chalice". Problemy istoricheskoi poetiki [Problems of historical poetics], 10, pp. 328-340 (in Russ.). Tatarkin, V.I., 2011. Vozvrashchayas' v istokam khristianskogo ucheniya [Returning to the origins of the Christian teaching]. Tyumen (in Russ.). Shmelev, I.S., 1998. Neupivaemaya chasha [Inexhaustible chalice]. Vol....

... correlation between the themes of life and death, which gravitate in the novel towards a difficult, yet clear victory of life over death. I trace how the autobiographical character- narrator gradually turns to God and faith. I prove that, in the novel’s poetics, the author uses such a technique as the compression of the plot and the idea into two symbolic metaphors — the dance in the crematory and the zoo, which stand for resurrection and the triumph of life in the tragic space of Königsberg/Kaliningrad ...

... aesthetics and gnosiology of the 18th century and examine its correlation with the 20th-century aesthetic and semiotic concepts. We stress the significance of Baumgarten’s ideas for the development of new aesthetic systems rejecting the traditional poetic and rhetorical systems. Baumgarten made an important contribution to the development of the idea of sensible cognition as the goal of aesthetics, which was formulated by F. Schiller in his Letters upon the Aesthetic Education of Man. Asmus, W....

... Orthodox churches. Special attention is paid to Konrad von Wurzburg’s concept of ‘genre’, its essential features and the reader’s perception of hagiographic texts. I hold that German medieval writ­ers tended to create spiritual literature in a poetic form. I define the terms, which according to Ger­man tradition, characterize hagiography as a genre in the medieval epoch and compared them with the notion used by Konrad von Würzburg. I examine the peculiarities of the text structure, the functions ...

... konkurentsiya i partii v gosudarstvakh postsovetskogo prostranstva [Political competition and parties in the states of the post-Soviet space]. Moscow. p. 32. 16. Zolyan, S. T., 2014. Semantika i struktura poeticheskogo teksta [Semantics and structure of poetic text]. Moscow. pp. 42—43. 17. Zolyan, S. T., 2016. Semiotics and pragmasemantics of political discourse. Politicheskaya nauka [Political science], 3, pp. 47—77. 18. Il'in, M. V., 2002. Political discourse as a subject of analysis. Politicheskaya ...

... linguistic thought in the west. Literatura i marksizm [Literature and marxism], 5, pp. 115—149. 13. Voloshinov, V. N., 1929. Marksizm i filosofiya yazyka [Marxism and the Philosophy of Language]. Leningrad. 14. Voloshinov, V. N., 1930. On the limits of poetics and linguistics. In: V. Desnitskii, L. Tsyrlin and N. Yakovlev, eds. V bor'be za marksizm v literaturnoi nauke [In the struggle for marxism in literary science]. Moscow. pp. 203—240. 15. Voloshinov, V. N., 1930. Marksizm i filosofiya yazyka ...

The article is an overview of the thematic issue of the Polish research journal "Russian Review" dedicated to the image of modern Russia in political, media, poetic, marketing and didactic types of discourse. Both national and international research works are taken into consideration. Nowadays researchers become increasingly interested in the category of image. A noticeably stronger position of anthropological,...

1. Барт Р. Смерть автора // Избранные работы. Семиотика. Поэтика. М., 1994. С. 384—391. 2. Виноградов В. В. Проблема сказа в стилистике // Поэтика. Л., 1926. Вып. 1. С. 24—50. 3. Гаспаров М. Л. Записи и выписки. М., 2001. 4. Григорьев В. П. Грамматика идиостиля. М., 1983. 5. Гумбольдт В. О различии строения человеческих языков и его влиянии на духовное развитие человечества. СПб., 1859. 6. Золян С. Т. К проблеме описания поэтического идиолекта (на материале поэзии Л. Мартынова) // Известия АН СССР...

This article examines the concept of cultural memory. Special attention is paid to historiographical texts as a means of representation of cultural memory. The author analyses and compares theories describing relations between historiographical and literary texts. Such relations are based on the fiction/non-fiction opposition. It is concluded that the aesthetic component assumes significance in structuring historiographical texts. 1. Assmann, A., Assmann J., 1994. Das Gestern im Heute. Medien...

