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In this article, we consider the semiotic concept developed by Alexander Gottlieb Baumgarten, a founder of modern aesthetics. We describe the principles of the semiotic theory, as expressed in Baumgarten's Metaphysica, particularly in the parts ‘Ontology’ and ‘Psychology’, in which he introduced the basic semiotic terminology. We pay special attention to ...

This article considers H.-G. Gadamer’s hermeneutics in the context of Kant’s aesthetic theory laid down in the Critique of Judgement. Kant facilitated the development of aesthetics as an independent science, for the first time addressing the problem of the cognising and perceiving subject. Gadamer, a prominent 20th century philosopher,...

... spaces, referential uncertainty, the functioning of com­puter terms as metaphors in poetic discourse, and their secondary metaphorization/deme­ta­pho­rization. The active interaction of poetry and technology leads to the creation of communi­cation aesthetics, with a key parameter being the formation of hybrid cognitive-communi­ca­tive zones in poetic discourse. Azarova, N. M., 2010. Yazyk filosofii i yazyk poezii — dvizhenie navstrechu (grammat­ika, leksika, tekst) [ The language of ...

The paper examines the interaction of the poetic function with the emotive and expressive functions in belles-lettres texts. The authors attempt to prove that the poetic function should not be equated with the aesthetic one. The former overlaps all the above-mentioned func­tions, but alone bears the responsibility for the form-content fusion. The paper focuses on the less evident mechanisms of the poetic function, beyond the obvious effect of tropes and figures ...

The article develops a view of neural networks as a tool for formulating and verifying philological hypotheses related to various aspects of the generation and reception of a literary text. The principles of aesthetic communication are analyzed, in which, thanks to the development of the modern technological environment, an anthropic author, a neural network and a recipient can participate equally. Neuropoetry is interpreted through the metaphor of a “battle ...

... Podzemskaya and Yu. N. Yakimenko, eds. Iskusstvo kak yazyk — Yazyki iskusstva. Gosudarstvennaya akademiya khudozhestvennykh nauk i esteticheskaya teoriya 1920-kh godov [Art as a language — The languages of art. The State Academy of Art Sciences and Aesthetic Theory of the 1920s]. Vol. II. Moscow, pp. 487—512 (in Russ.). Grübel, R., 2010. “Krasnorechivey slov inykh / Nemye razgovory”: Concept of inner form in “Khudozhestvennaya forma” by GAKhN (1927) through the prism of conceptions by ...

This article analyses the role of aesthetic education in the personality de-velopment of a child. The author emphasizes the importance of aesthetic edu-cation as an imprescriptible part of educational system in the conditions of modern culture. Special attention is given to the methodological ...

... its verification and examines its relationship with ex­tralinguistic objects. From this perspective, the artistic expression's ability to establish objec­tive references is either entirely denied (by Frege) or associated with the actions of "aesthetic operators" (Linsky), specific illocutionary attitudes (Searle), or the recipient's standpoint (Zolyan). On the other hand, the theory of the poetic function of language, as presented in formalism and structuralism, posits that the reference ...

... unconscious]. Moscow (in Russ.). Johansen, S., 1949. La notion de signe dans la glossématique et dans l'esthétique. Recherches structurales = Travaux du cercle linguistique de Copenhague 5. Copenhagen. Larin, B. A., 1974. Jestetika slova i jazyk pisatelja [Aesthetics of the word and the language of the writer]. Leningrad (in Russ.). Lotman, Ju. M., 1998. Ob iskusstve [On art]. Saint-Petersburg (in Russ.). Mukařovsky, J., 1996. Struktural'naja pojetika [Structural poetics]. Moscow (in Russ.). Nikolaeva,...

... practices of image-creating. The authors demonstrate how the categories of the “beautiful” and “sublime” become a general framework for the description of the moral and mental properties of human nature. The authors show that Kant’s use of “aesthetic” wording in the title of his treatise does not announce that his aim is analysis of artistic perception and practices, but mainly refers to the form of his anthropological study and conceptualisation of scientific knowledge. Kant has transferred ...

This article is devoted to the origins of the "aesthetic turn" in contemporary philosophy and the increasing importance of aesthetic categories and art experience for contemporary theories. Kant’s aesthetics, concepts of beauty, the sublime, genius, as well as various aspects of their interpretation ...

