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... “pro” and “contra”]. Moscow, pp. 193—230 (in Russ.). Jakobson, R., 1985. Izbrannye raboty [Selected works]. Moscow (in Russ.). Jakobson, R., 1987. The latest Russian poetry. First sketch: Approaches to Khleb­nikov. In: Raboty po poetike [Works on poetics]. Moscow, pp. 272—316 (in Russ.). Kecskes, I., 2016. A Dialogic Approach to Pragmatics. Russian Journal of Linguis­tics, 20 (4), pp. 26—42. Kiose, M. I., 2020. Linguistic creativity in discourse: the research perspective of cognitive semiotics. Ural’skiy filologicheskiy vestnik [Ural Philological Bulletin], 2, pp. 37—47 (in Russ.). Kolshanskiy, G. V., 1984. Kommunikativnaya funktsiya i struktura yazyka [The com­mu­nicative ...

... 14. Киров, 2012. С. 244—251. 10. Мостеллер Ф. Пятьдесят занимательных вероятностных задач с решениями / пер. с англ. ; изд. 2-е. М., 1975. Mikhalkina E., Egorova I. creative competence, independent work of students, Basics of Mathematical Information Processing». 104-112

The object of this study is the poem Such merriment it was... by V. A. Sosnora, one of the prominent writers of the second half of the 20th century. The article analyzes the poet’s creative process in working on the text. The study draws on the poem’s draft version, which has not previously been examined by researchers of V. A. Sosnora’s work, as well as versions presented in Soviet and post-Soviet publications. Changes introduced by the author ...

... Warsaw, p. 45—47. 52. Hessen S. 1997 (f), Pisma pomniejsze (Dziela wybrane. Т. 5) / sost. W. Okon [Minor writings (Selected works. Vol. 5) / ed. W. Okon]. Warsaw. 53. Hessen S. 2003, Panstwo prawa i socjalizm. Pier. S. Mazurka [The state of law and ... ... T. Kubalicy, S. Nachtsheima. Würzburg, p. 115—124. 65. Kucha R., Swiderska M. 2013, Sergiusz Hessen (1887—1950) — as creative European educationalist with no homeland. Journal of Intercultural Management. № 4, p. 81—92. 66. Kuderowicz Z. 1969,...

... the system of his philosophy and identifies the legitimate position of aesthetics in the structure of philosophical disciplines: logic, ethics, and philosophy of religion. The author analyses the understanding of aesthetics and philosophyof arts and creative works in line with the Neo-Kantian tradition. The article focuses on the thinker’s contribution to the philosophy of the Marburg School and the justification of idealism. Philosophical aesthetics serves as a science and a link between the laws of nature ...

... novel F. M. Dostoevsky «Player». In: K. Kroo, ed. Tvorcheskoe slovo Dostoevskogo — geroi, tekst, intertekst [Dos­toevsky's creative word — hero, text, intertext]. St. Petersburg. pp. 9—29 (in Russ.). Kunilsky, A. E., 2006. «Lik zemnoi i vechnaya ... ... Dostoevskogo [«The face of the earth and the eternal truth». On the perception of the world and the image of the hero in the works of F. M. Dostoevsky]. Petrozavodsk (in Russ.). Nabokov, V. V., 1996. Lektsii po russkoi literature: Chekhov, Dostoevskii,...

... continuity and innovative qualities. The research employs a comprehensive methodology, including parameterization of linguistic creativity, corpus annotation, and conceptual analysis of verbal and non-verbal elements that contribute to the films’ poetics.... ... uncovers both similarities and differences in the approaches of the two filmmakers to incorporating poetic material into their works. It concludes that the integration of poetic texts into films serves as a mechanism for eliciting a unique psycho-emotional ...

