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... mechanisms guiding the reader through the text; meta-position in digital text analysis has the quality of relativity. A possible course of digital intermedial text analysis is proposed based on these considerations. Asmus, V. F., 1962. Reading as work and creativity. Voprosy literatury [Problems of Literature], 9, pp. 34—46 (in Russ.). Barthes, R., 1994. Izbrannye raboty. Semiotika. Poetika [Selected works. Semiotics. Poetics]. Moscow (in Russ.). Beloedova, A. V. and Kozhemyakin, E. A., 2002. Multimodal ...

... Drawing on Kuzmin’s diary entries and Khlebnikov’s corres­pon­dence, it seeks to reconstruct the poets’ personal and creative relationship, clarify the da­ting of the young author’s letter to his mentor, and analyze the mechanisms of textual ... ... poem. Particular attention is given to the poem’s intertextual dimensions. The first is literary, involving allusions to the works of Lord Byron (Childe Harold’s Pilg­ri­mage), Alexander Pushkin (the ode Liberty, Eugene Onegin), Mikhail Lermontov ...

... orienta­tion towards the message itself. Bakhtin, M. M., 1986. Estetika slovesnogo tvorchestva [The aesthetics of verbal creativity]. Moscow, 445 р. (in Russ.). Fateeva, N. A., 2001. The main trends in the development of poetic language at the end ... ... grammatika. [Poetic grammar], 1. Moscow, рр. 7—73 (in Russ.). Levin, Yu. I., 1998. Izbrannye trudy. Poetika, Semiotika [Selected Works. Poetics, Semiotics]. Moscow, 824 р. (in Russ.). Losev, A. F., 2001. Dialektika mifa [Dialectic of myth]. Moscow, 559 р....

... Vasilievsky. Vestnik drevnei istorii [Bulletin of Ancient History], 1. 6. Grekov, B. D., 1940. The significance of S. A. Zhebelev's work "The Last Move and the Scythian Uprising on Bhaipuri" for the History of Our Country. Vestnik drevnei istorii [Bulletin ... ... archeologists in the era of totalitarism. Historiographic essays]. Moscow. 18. Shunkov, V. I., 1952. Boris Dmitrievich Grekov (Creative way). In: V. P. Volgin, ed. Akademiku Borisu Dmitrievichu Grekovu ko dnyu semidesyatiletiya: sbornik statei [To academician ...

... linguistic studies of Kant’s texts. Linguistic Kant studies is a scientific discipline focusing on the language of Kant's works. Such a study can be either independent or integrated int a logicalphilosophical analysis. The author emphasizes Kant’s ... ... summarizes current findings on the philosopher’s style and language. It is shown that the analysis of Kant’s linguistic creativity (new terms, syntactic models, utterance structures, communicative speech structure, modality, text generation mechanisms,...

... reflected in poetry, the appearance in this reality of signs of "paradise life" and new, sometimes surpassing the creative personality, opportunities for self-expression. There is also a connection between the new "paradise" poetry ... ... December 2017] (in Russ.). Mandel'shtam, O., 1994. Sobranie sochinenii v 4-kh tt. T. 3: Stikhi i proza 1930—1937 [Collected works in 4 vols. T. 3: Poems and prose 1930—1937]. Moscow (in Russ.). Parshchikov, A., 1996. Vybrannoe [Selected] (in Russ.)....

The article is dedicated to the life and work of the Russian Neo-Kantianist Gavriil Gordon. The author addresses archive material and the memoires of Gavriil Gordon's children, which allow reconstructing certain episodes of his creative work. 1. ОР ГМИИ им. А. С. Пушкина. Кол. 11. Разд. 5. Ед. хр. 11. 2. Там же. Ед. хр. 13.

... organization of student campuses using examples from domestic and international experience. The relevance of the study is determined by the growing role of university campuses as drivers of regional socio-economic development and the formation of the “creative class.” The aim of the work is to identify models of the spatial organization of university campuses, to conduct their comparative analysis, and to assess the prospects for implementing foreign practices in Russian conditions. The study employs methods of comparative geographical ...

... for solving real-world problems and the potential of project activities to develop students’ independence, cognitive, and creative abilities. Based on psychological and pedagogical literature, the authors emphasize the importance of pedagogical and ... ... State University — a web service designed for communication between the client and the executor, as well as for supporting the work of the Project Learning Organization Center staff at the stages of project management: initiation, planning, management, ...