... Church Slavic dictionary]. Moscow. 4. Simonov, K., Vysotskii, V., Okudzhava, B. et al., 2015. Zhdi menya: stikhotvoreniya [Wait for me: poems]. Moscow. 5. Zholkovskii, A. K., 2011. Poetika Pasternaka: Invarianty, struktury, interteksty [Pasternak's Poetics: Invariants, Structures, Intertexts]. Moscow. 6. Krasheninnikova, E., 1997. Bits about Pasternak. Novyi mir [New world], 1. Available at: http://magazines.russ.ru/novyi_mi/1997/1/krashen-pr.html [Accessed 02 June 2015]. 7. Kutkovoi, V. S., 2011....

... life and traditions of the Russian nobility (XVIII — beginning of XIX century)]. St. Petersburg. 24. Mal'tsev, G. I., 1981. Traditional forms of non-ritual lyrics. In: A. A. Gorelov, ed. Russkii fol'klor. Poetika russkogo fol'klora [Russian folklore. Poetics of Russian folklore]. Leningrad. Vol. 21, pp. 13—37. 25. Melerovich, A. M., 1979. Problema semanticheskogo analiza frazeologicheskikh edinits sovremennogo russkogo yazyka [The problem of semantic analysis of phraseological units of modern Russian ...

... — the first half of XIX century]. Cand. philol. sci. diss. thesis. Moscow. 8. Podoroga, V. A., 1995. Vyrazhenie i smysl [Expression and meaning]. Moscow. 9. Fateeva, N. A., 2004. Directories "by", "from" and... "to", or Poetical language in progress. In: N. A. Fateeva et al., eds. Poetika iskanii ili poisk poetiki [Poetics of searching or searching for poetics]. Moscow, p. 79—89. 10. Fateeva, N. A., 2006. Otkrytaya struktura: O poeticheskom yazyke i tekste rubezha ...

... translation theory. Article 2: Semantics of translation as a semiotic variable. Inostrannye yazyki v vysshei shkole [Foreign languages in higher education], 4 (39), p. 45—55. 7. Zolyan, S. T., 2017. M. L. Gasparov and the principle of relativity of poetic translation. In: M. Akimova, M. Tarlinskaya, eds. M. L. Gasparov. O nem. Dlya nego: Stat'i i materialy [Gasparov. About him. For him: Articles and materials]. Moscow, p. 486—504. 8. Quine, W., 2000. Slovo i ob"ekt [Word and object]. Moscow....

... text, a co-author, a linguistic innovator, a poet, and a linguist. The two latter roles are crucial for translating poetry. Translators of poetry create ‘their own’ texts. It is obvious that they cannot distance themselves completely from their poetic selves and their language personalities. At the same time, translators of poetry must convey the linguistic features of the original. This requires a comparison of the source and target languages and the solving of concrete linguistic problems....

This article is the author’s lyrical reflection on the literary life in modern Lithuania. One of its particular aspects is poetical festivals of different levels. In this context, the author considered the 50th festival “The spring of poetry” dedicated to the 300th anniversary of the birth of Kristijonas Donelaitis. The festival made it possible to identify the influence ...

This article considers the correlation between N. Kononov’s short story and the literary pretexts. It is stressed that the intertextual poetics of the short story is shaped by the patterns of the author’s poetical world. The citation and allusion field of the short story is analysed as a component of the literary whole fulfilling original meaning-generating functions. The article analyses ...

Karsavin’s book Giordano Bruno is considered in the context of its author’s biography. The article explores the hypothesis about the deep ideational and spiritual connection between Karsavin and Giordano Bruno forged by undoing the fetters of rationality through a mystical epiphany. It is shown that, in the book, Karsavin foresaw his own academic fate. 1. Книжная полка // Воронежская коммуна. 1922. № 178 (830). 2. Карсавин Л. Noctes Petropolitanae. Петербург, 1922. 3. Карсавин Л. П. О началах...

Anagram, poetic text, symbol, paronomasia, semiotics, diachrony, Russian literature. 1. Генон Р. Символы священной науки. М., 1997. 2. Гущин В. Дмитрий Авалиани: Средневековое доверие к ...

The title and text of Lomonosov’s spiritual Meditation is considered within the system of an integrated context of meanings. The role of the title is identified through its connection with the structural and semantic framework of the poetic plot. 1. Даль В. И. Толковый словарь живого великорусского языка : в 4 т. М., 2001. 2. Кржижановский С. Д. Поэтика заглавий. М., 1931. 3. Ломоносов М. ...