The article discusses the possibility of detecting the grounds of the aesthetization process in modern culture in the structure of the Kantian philosophy. The connection of Kant's aesthetics with science and morality is traced, and also Kant’s influence on the romantic philosophy of art is revealed. The loss of its classical ...

This article considers the key aspects of P. Natorp’s aesthetics in the system of his philosophy and identifies the legitimate position of aesthetics in the structure of philosophical disciplines: logic, ethics, and philosophy of religion. The author analyses the understanding of aesthetics and philosophyof ...

There is a need to integrate the stages of modern education at the level of healthcare, culture and physical training of schoolchildren by means of aesthetic culture. The earlier the theoretical framework of aesthetic culture is instilled into schoolchildren, the more efficient is the development of an educated personality of the young generation. 1.  Фролова А.   Б. Эстетические ...

The article deals with practical and theoretical questions of modern education, conducts search for new forms, methods, means and regularities of aesthetic culture of school children. The author considers the formation of primary school children aesthetic culture by means of choreography and the attitude of parents and teachers to this process. 1.  Фокина Е.   Н. Хореография ...

This article analyses the evolution of aesthetic ideals of baroque as the reflection of changes that took place in social consciousness. The author formulates the content standards of aesthetic ideal of baroque music and focuses on the history of spread of baroque music in East Prussia in ...

... To the philosophy of action. In: Filosofiya i sotsiologiya tekh­niki. Ezhegodnik. 1984—1985 [Philosophy and sociology of technology. Yearbook. 1984—1985]. Moscow, pp. 80—160 (in Russ.). Bakhtin, М. М., 1979. Estetika slovesnogo tvorchestva [Aesthetics of verbal creativi­ty]. Moscow, 424 p. (in Russ.). Berdyaev, N. A., 1989. Filosofiya svobody. Smysl tvorchestva [Philosophy of free­dom. The meaning of creativity]. Moscow, 608 p. (in Russ.). Brodsky, I. N., 1973. Otritsatel'nye vyskazyvaniya ...

... lived and worked in the late nineteenth and early twentieth centuries still attracts lively in- terest among Russian philosophers today. Witness the multiple monographs, articles and reports focusing on Cohen’s theory of cognition, his ethics and aesthetics, the search for convergences between the Christian religion and the Judaic tradition, the concept of the philosophy of culture, the relationship between morality and law and many other issues. The review pays particular attention to the works ...

... Speth as a Philosopher of Science: The Experience of Antidogmatic Teaching. In: G. G. Shpet, 2010. Filosofiya i nauka [Philosophy and Science]. Edited by T. G. Shchedrina. Moscow: ROSSPEN, pp. 5-16. (In Rus.) Shpet, G. G., 1989. Esteticheskie fragmenty [Aesthetic Fragments]. In: G. G. Shpet, 1989. Works. Moscow: Pravda, pp. 343-472. (In Rus.) Shpet, G., 1991. Appearance and Sense. Phenomenology as the Fundamental Science and Its Problems. Translated by T. Nemeth. Dordrecht & Boston & London: Kluwer. ...

... influence was, I first reconstructed the views of Shaftesbury on the nature of the moral sense and then proceeded to analyse the place of this concept in Hutcheson’s philosophy. In the case of the former the moral sense is closely linked with the aesthetic categories of the beautiful and the ugly which correspond respectively to the aesthetic categories of good and evil. The latter associates the moral sense with reason. I then examine Kant’s attitude to the concept of moral sense. First I look ...

... poet­ry within contemporary artistic culture, framing author cinematography through the lens of the poetic concept. Intermediality and interdiscursivity are explored as intrinsic properties of cinema, serving as tools for shaping the unique style and aesthetics of filmmakers. Two films, “Stalker” by Andrei Tarkovsky and “Ugly Swans” by Konstantin Lopushansky, are selected as primary sources for analysis due to their continuity and innovative qualities. The research employs a comprehensive ...