... theme (“Antimeshchanskaya pesnya” (Anti-Bourgeois Song), “Rynok” (Market)), which reveals its ambiguity in Ancharov’s work; as well as at the level of individual themes and motifs (social and racial injustice in the “world of capital”; the ... ... for which he fights). Ancharov frequently mentions Mayakovsky’s name, quotes his poems, and comments on his statements about creativity in his prose and interviews. Ancharov, Mayakovsky, tradition, motive, lyrical hero, urbanism, philistinism ...

... Moscow, pp. 80—160 (in Russ.). Bakhtin, М. М., 1979. Estetika slovesnogo tvorchestva [Aesthetics of verbal creativi­ty]. Moscow, 424 p. (in Russ.). Berdyaev, N. A., 1989. Filosofiya svobody. Smysl tvorchestva [Philosophy of free­dom. The meaning of creativity]. Moscow, 608 p. (in Russ.). Brodsky, I. N., 1973. Otritsatel'nye vyskazyvaniya [Negative statements]. Lenin­grad, 104 p. (in Russ.). Da Vinci, L., 2010. Izbrannye proizvedeniya Leonardo da Vinci [Selected works Leo­nardo da Vinci]. Vol. I. Moscow: Art. Lebedev Studio Publishing House, 444 p. (in Russ.). Damasio, A., 2010. Self Comes to Mind: Constructing the Conscious Brain. New York, 384 p. Epstein, M. N., 2004. Znak probela. O budushchem gumanitarnykh ...

... Semiotics], 1, pp. 268—283 (in Russ.). Strätling, S., 2022. Ruka za rabotoi. Poetika rukotvornosti v russkom avangarde [Hand at work. Poetics of man-made in the Russian avant-garde]. Moscow (in Russ.). Tatarinov, V. A., 1993. From the history of Russian ... ... Jazykoznanija [Topics in the study of language], 1. pp. 114—132 (in Russ.). universal language, interlinguistics, linguistic creativity, poetic avant-gar­de, Jakob Linzbach, Gordin brothers 8-29 10.5922/2225-5346-2023-2-1

... rap battle genre) — as a communicative field in which anthropic and digital authors interact as equal participants in the creative act, jointly forming new prerequisites for the reader’s perception of a literary text. The ‘co-creation’ of anthropic ... ... becomes ‘imitation of imitation’. Fadeeva, T., 2023. “Union” of an artist with a non-human agent: Utopia or a working model of artistic production? Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian,...

... of aesthetic taste, his mediation between the author and the audience, and the nature of the political engagement in literary creativity demanded by the time, as well as the relationship between the creator and power. Chapelain’s texts are examined in ... ... complexity depending on their application to different — fictional and non-fictional — genres. Through the analysis of specific works by Chapelain, the article traces the nature of the unfolding of his critical-theoretical discourse, reflecting the principle ...

..., Fr., 1975. Ritual and Knowledge Among the Baktaman of New Guinea . New Ha­ven: Yale University Press. Bühler, K., 1934. Sprachtheorie. Die Darstellungsfunktion der Sprache . Jena. Campbell, D., 1960. Blind variation and selective retentions in creative thought as in other knowledge processes. Psychological Review , 67, pp. 380 — 400. Campbell, N. R., 1957. Foundations of Science . New York: Dover Publications. Delancey, C. S., 2007. Meaning Naturalism, Meaning Irrealism, and the Work of Language. Synthese , 154 (2), pp. 231 — 257. Gavrilets, S., 2004. Fitness Landscapes and the Origin of Species . Monographs in popu­lation biology, 41. Princeton University Press. Giddens, A., 1984. The constitution of society: Outline ...

... Comprehensive rese­arch experience]. Moscow (in Russ.). Herzen, A. I., 1957. Venezia la bella. In: Sobranie sochinenii [Collected works]. Vol. 11. Moscow, pp. 468—483 (in Russ.). Ischuk-Fadeeva, N. I., 2011. Subtext. Kul'turologiya [Culturology], 1 (56),... ... 2010. Semiosfera [Semiosphere]. St. Petersburg (in Russ.). Maksimov, P. N., 1976. Tvorcheskie metody drevnerusskikh zodchikh [Creative me­thods of Old Russian architects]. Moscow (in Russ.). Simyan, T. S., 2019. From Biosphere to Noosphere: Theory and ...

... Russian Revolution. In: Vekhi. Iz glubiny [Vekhi. De profundis]. Moscow, pp. 250—289 (in Russ.). Berdyaev, N. A., 1994. Dostoevsky: an interpretation. In: N. A., Berdyaev, ed. Filosofiya tvorchestva, kul'tury i iskusstva : v 2 t. Tom 2 [Philosophy of Creativity, Cul­ture and Art : in 2 vols. Volume 2]. Moscow, pp. 7—145 (in Russ.). Dostoevsky, F. M., 1972—1990. Polnoe sobranie sochinenii : v 30 t. [Complete works : in 30 vols.]. Leningrad (in Russ.). Fiut, A., 2001. Pragnienie wiary. Tygodnik Powszechny [Universal weekly], 11-12 (60-61), p. 9 (in Pol.). Franaszek, A., 2011. Miłosz. Biografia [Miłosz. Biography]. Kraków (in Pol.). Gacheva, A. G., 2007....