There are virtually no specialized studies into the creation of poetic image of N. Karamzin in late 18th — early 19th centuries in Russian literature; though it is the expressiveness and imagery of poetry which can have a great impact on the myths in public consciousness. The present study is based on the texts ...

... Karavashkin, A. V. and Yurganov, A. L., 2003. Opyt istoricheskoi fenomenologii: Trudnyi put’ k ochevidnosti [Experience of historical phenomenology: a difficult path to obviousness]. Moscow. 10. Likhachev, D. S., 1979. Poetika drevnerusskoi literatury [Poetics of ancient russian literature]. 3rd ed. Moscow. 11. Likhachev, D. S., 1970. Chelovek v literature Drevnei Rusi [Man in the literature of Ancient Russia]. Moscow. 12. Lur’e, V. M., 2009. Vvedenie v kriticheskuyu agiografiyu [Introduction to critical ...

... Lestayo J. R. S. Les mots sous les choses: Starobinski, Borges, Saussure //Modern Language Notes. 2014. Vol. 129, № 2 (Hispanic Issue). Р. 330—351. 12. Luz Ch. Technopaignia, Formspiele in der griechischen Dichtung. Leiden, 2010. 13. Malamud M. A poetics of transformation: Prudentius and classical mythology.Cornell University Press, 1989. 14. Maleuvre J.-Y. Les Fastes d'Ovide ou la guerre du calendrier // Revue belge de philologie et d’histoire. 1997. T. 75, fasc. 1. Р. 69—105. 15. Maleuvre ...

... Iseult legend with the texts of Hellenic and Celtic cultures, the emphasis on the language component of the legend and opera, and the role of literary influences exerted on Wagner. The article analyses the use of the Tristan and Iseulte motif in the poetic works of Cheskhkhin. 1. Веселовский А. Н. Из истории романа и повести. Вып. 2 : Славяно-романский отдел // Сб. отделения русского языка и словесности ...

1. Голдовский Б. П. Куклы: энциклопедия. М., 2004. 2. Даль В. Толковый словарь живого великорусского языка: в 4 т. М., 1978—1980. Т. 4. 3. Исаев С. Г. «Молчу… и втайне я страдаю…»: Антропология и поэтика концептов «лицемерие» и «приличие» в лирике Пушкина 1810—1820-х годов //Слово.ру: балтийский акцент. 2010. № 1—2. 4. Крейдлин Г. Е. Невербальная семиотика: Язык тела и естественный язык.М., 2004. 5. Пруайяр Ж. «Лицо» и «личность» в творчестве Бориса // Пастернаковские...

1. Батюшков К. Н. Соч.: в 2 т. М., 1989. 2. Бойко М. Н. Авторские миры в русской культуре первой половины XIX века. СПб., 2005. 3. Вацуро В. Э. С. Д. П.: Из истории литературного быта пушкинской поры. М., 1989. 4. Виноградов В. В. История слов. М., 1999. 5. Вяземский П. А. Взгляд на литературу нашу в десятилетие после смерти Пушкина. 1847 // Вяземский П. А. Полн. собр. соч.: в 12 т. СПб., 1878—1896. Т. 2. 6. Георгиева Т. С. Культура повседневности: в 3 кн. Кн. 2: Частная жизнь и нравы от Средневековья...

... Yearbook — 2003. Moscow: Nauka, pp. 333-353. (In Rus.) Belov, V. N., 2015. Is Hermann Cohen a Neo-Kantian? Kantian Journal, 1, pp. 38-45. (In Rus.) Bibler, V.S., 1991. Mikhail Mikhailovich Bakhtin, ili Poetika kul’tury [Mikhail Mikhailovich Bakhtin, or Poetics of Culture]. Moscow: Progress; Gnozis. (In Rus.) Bienenstock, M., ed. 2011. Hermann Cohen: l’idéalisme critique aux prises avec le matérialisme. Revue de métaphysique et de morale, 1. Bienenstock, M., 2018. Cohen und Rosenzweig: ihre Auseinandersetzung ...

... theories. Kant’s aesthetics, concepts of beauty, the sublime, genius, as well as various aspects of their interpretation within the romantic doctrine of "new mythology" and aestheticisation of life, the discovery of a fragment as a way of poetic thinking became topical in contemporary debates about reality, knowledge, human being and society. 1. Бодрийяр Ж. Символический обмен и смерть. М., 2000. 2. Ваттимо Дж. Прозрачное общество....

