The aesthetic position of A. A. Delvig as a critic
Abstract
This article considers the aesthetic views of Delvig as a critic and identifies the sources that help him develop individual criteria for assessing literary works. The author emphasises his original interpretation of theoretical problems of aesthetics characteristic of Romanticism. It is stressed that the category of harmony defined by Delving as a crucial principle of artistry is very productive in his system of views and underlies his own poetry.
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