... result and consequences of events. In these systems, an event triggers social and cultural processes and creates social reality. Bakhtin, M. M., 1990. Tvorchestvo Fransua Rable i narodnaja kul'tura Srednevekov'ja i Renescansa [Francois Rabelais' creativity and folk culture of the Middle Ages and Re­naissance]. Moscow (in Russ.). Bakhtin, M. M., 1997—2012. Sobranie sochinenij [Collected Works]. Moscow (in Russ.). Bridgman, P. W., 1934. A Physicist’s Second Reaction to Mengenlehre. Scripta Mathematica, 2, pp. 101—117; 224—234. Buharin, S. N. and Cyganov, V. V., 2007. Metody i tehnologii informacionnyh vojn [Methods and technologies ...

... process of constant co-creation, users construct their own virtual world, filling it with micro-narrative stories of collective creativity, subsequently living inde­pendently in the digital space. The artificially created virtual information environment ... ... storytelling and, as a result, it begins to reproduce itself. Barthes, R., 1989. Izbrannye raboty: Semiotika: Poetika [Selected works: Semiotics: Poetics]. Translated from French by G. K. Kosikov. Moscow (in Russ.). Eco, U., 2005. Rol' chitatelya: issledovaniya ...

... Yazyk. Sistema. Lichnost'. Lingvistika kreativa [Ural philological bulletin: Lan­guage. System. Personality. Linguistics of creativity], 1, pp. 4—14 (in Russ.). Orlitskii, Yu. B., 2002. Minimal text (udeteron) as part of the heading-final com­plex ... ... Russ.). Jakobson, R., 1987. Grammatical Parallelism and its Russian Facet. In. R. Yacob­son ed. Raboty po poetike [Poetics Works]. Moscow: Progress, pp. 99—132 (in Russ.). Zhdanov, I., 1990. Nerazmennoe nebo [Unchanging Sky]. Moscow, 71 p. (in Russ....

... the functional potential of syntactic forms in relation to lyrics. The concept of artistic communication has been clarified. In this study, it is understood as an interaction between the writer and the reader in the process of interpreting a poetic work. The poetic function of syn­tactic means is analysed on the example of Yevgeny Boratynsky’s poem "Autumn", which plays a special role in his creative heritage. Along with the poetic function, the emotive, phat­ic, conative, referential and metacommunicative functions of syntactic constructions are re­vealed. The author demonstrates the breadth of the functional spectrum of syntactic units ...

... the Russian literary avant-garde and the avant-garde advertising-propagandа — outreach. A discursive analysis of Russian literary (experi­mental) and advertising (avant-garde) texts is carried out from the standpoint of the theory of linguistic creativity. For each of the working subcorpora (artistic and advertising discourses of the 1910—1930s), the authors distinguish macro-discursive, micro-discursive and inter-discursive parameters that affect linguistic innovations at different levels — from phonologi­cal to ...

... “Stalker” is select­ed as an object of research due to the fact that Andrey Tarkovsky’s innovative cinematic ap­proach makes his works akin to the approaches of art innovators of the avant-garde epoch. The specificity of the interdiscursivity of “Stalker” ... ... process of making a film as an original artistic-aesthetic object. Elements of different types of discourse act as linguistic and creative means that influence the heuristic potential of the verbal system of a film. Beloglazova, E. V., 2010. Interdiscursivity....

... asserted through its consistent negation. The factography of the Russian avant-garde proves that, from its earliest stages the creative system has been constructing its own Pushkin myth, within which the poet has the role of both an object of cultural overcoming ... ... article is the place and role of the Pushkin substrate in the poetry and theoretical treatises of Aleksei Kruchyonykh. In his works Pushkin is an object of poetical overcoming and a pole of attraction-repulsion. He is a touchstone, a reference point for ...

... 15 March 2020] (in Russ.). Borodina, Yu. E., 2019. Threat speech act in the light of linguistic expertise (on the example of works of the fantasy genre). In: A. B. Cheremisin, ed. Dostizheniya i per­spektivy razvitiya molodezhnoi nauki: sb. st. Mezhdunar.... ... Sistema. Lichnost': Lingvistika krea­tiva [Ural philological bulletin. Ser.: Language. System. Personality: Linguistics of creativity], 2, pp. 81—88 (in Russ.). Fedorova, L. L., 1991. Typology of speech impact and its place in the structure of com­munication....