... theological agnosticism, which correlates with Kant’s own theories. In the poem Kant's Mask and the aphorisms Kant Unmasked, Vl. Mikushevich addresses Kant’s attitude to God from the religiousphilosophical point of view. Such dialogue at a high level of poetic and philosophical culture enriches these cultures. 1. Блок А. Собр. соч.: в 8 т. М.; Л., 1960. Т. 1. 2. Борычев А. На что потратил время сомневающийся Кант! URL: http://www.poezia.ru/article ...

The tragedy Boris Godunov occupies a unique place in A. S. Pushkin’s oeuvre. It was a turning point, when the author needed the whole power of his poetical genius, when a work beyond traditional literary and aesthetic styles, which interchange and establish a canon of a new style that transforms its predecessors in an act of creativity, appeared in Russian culture. Boris Godunov marked the birth ...

... soznanii [About consciousness] In: Neobhodimiost sebya (Lektsii. Stati. Filosofskie zametki) [The necessity of self (Lections, articles, Philosophical notes)], Moscow, pp. 214—228. 14. Mihailov A. V. Poetika barokko: zavershenie ritoricheskoi epokhi [The poetics of the Baroque: the end of the rhetorical era]. In: Mikhailov, A. V. Iazyki kul’tury [Languages of culture], Moscow, pp. 112—175. 15. Romanovskaya, T. B. 2000, Inaya realnost i problemyi interpretatsii v fizike [Another reality and problems ...

... which is interpreted as an indirect warning against ‘chimeras of imagination’ capable of transporting ‘spectres’ into actual ontology. It is stated that such transportation is reflected in the characteristics of artistic imagination and its poetic keys opening the ‘doors of perception’ that are closed to the other forms of social consciousness/unconsciousness. The article analyses E. T. A. Hoffmann’s novel The Sandman, which is interpreted as a romantic warning against symbolic plays ...

... Fet’s letters. Three aspects are criticised: firstly, A. Schopenhauer’s idealism, secondly, agnosticism, and, thirdly, inconsistency, contradictions in the philosopher’s reasoning. A special section of the work is dedicated to the analysis of the poetic triptych consisting of three poems written in 1879—1880: “Nothingness”, “That is not why the Lord is mighty…”, and “Never”. Fet dedicated the triptych to criticising the principles of A. Schopenhauer’s philosophy. It is demonstrated ...

... канд. филос. наук. М.,2011. 11. Arthos J. The fullness of understanding: the career of the inner word in Gadamer scholarship // Philosophy Today. № 55.2. 12. Bruns Gerald L. The remembrance of language: an introduction to Gadamer’s poetics// Gadamer on Celan. Who am I and Who are You? and other essays. N.Y., 1997. 13. Gadamer H.-G. Dichtung und Mimesis // Gesammelte Werke. Bd. 8: Tübingen,1993a. Äesthetik und Poetik. 1. Kunst als Aussage. 14. Gadamer H.-G. Die Vielfalt der Sprachen ...

The article analyzes H. Ch. Andersen’s works, published in Russian in 2016 under the title “The Forgotten Stories of Hans Christian Andersen”. Their content and poetics are considered at the background of the writer’s creative evolution. The authors studies the reasons that determined the incompleteness of a number of works, and the circumstances that prompted the author to refuse to publish completed texts....

The article is dedicated to the spatial organization of the novel by M. R. James “Number 13”, published in his first book of collected stories. A shift in the poetical paradigm is noted: the transition from traditional Gothic topoi to modern urban space. According to the Gothic view on the distant past and antiquity, certain architectural features are ascribed to the reinterpreted Gothic topoi. In he novel,...

The article aims to clarify the genre and narratological features of the most famous novel by J.-P. Carlet de Chamblain de Marivaux Marianna’s Life. This work is usually mentioned as a sample of the epistolary prose of Enlightenment. However, the poetics of this literary work which sometimes is called the Second Pamela does not match the poetic manners of Richardson who is considered to have been the creator of the epistolary novel. Richardson influenced the development of European as well as ...

Allusion as a technique of fiction has been studied by various scientific disciplines for the past few decades. This “translator” of cultural, historical and literary information is a significant element that serves to reveal the author’s intention. Allusive inclusions from the works of M. Matusovsky are divided into groups depending on the source of allusions. Biblical, literary and cinematic allusions are studied in detail as the most significant in terms of functional and stylistic use. Allusive...