... York. Nietzsche, F., 2011. Menschliches, Allzumenschliches. In: F. Nietzsche, ed. Polnoe sobranie sochinenii v 13 t. [Complete works in 13 volumes]. Vol. 2. Translated from German by V. M. Bakusev. Moscow (in Russ.). Rancière, J., 2007. Le Partage du sensible: ... ... Secret Police in Soviet Ti­mes]. Translated from English by L. Rechnaya. St. Petersburg (in Russ.). poetry, politics, police, creativity, defamiliarization, commodification, repetition Martynov M.Y. 26-46 10.5922/2225-5346-2024-2-2

.... Philosophical aesthetics of the 1920s]. Moscow: Russkie slovari (in Russ.). Bakhtin, M., 2003. The problem of content, material and form in literary art. In: M. Bakhtin, ed. Sobranie sochinenii. T. 1. Filosofskaya estetika 1920-kh godov [Collected Works. Vol. 1. Philosophical aesthetics of the 1920s]. Moscow: Russkie slovari (in Russ.). Bakhtin, M., 1929. Problems of creativity of Dostoevsky [Problems of creativity of Dostoevsky]. Leningrad: Priboi (in Russ.). Belinkov, A., 1965. Yurii Tynyanov [Yury Tynyanov]. Moscow: Sovetskii pisatel' (in Russ.). Geine, G., 2015. Germaniya. Zimnyaya skazka [Germany. Winter fairy ...

... decipher a poetic text is not embedded in it as an algo­rithm. The linguistic strategy of resisting the contemporary despotism of creativity results in the growing idiomaticity of both individual fragments of a poetic text and a text as a whole. Azarova,... ... prostranstve yazyka: Iz­brannye raboty. 1958—2000-e gody [Velimir Khlebnikov in the four-dimensional space of the language: Selected works. 1958—2000s]. Moscow: Languages of Slavic cultures (in Russ.). Dremov, M., 2019. Enemy. Vozdukh [Air], 38, pp. 102—105 ...

... The authors studies the reasons that determined the incompleteness of a number of works, and the circumstances that prompted the author to refuse to publish completed texts. “The Forgotten Stories” become the source for analyzing the writer’s creative manner and his work on expressing historical, moral, political, philosophical and religious meanings in such genres as fairy tale, parable, allegory. Dorofeeva L.G. foreign literature, Andersen, genre, fairy tale, parable, allegory, evolution of creativity, poetics ...

... philosophy of Hermann Cohen. Trans. O. A. Popo-va]. Мoscow, p. 5—17. 6. Berdaev N. А. 1990, Smysl tvorchestva [The meaning of creativity] // Berdaev N. А. Filosofija svobody. Smysl tvorchestva [Berdyaev N. A. The philosophy of freedom. Meaning of creativity]. Мoscow, p. 254—535. 7. Gessen S. I. 1998, Mojo ziznieopisanije [My life] // Gessen S. I. Izbrannyje sochinienija / pod red. А. Valickogo, N. Chisiakovoj [S. I. Hessen Selected works / eds. A. Walicki, N. Chistya¬ko-va]. Мoscow, p. 723—782. 8. Losskij N. О. 1991, Istorija russkoj filosofii [The history of Russian philosophy]. Мoscow, URL: http://vehi.netnlossky/istoriya/20.html (data obrashchenija: 1.05.2015). 9. Miklush ...

... demonstrate his belief that his decadent contemporaries, personified in the cha­racter of Jean Desessent, perceive Baudelaire's work superficially, inaccurately and too lite­rally, making them accomplices in the 'burial' of everything associated with 'old' ... ... evil' align with the explored 'imago' methodology as they generate multiple interpretive chains representing independent acts of creativity. Anisova, A. A. and Zhuk, M. I., 2006. The Archetype of the Shadow in G. Hesse’s novel “Steppenwolf” from ...

... intellectual elite of the West. Therefore, the Nobel Prize came as a complete surprise for the author and sparked a furious protest from the world’s leading media giants. One of the conclusions of the article, based on a hermeneutic study of Handke’s works, reflects the author’s conviction that the great uniqueness of Handke’s creative phenomenology lies in his attempt to break out of the destructive gravity of some killer language in an effort to deconstruct it in search of the original proto-structure for the acquisition of the Other, in which there is still Someone Else ...

... the implementation of acmeological approach in the improvement of music teacher professional training from the didactic perspective. The author justifies the logic and acmeological orientation of its stages determined by addressing the methodology of creative work, which serves as the basis for the development and implementation of the technological aspect of a future specialist's professional growth. 1. Акмеология качества профессиональной деятельности специалиста: ...

... until our days. The author notes the peremptory character of some of Shpet’s claims as well as his description of Kant’s influence on Humboldt as suggestion. The author also considers Shpet’s critique of subjectivism, which robs subjectivism of creativity and confines it to the capacity to convey what has been understood and to err. Finally, Shpet’s methodology (the question of identity and difference) and the role of terminology in his own works is considered. The positing of identity as the starting point of method accords with Shpet’s conviction that terms have meaning and explanatory power. Contrary to Shpet, it is difference that is the initial experience and the key term in phenomenological ...