... of the historical and theological term ‘church tradition’, as a kind of ‘divine institution, rule’. The transition from folklore to literature itself is considered within the framework of the distinction proposed by Yu. M. Lotman between the aesthetics of sameness and the aesthetics of contradiction. semantic structure, context, sameness of the word, desemantization, Osse­tians, literature, Khetagurov Kosta, Christianity, repentance 154-168 10.5922/2225-5346-2025-3-10

... Significant attention is given to Chapelain’s connection with his time, during which the function of literature and the position of the writer were evolving, as well as his substantial contribution to the establishment and consolidation of classicist aesthetics on a national level. The article addresses the critic’s role in the development of literature, his influence on the formation of aesthetic taste, his mediation between the author and the audience, and the nature of the political engagement ...

... dissonance and the translator’s justification of sense-oriented strategies in dealing with such key concepts as ‘connoisseur’, ‘grace’, ‘sublime’, and ‘je ne sçai quoi’ in the translation of the seminal work on the philosophy of aesthetics Analysis of Beauty by the celebrated 18th century English artist William Hogarth. Angelone, E., 2010. Uncertainty, Uncertainty Management, and Metacognitive Problem Solving in the Translation Task. In: G. M. Shreve and E. Angelone, eds....

... formation of a mythological world in which its own spe­cial laws operate. In both discourse types, orientation towards results correlates with orienta­tion towards the message itself. Bakhtin, M. M., 1986. Estetika slovesnogo tvorchestva [The aesthetics of verbal creativity]. Moscow, 445 р. (in Russ.). Fateeva, N. A., 2001. The main trends in the development of poetic language at the end of the XX century. Novoe literaturnoe obozrenie [New literary review], 4, pр. 416—434 (in Russ.). Feshchenko,...

In his novels, Dostoevsky refers to the Pushkin text to describe characters. For Dostoev­sky, Pushkin is an ethical and aesthetic touchstone; the writer’s voice is consonant with that of the poet’s persona. In some cases, the Pushkin text is embedded in religious discourse (the parable of the prodigal son). In interpreting the Pushkin text, Dostoevsky’s characters ...

... Condition. Victoria: Melbourne Universi­ty Press. Brügger, N. and Milligan, I. eds., 2019. The SAGE Handbook of Web History. Lon­don: SAGE Publications Ltd. Buckland, M., 2017. Information and Society. Cambridge: The MIT Press. Campanelli, V., 2010. Web Aesthetics. How Digital Media Affect Culture and Society. Rotterdam: Institute of Network Cultures and Nai Publishers. Castells, M. ed., 2004. The Network Society. A Cross-cultural perspective. Chelten­ham: Edward Elgar Publishing, Ltd. Ceruzzi, P., ...

This article considers the aesthetic views of Delvig as a critic and identifies the sources that help him develop individual criteria for assessing literary works. The author emphasises his original interpretation of theoretical problems of aesthetics characteristic of Romanticism....

This is a review of the main research achievements of Professor L. A. Kalinnikov presented in his articles and monographs. The theoretical issues of Kantianism considered in Kalinnikov’s works include the problem of cognisability of “the thing in itself” and noumenal affection, the character of systematicity in Kant’s philosophy and the methodology of its interpretation. Cycles of articles are devoted to the reception of Kant’s ideas in the philosophical and poetic work of V. S. Solovyov, Kant’s...

... moral redefinition of the subject — while point 4) addresses Christ as an example (Vorbild) — sustaining and entertaining the moral redefinition as a motivating model. Allison, H., 2001. Kant’s Theory of Taste: A Reading of the Critique of Aesthetic Judgment. Cambridge: Cambridge University Press. Engstrom, S., 2009. The Form of Practical Knowledge: A Study of the Categorical Imperative. Harvard: Harvard University Press. Firestone, C. L., Jacobs, N. A., 2008. In Defense of Kant’s Religion....

... conceptual key to the critical philosophy of love, which was never fully articulated in Kant’s lectures or published works. Moral love and legal awareness prevent the encroachment of vital love, as the maxims of ‘barbarian taste’ are being overcome. Aesthetic love — which dwells in the element of sophisticated taste as a capacity to judge with pleasure in matters of beauty, free from any interest, and without the mediation of concepts — appears to be the paramount condition for the possibility ...