... szkole: kontekstnyj podkhod [Active schooling: a contextual approach]. Moscow (in Russ.). Vinogradov, V. V., 1977. The main types of lexical meanings of the word. In: Lek­si­kologiya I leksikografiya. Izbr. trudy [Lexicology and lexicography. Fav. works]. Mos­cow (in Russ.). Galinskaya, T., 2013. The concept of the media image and the problem of its re­con­struction in modern linguistics. Vestkik OGU [Bulletin of OGU], 11(160), pp. 91—94 (in Russ.). Glinka, K., Teoriya yumora [Theory of Humor]....

... Literature], 16-17, pp. 9-388 (in Russ.). Ilyin, I.A., 2000. Sobranie sochinenii. Perepiska dvukh Ivanov (1927-1934) [Collected Works. Correspondence of two Ivan (1927-1934)]. Moscow (in Russ.). Keler, L., 1972. I. S. Shmelev about himself and about others.... ... nauki [Bulletin of the Tambov University. Series: The humanities], 5(23), pp. 109-111 (in Russ.). Sobolev, N.I., 2012. From the creative history of I. Shmelev's story "The Inexhaustible Chalice". Problemy istoricheskoi poetiki [Problems of historical ...

... Simplicius, pp. 101—110 (in Russ.). Panfilov, A.Yu., 2015. K probleme tvorcheskoi biografii A. N. Chicherina [To the problem of the creative biography of A. N. Chicherina]. Available at: http://samlib.ru/p/panfilow_a_j/chicherin2.shtml [Accessed 03 September ... ... Problemy russkoi filosofii i kul'tury: Sb. nauch. tr. [Problems of Russian philosophy and culture: Collection of scientific. works]. Kaliningrad, pp. 56—66 (in Russ.). Chicherin, A., 2006. Kang-Fung (1926). In: Yu. S. Stepanov, ed. Semiotika i Avangard: ...

.... 100—111. 8. Vinokur, G. O., 1928. A verb or a name. Russkaya rech' [Russian speech], 3, pp. 75—93. 9. Vinokur, G. O., 1929. Kul'tura yazyka [Culture of language]. Moscow. 10. Vinokur, G. O., 1959. Izbrannye raboty po russkomu yazyku [Selected works on the Russian language]. Moscow. 11. Vislova, A. V., 1993. Stsenicheskoe tvorchestvo A. A. Mironova i problema stilya v akterskom iskusstve 60—80-kh godov [Scenic creativity of A. A. Mironov and the problem of style in the acting art of the 60s-80s], PhD. Moscow. 12. Voloshinov, V. N., 1928. The newest trends of linguistic thought in the west. Literatura i marksizm [Literature and marxism], 5, pp. 115—149. 13....

... malykh [Analysis of infinitesimal]. Moskva; Leningrad: Gostekhteorizdat (in Russ.). Spinoza, B., 1999. Sochinenija v 2 tomakh [Works. In 2 volumes]. Vol. 2. St. Petersburg, Nauka (in Russ.). Tulchinskii, G.L., 2001. Ideas: sources, dynamics and logical ... ... Robinson, J.A., 2012. Why Nations Fail. The Origins of Power, Prosperity and Poverty. N.Y.: Crown Business. Bergson, H., 1946. The Creative Mind: An Introduction to Metaphysics. New York: Philosophical Library. Dijk, Т. van., 1998. Ideology: A Multidisciplinary ...

The article identifies the conditions of the realisation of such crucial feature of V. Pyetuskh’s creative method as irony. It is shown that his irony is aimed at the key elements of the Russian identity — the history of Russia and the Russian national character. In this conditions, irony aims to emphasise weaknesses under the guise of humour in ...

... the philosophy of the Silver age]. Moskow, 2001. 2. Zinchenko V. P. 2010. Soznanie I tvorcheskiy akt [Consciousness and the creative act], Moskow, 2010. 3. Kalinnikov L. A. Kant v russkoy filosofskoy culture [Kant in the Russian philosophical culture].... ... 1908а. Osnovanija idealizma [The Foundation of idealism] in: Trubetskoy S. N. Sobranie sochineniy kn. S. N. Trubetskogo v 5 t. [Works in 5 volumes], Moskow, 1908a, vol. 2. 6. Trubetskoy S. N. 1908б. O prirode chelovecheskogo soznanija [About the nature ...