... polar space’ nature in the novel by the French polar writer P.-E. Victor. The relevance of the research is supported not only by the relatively little-studied heritage of P.- E. Victor in Russia but also by the poor knowledge of the key aspects of his poetics. The logic of the formation of the visual complex is traced, which combines the realistic approach to the weather phenomena of the Arctic and their literary psychologization. A close connection is revealed between the images of snow, blizzard,...

... semantic category, explicit at various textual levels: lexical, syntac­tic, phonetic, and compositional. The role of the following language resources in structuring the authorial modality of the analyzed text has been identified: syntactic parallelism, poetic meter and rhythm, tropes of various structures, stylistic diversity of vocabulary, phonetic instrumentation, and compositional organization of speech. It is established that the combina­tion of means expressing the author’s modality in the poem ...

... cognition: A field map (inroduc­tion) // The work of fiction: Cognition, culture, and complexity / ed. by A. Richard­son, E. Spolsky. N. Y., 2004. P. 1—29. 19. Smith G. Film structure and the emotion system. Cambridge, 2003. 20. Stockwell P. Cognitive Poetics. An Introduction. L. ; N. Y., 2002. 21. Turner M. Reading minds: The study of English in the age of cognitive sci­ence. Princeton, 1991. 22. Tsur R. How do the sound patterns know they are expressive: The poetic mode of speech-perception. Jerusalem,...

... Celan’s Poetry. URL: http://real.mtak.hu/30660/(дата обращения: 17.11.2020). 21. Lakoff G. The contemporary Theory of Metaphor / Metaphor and Thought. 2 nd ed. Cambridge, 1993. 22. Perloff M. «Sound Scraps, Vision Scraps»: Paul Celan’s Poetic Practice // Reading for Form / eds. S. J. Wolfson, M. Brown. Seattle, 2006. P. 177—202. 23. Widgen W. Enigmatic meaning construction in Paul Celan’s poetry and some evolutionary and cognitive outlooks. URL: http://www.fb10.unibremen.de/home ...

... problems in the space of poetry. Reincarnating as their characters (philos­opher and artist), Miłosz and Nemerov work in the subject area of professional cognitive scientists, they reproduce the process of analytical thinking. The article studies the poetic cognitive schemes that create a mental im­age of reality. Cz. Miłosz and H. Nemerov build a similar route for the verbal representation of the world. The process breaks down into several elements like nomination, categorization, conceptualization ...

The article considers the specific perception of Dostoevsky's creativity in poetry and essays by Milos. The author studies Milosz's multiple reinterpre­tations of the precedent formula “If there is no God, everything is allowed” in the poems “If not”, “Meaning” and “Oeconomia divina”. It is concluded that the poems under study form a "triptych", where the leading role is played by dialectics of word and silence. 1. Гильманов В. Х., Копцев И. Д., Мальцев Л. А. Т. Манн и Ф. М. Достоевский:...

... article is dedicated to the spatial organization of one of Ishiguro's lat­est novels "The Buried Giant". The authors focus on the process of changing of the aesthetic paradigm taking place in modern prose and affecting the foun­dations of its poetics. Special attention is paid to that kind of changes in the spatio-temporal organization of the text. Its peculiarity in Ishiguro's novel is the artistic synthesis of the surreal elements (mythopoetics, space of memory, the loci of consciousness,...

... author, literary experimenter, and member of the Oulipo group, whose works are strongly influenced by pictorial art. This paper explores various ways in which pictorial art affects the plots, style, lan¬guage, structure, and composition of Perec’s poetics. It is argued that the three most important functions of visual art in Perec’s prose are plot-forming, structural, and conceptual-stylistic ones. 1. Балаш А. Н. Изображение художественных коллекций: ...

... Orpheus’s dual semantics as the archetypical poet and musician as well as of the general motifs of temptation/seduction and selling one’s soul. It is established that, perceived as a single source of meanings and plots, the myth encourages the musical and poetical culture of the 20th/early 21st centuries to exploit deep¬er levels of the mythological metasystem and to build new cultural mythologies. Contemporary artists transform the traditional models of mythical think¬ing, having placed them into current ...

..., which resembles Bezsenność in terms of genre. The works of the author are considered in the context of 20th-century European history from World War II to the present day as well as of Głowacki’s biography, worldview, ideology, aesthetics, and poetics. 1. Гловацкий Я. Из головы. М., 2007. 2. Гловацкий Я. Из головы: фрагменты книги / пер. И. Подчищаевой // Иностранная литература. 2006. № 8. С. 211—240....