This article considers SD Dovlatov’s prose to examine the little-studied intertextual process of filiation. The filial offshoot of a literary text is related to, and separate from, the initial text and is written by the same author. The study presents a ‘working’ definition of filiation and outlines its basic principles — a creative use of clichés, text reduplication, and the employment of the parent text’s ‘genomes’.
The Christian context of H. C. Andersen’s fairy tales is considered from the perspective of the genre confines in view of the evolution of the author’s oeuvre. It is argued that the romanticism of Andersen’s fairy tales is rooted in his Christian worldview. The article traces the Christian axiology of Andersen’s fairy tales and emphasises their allegoric and parabolic nature. Andersen’s works introduce a certain type of ‘two-worldliness’, which is distinct from that of German romantics' fairy tales. Andersen’s fairy tales are distinguished by wholeness, the absence of a tragic rift, and the presence of characters embodying the Christian ideal of humility and sacrificial love.
The article explores the motive complex of impersonality in Yegor Letov's poetics as a unity of stable figurative series and typical strategies of poetic language. Confirmation-overcoming of the borders of I is an existential conflict, which is one of the most important constants of Yegor Letov's personal poetic ontology.