... solid foundation, whereas acts of freedom are a prerequisite for creativity — an integral characteristic of personality. The creative essence of personality suggests individuality and uniqueness of each person. Personality has a historical dimension. ... ... liberalism and socialism. 1. Gessen, S. I., 2010a, Moe zhizneopisanie [My biography], in: Gessen S. I. Izbrannoe [Selected works], Moscow, p. 772—827. 2. Gessen, S. I., 2010b, Pravovoe gosudarstvo i socialism [Legal state and socialism], in: Gessen ...

... conditions of communication prompting readers to encounter a 'moment of intensity', as Hans Ulrich Gumbrecht put it, and undergo a creative experience of es­trangement enabling them to connect with the subject behind the text. The variance in media mediation ... ... (in Russ.). Barthes, R., 1994. The Effect of Reality. In: R. Barthes, ed . Izbrannyye raboty. Semiotika. Poetika [Selected Works. Semiotics. Poetics]. Translated by G. K. Kosikov. Moscow, pp. 392—400 (in Russ.). Belavina, E. M., 2022. Poetry and Science: ...

..., central to which was the image of the ordinary Soviet per­son. This article focuses on the motif of death/immortality as a plot component describing the fate of a small person in Galich’s poetry. The place of the ordi­nary person in Galich’s creative ‘characterology’ is identified. The ground­work for a classification of the ordinary person types is laid and key motifs of plots introducing the types are described. The Soviet small person is consid­ered in the structural context of Galich’s fictional world in view of his ontolo­gy, anthropology,...

Sigmund Freud and Hugo von Hofmannsthal are among the most im­portant representatives of the world culture of the beginning of the 20th centu­ry, which was equally influenced by science and arts. The creative work of the Aus­trian poet Hofmannsthal, also a dramatist and a writer, is a good example of this kind of symbiosis. The remaining part of Hofmannsthal’s library, his letters to other cultural influencers (Arthur Schnitzler, Hermann Bahr, Carl Burckhardt,...

In line with the need for a comprehensive system analysis of the poetic works of the influential Tatar poet and literary figure Fatih Karimi, this arti-cles considers the early but the most literary advanced poems created as his poetic voice was emerging. The study shows that the process of the poet’s creative evolution followed a trajectory from the ‘social ideological order’ towards expressing the ‘living’ human feeling and lyrical sacredness. 1. Мазитов З. М. Фатих Карим: Очерк жизненного и творческого ...

... Sensornye protsessy v asimmetrii polusharii [Sensory systems: Sensory processes in the asymmetry of the hemispheres]. Leningrad, pp. 99—114 (in Russ.). Bibler, V. S., 1975. Myshlenie kak tvorchestvo: vvedenie v logiku myslennogo dialoga [Thinking as creativity: an introduction to the logic of mental dialogue]. Moscow (in Russ.). Brodsky, J. A., 2002. Sochineniya [Works]. Yekaterinburg (in Russ.). Chernigovskaya, T., Natochin, Yu., Menshutkin, V., 2000. Principles of evolution of natural and computer languages and physiological systems. In: B. Bichakjian, T. Chernigovskaya, A. Kendon and A. Moeller, eds. “Becoming ...

... equivalence gives way to an interlation, a constructive metamorphosis that plays on the inequivalence of different languages. Bakhtin, M., 1979. From the records of 1970—71. In: M. Bakhtin, ed. Estetika slovesnogo tvorchestva [Aesthetics of verbal creativity]. Moscow: Iskusstvo (in Russ.). Bakhtin, M., 2002. Working notes of the 1960s — early 70s. In: M. Bakhtin. So­branie sochinenii [Collected Works]. Vol. 6. Moscow: Russkie slovari (in Russ.). Losev, L., 2006. Iosif Brodskii: opyt literaturnoi biografii [Joseph Brodsky: the expe­rience of literary biography]....

