The phenomenon of Napoleon in the German spirit of Napoleon’s age
... pre-romanticism as signs of literary diagnostics indicative of the contradictory dialectics of artistic consciousness in distinguishing the “codes” of life and death in arts. The completely opposite assessment of Napoleon in the history of German romanticism identifies the problem of a human being as a “field of fate” — a site of the battle between the Light and Darkness. The author emphasises the transformation of the legend of Napoleon in the German romanticism from the idealisation of ...
The monuments of late Romanticism in the architecture of East Prussia
This article considers the architecture of the second third of the 19th century in Eastern Prussia, belonging to the period of German Romanticism. The author focuses on the reasons behind the development of this trend and the role of the King of Eastern Prussia, Frederick William IV, and the architect, F.-A. Stüler, in the history and architecture of that period.
1. Каталог ...
At the edge of romanticism or beyond it? E. T. A. Hoffmann and the nature of art in Kant's aesthetics
... Стихотворения. Эстетика. Литературная критика. М., 1990.
18. Шлегель Фр. Фрагменты // Фр. Шлегель. Эстетика. Философия. Критика:
в 2 т. Т.1. М., 1983.
philosophy of Romanticism, Kant's aesthetics, nature of art, philosophical monism, dualism, aesthetic and artistic methodology, German idealism
Kalinnikov L. A.
38-51
10.5922/0207-6918-2011-2-6
The Christian context of H. Ch. Andersen’s fairy tales: The confines of the genre
The Christian context of H. C. Andersen’s fairy tales is considered from the perspective of the genre confines in view of the evolution of the author’s oeuvre. It is argued that the romanticism of Andersen’s fairy tales is rooted in his Christian worldview. The article traces the Christian axiology of Andersen’s fairy tales and emphasises their allegoric and parabolic nature. Andersen’s works introduce a certain type of ‘two-worldliness’,...
Genius as a norm or the Moravian Church in the life and works of A. A. Fet
Based on the theory of genius presented in Kant’s Critique of Judgement, the author considers the idea of normal genius as opposed to the genius of Romanticism and Postmodernism. The influence of Postmodernism is manifested in popular interpretations of the works of great artists — especially, Russian ones — as a product of mental disorders and perversions. The author analyses an interpretation ...
The aesthetic position of A. A. Delvig as a critic
... considers the aesthetic views of Delvig as a critic and identifies the sources that help him develop individual criteria for assessing literary works. The author emphasises his original interpretation of theoretical problems of aesthetics characteristic of Romanticism. It is stressed that the category of harmony defined by Delving as a crucial principle of artistry is very productive in his system of views and underlies his own poetry.
1. Вацуро В. Э. Антон Дельвиг — литератор ...
German spiritual lyrics in the allusive space of Clemens Brentano’s fairy tales
... Deutschen Hochstifts. 1977. S. 292—308.
24. Schaub G. Die Spee-Rezeption Clemens Brentanos // Literaturwissenschaftliches Jahrbuch. Berlin, 1972. Bd. 13.
25. Spee F. Trutznachtigall. Max Niemeyer Verlag, 1936.
Vaskinevich A. I.
German literature, Romanticism, literary fairy tale, spiritual poetry, allusion, Brentano
75-87
The "aesthetic turn": from Kant and romanticism to modern philosophy
... in contemporary philosophy and the increasing importance of aesthetic categories and art experience for contemporary theories. Kant’s aesthetics, concepts of beauty, the sublime, genius, as well as various aspects of their interpretation within the romantic doctrine of "new mythology" and aestheticisation of life, the discovery of a fragment as a way of poetic thinking became topical in contemporary debates about reality, knowledge, human being and society.
1. Бодрийяр Ж. Символический ...