... The mistakes identified were corrected. These documents, as well as old and new publications and studies in the German language made it possi¬ble to reveal certain facts and dates of Rubinstein’s biography, as well as his earlier little or un-known creative projects and plans. For instance, it was established that Rubinstein intended to translate into the Russian and publish Cohen’s smaller religious philosophical works, which he obtained in post-war Odessa with the help of E. Cassirer and B. Strauss. The article stresses the need to study personal archives of philosophers in order to establish the ideational sources of their concepts and reconstruct their intellectual ...

... On the contrary, the subject-analytical AAIM excludes the speech identity of the characters. It conveys the general content of reflection, but it is not characteristic of Chekhov’s multi-voiced narrative. Impressionist AAIM presents inner speech in works of all Chekhov’s creative periods. Memories of characters are congested into conceptual meaning and reflect the impressions of the characters. Structurally meaningful and functional features of inner response reveals Anton Chekhov’s individual style.

... modernist music. The rejection of tonal hierarchies by dodecaphonists to transcend the limits of the traditional sonic semiosis can be compared to Beckett’s aspiration to go beyond the ‘fetish’ of words. The study emphasizes similarities between the creative systems of Beckett and the Second Viennese School/neoclassicists. The commonalities range from the work with patterns, which operate very similarly to dodeca­phony in both form and effect, to the impression of the ‘semiotic chaos’ arising when Beckett's texts are mentally articulated. The effect of ‘semantic chaos’ can be compared with the ...

... analyses S. D. Dovlatov’s prose and examines the littlestudied intertextual process of filiation. The filial offshoot of a literary text is related to, and separate from, the initial text and is written by the same author. The study presents a ‘working’ definition of filiation and outlines its basic principles — a creative use of clichés, text reduplication, and the employment of the parent text’s ‘genomes’. 1. Барт Р. Избранные работы: Семиотика. Поэтика. М., 1994. 2. Генис А. На уровне простоты ...

... Johannes Bobrowski is being considered. His poetology in the most complicated synthesis of antinomic semantics and metrics is being analyzed. The existence of guilt with its exacerbated spirit of his Christian humanity’s eschatological personalism in creative work of Bobrowski is being emphasized. The conclusion about the essential equality of his poetic language and being/nothingness in his understanding is being made. 1. Бёлль Г. Франкфуртские чтения // Самосознание ...

... article considers SD Dovlatov’s prose to examine the little-studied intertextual process of filiation. The filial offshoot of a literary text is related to, and separate from, the initial text and is written by the same author. The study presents a ‘working’ definition of filiation and outlines its basic principles — a creative use of clichés, text reduplication, and the employment of the parent text’s ‘genomes’. 1. Барт Р. Избранные работы: Семиотика. Поэтика. М., 1994. 2. Генис А. На уровне простоты ...

Today’s graduates of pedagogical faculties often exhibit little interest in a career in education and unwillingness to work at school. An effective solution to this problem is the formation of successful pedagogical experience in future teachers ... ..., and high efficiency of the practicum as well as positive motivation for teaching. It also facilitates the development of a creative type of professional behaviour. Special attention to the content and technology of organising practica results in successful ...

The article highlights the role of music in the life and creative mind of Yaroslav Ivashkevich. The study involves previously unknown material of a book of the writer's memoirs published ... ... 2010, and his essays that shed light on some episodes of his childhood and adolescence, his perception and evalua¬tion of the works of classical composers, as well as representatives of the contemporary musical culture. 1. Мальков М. П. Музыкальные ...

In line with the need for a comprehensive system analysis of the poetic works of the influential Tatar poet and literary figure Fatih Karimi, this arti-cles considers the early but the most literary advanced poems created as his poetic voice was emerging. The study shows that the process of the poet’s creative evolution followed a trajectory from the ‘social ideological order’ towards expressing the ‘living’ human feeling and lyrical sacredness. 1. Мазитов З. М. Фатих Карим: Очерк жизненного и творческого ...

... the implementation of acmeological approach in the improvement of music teacher professional training from the didactic perspective. The author justifies the logic and acmeological orientation of its stages determined by addressing the methodology of creative work, which serves as the basis for the development and implementation of the technological aspect of a future specialist's professional growth. 1. Акмеология качества профессиональной деятельности специалиста: ...

... rent-seeking and rent-oriented behavior in the sphere of culture and arts. The author describes the specific features of the cultural production. It is shown that, the supply of cultural goods is characterized by the different level of rarity and consists from creative production, services of the institutions of culture and art, antiques, reproductions of works of art. Given the demand the cultural goods are structured in compliance with inquiries of its dealers, traders, collectors, adherents of prestigious consumption, real connoisseurs of art, consumers of entertainments. The article claims that the ...