... investigation in the “First Moment” of the “Analytic of the Beautiful” in the Critique of the Power of Judgment. That is, “existence” is not a secondary or subordinate part of a more general discourse concerning the “disinterestedness of aesthetic judgment”. Rather, the whole characterization of the judgment of taste as a “judgment of an object grounded on a delight in it which is without any interest” shall be considered here as a means to constructing a new definition of the modal ...

This article undertakes to prove that I. Kant's dualism underlay the artistic two-world system of E. T. A. Hoffmann, who opposed the philosophical monism of romanticists. Under the influence of Kant's aesthetics and philosophy of art, E. T. A. Hoffmann's works develop a tendency towards exceeding the limits of traditional stylistic forms, which leads to a free interaction of different stylistic devices in the best of his works. 1. Байрон Дж....

... Russian philosophy (Reflections on the philosophy of Boris Vysheslavtsev)] // Postneokantyzm — ontologizm / pod red. B. Czardybon, L. Augustyna, M. Bohuna. Estetyka i Krytyka [Post-neo-Kantianism —ontologism / eds. B. Czardybon, L. Augustyn, M. Bohun. Aesthetics and Criticism]. № 26, p. 309—324. 21. Beben D. 2012, Kilka uwag o «Logosie», czyli filozofia kultury jako filozofia pierwsza [Some remarks on „Logos”, or philosophy of culture as first philosophy] // Folia Philosophica [Folia Philosophica]....

... well-reasoned apologia of reason as a mediator between the reality and the spirit — a mediator that acts through the mystery of imagination and the psychology of unconscious interest. The authors examine relevant aspects of Gottsched’s rational aesthetics in his struggle against pre-Romanticism theories. Attention is paid to the ideational proximity between Gottsched’s ideas and Kant’s regulative principles of practical reason. The authors emphasise the significance of Gottsched’s philosophy ...

This article deals with the essence of art in Gadamer’s philosophy, including his critical approach to Kantian aesthetical consciousness and subjectification of aesthetical experience in Kant’s philosophy. According to Gadamer, art deals with the notion of truth and should be associated not with aesthetics, but rather with ontology. Thus, art is the experience ...

This article provides an overview of the integrated model for developing creativity in children aged 2—5 years based on the principle of upward spiral dynamics. The role of aesthetic sensitivity as the principal structural compo-nent of the mode is analysed from the perspective of cultural and historical psychology and cognitive science. 1. Александров Ю. И., Александрова Н. Л. Комплементарность ...

This article considers the relevance, degree of development, and goals and objectives of research on the formation of aesthetic culture in younger and adult students in the process of learning ballroom dancing. The author offers a methodological and theoretical framework for solving the pedagogical problem in question. 1. Глобальные тенденции в развитии ...

... conclusion that the onomastic space of the work is connected with the writer’s picture of the world, who models the possible path of development of human civilization, based on the priority of the moral law. Literary abionyms perform an ideological and aesthetic function and at the same time endow the novel with additional deep meanings that contribute to a more holistic perception of artistic reality. S. Snegov, science fiction, “People as Gods”, onomastics, artistic space, toponyms, abionyms ...

... history evidence, individual housing plans, design details and other data. Restoring the volumetric and spatial composition and external appearance of the facades is complicated by the absence of historical sources dating back to the study period when the aesthetic of buildings was dominated by the style features of late Baroque, Rococo and early Classicism. Although the houses retained their Medieval layout, the appearance of the street-square changed. The facades, predominantly retaining their medieval ...

The article examines the aesthetic aspect of the artistic pursuits of famous English philologists and writers of the 20th century, Clive Staples Lewis and John Ronald Reuel Tolkien, based on their literary-critical works, essays, and fictional texts. In particular, the article ...

... information, while the second takes on an explanatory-interpretative character. A balance is determined between interpretation and commentary, the pursuit of objectifying meaning, and the subjectively personal experiential aspect, which is realized in the aesthetic experience, in the encounter between the author and the reader in the work. commentary, poem, commentation, interpretation, literary text, scientific genre, reader 75-88 10.5922/pikbfu-2024-1-7

... treat the first-person perspective as a reflective power of judgment, and the third-person perspective as a determinative power of judgment; doing so, I establish the connection between the qualitative interpretation of phenomenal experience and the aesthetic principle of the reflective power of judgment. I conclude that conscious experience as a subject matter of research is a hybrid object, and only the project of “nonmodern” science will make it possible to create a relevant theory of consciousness ...

