Subjective modality of the literary text: ontological status in author’s conception of the world
... linguistics as a dynamic communicative unit, in connection with which it becomes necessary to study its constituents. Subjective modality appears in a literary text as a communicative-semantic category that allows one to comprehensively represent the author’s attitude to the communicated instance. The purpose of the article stays with the need to substantiate the ontological status of the subjective modality of a literary text as a component of the author’s concept of the world. The material for ...
Text formation function of the author's modality in the poetry of Joseph Brodsky (on the poem «I always kept saying that the fate is a game...» — «Я всегда твердил, что судьба — игра...»)
... has conducted a comprehensive analysis of Joseph Brodsky’s poem “I always kept saying that the fate is a game...” based on functional-semantic and communicative-pragmatic approaches. In the process of analysis, the main emphasis is placed on the author’s modality as a means of transmitting his individual worldview. The author’s modality is considered as a text-forming semantic category, explicit at various textual levels: lexical, syntactic, phonetic, and compositional. The role of the ...
Author's modality in N. M. Karamzin's "Poor Lisa"
The article examines various means of expressing the author’s modality which is explicit about the author’s intentions and evaluations in “Poor Liza” by N. Karamzin. The question of relations between the “narrator” and the “author” is in the focus. The analysis og the story shows that the ...
Linguocognitive Bases for the Integration of the Poetic Text into Cinematic Discourse
The article delves into the intricacies of integrating poetic texts into the discourse of authorial cinema. It begins by examining the multifaceted interaction between cinema and poetry within contemporary artistic culture, framing author cinematography through the lens of the poetic concept. Intermediality and interdiscursivity are explored as intrinsic properties of cinema, serving as tools for shaping the unique style and aesthetics of filmmakers. Two films, “Stalker” by ...
Reputation core of Russian authorities: the case of the regional level of executive power
The importance of studying the reputation of authorities is connected, on the one hand, with the formation of a consolidated system of political power and, on the other hand, with the highly social orientation of the category of the ‘reputation of authorities’, reflecting the value-based attitude ...
. The image of the author and his country in works by N.V. Gogol, H. Heine and J. Rizal
The article analyzes the typological connections between N. V. Gogol’s prose poem “The Dead Souls”, H. Heine’s poem in verse “Germany: A Winter Tale” and J. Rizal’s novel “Noli me tangere”. The author studies how, in all three works, the image of the author and of his country are interconnected. Each author sees himself as a patriot, and that is why he feels obliged to criticize the situation of his country. Each one of them is to a certain ...
Ironic assessment in Saltykov-Shchedrin’s novel The Golovlyovs
Irony is considered as an evaluative category in literary and artistic discourse. The authors point out such typical features of ironic evaluation as implicit character, i. e. the ability of irony to present the evaluative position of the author in a veiled form, subjectivity, which is directly dependent on the author's attitudes and ideological intentions, negative colouring of ironic evaluation and a high degree of its impact on the reader. The authors identify the basic techniques of ...