... Birth of Immanuel Kant). Preparation of Remarks and the Accompanying Article by A. V. Shitov. Review of the Russian Christian Academy for the Humanities, 16(3), pp. 268-278. (In Rus.) Lapshin, J., 1939. An Essay on the Russian Actor (A Psychological and Aesthetical Study). Zapiski Russkogo nauchno-issledovatel’skogo ob’edineniya v Prage [Notes of the Russian Research Association in Prague], 9(68). Lapšin, I. I., 1947. Ruská hudba — Profily skladatelů. Praha : Za svobodu. Losskij, N. O., 1946....

Ezra Pound’s “Pisan Cantos” is a multi-layered palimpsest rewritten and written over previous editions several times, in which the non-translation of quotes, sayings and headlines becomes an aesthetically significant device. Younger branches of complex poetry after 1945, on the one hand, overcome Pound’s total project, on the other, inherit him through this ‘gap’. Within the framework of this article, the author explores how hermetic ...

... experimental verse, conceptual poetry, US Language Writing, and Arkadii Dragomoshchenko’s poetic texts. The study has found that the deictic means of language, interacting with the visual space of the poetic text, actualize the dynamic subjec­tivity of the aesthetic utterance. In poetic discourse, the spatiality, length and duration of the utterance (message) as such is a particularly active field of indexicality. Akhapkin, D. N., 2012. Cognitive Poetics and the Problem of Deixis in a Literary Text....

... 118—132 (in Russ.). Eco, U. A., 1976. Theory of Semiotics. Bloomington. Indiana University Press. Feshchenko, V. V. and Koval', O. V., 2014. Sotvorenie znaka. Ocherki o lingvoestetike i semiotike iskusstva [Creation of a sign. Essays on linguistic aesthetics and semiotics of art]. Moscow (in Russ.). Florensky, P., 1990. U vodorazdelov mysli [At the watersheds of thought], Vol. 2. Moscow (in Russ.). Geller, L. 2019. Anarchism, modernism, avant-garde, revolution. About Gordin brothers. In: Brat'ya ...

... In: E. N. Zalta, ed. Stanford Encyclopedia of Philosophy (Summer 2021 Edition) . Available at: https://plato.stanford.edu/archives/ sum2021/ entries/truth/ [Accessed 01 September 2022]. Isenberg, A., 1973. Deontology and the Ethics of Lying. In: Aesthetics and Theory of Criticism: Selected Essays of Arnold Isenberg . Chicago, pp. 245—264. Martin, S., 2016. Supplemental Update. Semantics and Pragmatics , 9 (5), https:// doi.org/10.3765/sp.9.5. Serov, V., 2004. Encyclopaedic Dictionary of Catch ...

... Nemeth. Cham: Springer, pp. XXV-XXVII, 1-151. Shpet, G. G., 2006. Vnutrennyaya forma slova: etyudy i variatsii na temy Gumbol’dta. [The Inner Form of a Word: Etudes and Variations on Humboldt’s Themes]. Moscow: KomKniga. (In Rus.) Shpet, G.G., 2007. Aesthetic Fragments. In: G. G. Shpet, 2007. Iskusstvo kak vid znaniya. Izbrannye trudy po filosofii kul’tury [Art as a Form of Knowledge. Selected Works on Philosophy of Culture]. Edited by T. G. Shchedrina. Moscow: ROSSPEN, pp. 173-322. (In Rus.) Shpet,...

... znanija. Izbrannye trudy po filosofii kul’tury [Art as a Kind of Knowledge. Selected Works on the Philosophy of Culture]. Edited by T. G. Shchedrina. Moscow: Rossiiskaja Politicheskaja Enciklopedija (ROSSPEN), pp. 323-501. (In Rus.) Shpet, G. G., 2007b. Aesthetic Fragments. In: G. G. Shpet, 2007b. Iskusstvo kak vid znanija. Izbrannye trudy po filosofii kul’tury [Art as a Kind of Knowledge. Selected Works on the Philosophy of Culture]. Edited by T. G. Shchedrina. Moscow: ROSSPEN, pp. 175-321. (In Rus....