... never perceived iconography as a dogmatic prescription. Iconography played the role of a cognitive scheme steering artists’ creative ideas. Creating visual metaphors required the development of rhythmic symmetry, based on linear repetitions and figurative ... ... vseobschey istorii iskusstv. Izbrannye iskusstvovedcheskie raboty [Studies on the general history of art. Selected art criticism works]. Moscow. pp. 167—183. 4. Bychkov, V. V., 1992. Russkaya srednevekovaya estetika XI—XVII vekov [Russian medieval aesthetics ...

Not only in contemporary philological science but also among those in broader society in­terested in poetic creativity, commentary is one of the most sought-after genres of philological discourse that elucidates poetic works. This is linked to the distinctive position of the commen­tator in relation to the poem, characterized by flexibility, reliance on facts, and various inter­pretational possibilities. While numerous scholarly materials have been written in the ...

The work raises the issue of Hölderlin’s creative secret of, interpreting its connection with the transformation of German culture into ontology of “new light”. Considering the essence of the “poet of poets” (Heidegger), the authors relate complex discourses to the hermeneutic key for ...

... (2), pp. 203—223. Rozanov, V. V., 1996. Sobranie sochinenii. Legenda o Velikom inkvizitore F. M. Dosto­evskogo [Collected Works. The Legend of the Grand Inquisitor by F. M. Dostoyevsky]. Moscow, pp. 7—156 (in Russ.). Scanlan, J. P., 2002. Dostoevsky ... .... Tikhomirov, B. N., 2019. Sergey Nechaev’s “A Revolutionary’s Catechism”. A Historical Document and Its Role in the Creative History of The Demons. Dostoevsky i mirovaya kul'tura. Filologicheskii zhurnal [Dostoevsky and World Culture. Journal ...

... pre-adaptability of the system (its stability and development. Alker, H. R., jr., 2014. Political Methodology: Old and New. In: M. V. Ilyin, ed. Me­tod: moskovskii ezhegodnik trudov iz obshchestvovedcheskikh distsiplin [METHOD: Mos­cow Yearbook of Works from Social Science Disciplines], 4, pp. 345—359 (in Russ.). Asmolov, A. G., Shekhter, E. D. and Chernorizov, A. M., 2018. Preadaptatsiya k ne­opredelennosti: nepredskazuemye marshruty evolyutsii [Pre-Adaptation to Uncertainty: Un­predictable ...

The tragedy Boris Godunov occupies a unique place in A. S. Pushkin’s oeuvre. It was a turning point, when the author needed the whole power of his poetical genius, when a work beyond traditional literary and aesthetic styles, which interchange and establish a canon of a new style that transforms its predecessors in an act of creativity, appeared in Russian culture. Boris Godunov marked the birth of an individual author’s style in Russian art. A unique literary world — the world of Pushkin — manifested itself in a work of art. This article sets out to prove the influence ...

... thinking of a whole generation of intellectuals. Research into the unity of “form” in the structure of human cognition was also in many ways mediated by the Kantian tradition. To prove this thesis I first look at the philosophy of Gustav Shpet who creatively interpreted the German tradition and proposed an original project of his own, and then I examine the theory of Ernst Cassirer, an outstanding representative of Neo-Kantianism who in the later period of his work proposed considering the phenomena of the humanities to be symbolic forms closest to the spontaneity of the biological. The common feature of the approaches of the two philosophers is their attempt to preserve the integrity of cognition which is ...

... scholarly discourse of his time but remained unpublished and then forgotten. The interest of modern Russ­ ian scholars in the work of Cohen does not only point to his importance for the history of philosophy, but attests to the relevance of his ideas whose ... .... St. Petersburg: Russian World Publishing House, pp. 104-115. (In Rus.) Akindinova, T. A., 2013. The analysis of feeling as creativity in the aesthetics of Hermann Cohen. Studia Culturae, 17, pp. 5-13. Akindinova, T. A., 2014. Hermann Cohen’s Substantiation ...

... considering the functioning of means expressing the category of intensity. This approach allows for an expanded understanding of the evolution and transformation of such a unique direction in Russian literature as expressionism. Drawing on the texts of the works, the article demonstrates similar techniques in the depiction of the theme of war, which became the connecting link in the creative dialogue between the two writers, representing different generations of Russian literature. A more specific conclusion is made about L. N. Andreev’s changing perception of war by establishing connections between the late story The Yoke of War ...

... (speech genre) and within other speech genres, such as requests, gratitude expressions, consolations and condemnations, where a compliment amplifies or mitigates the speaker's intention. Alpatov, V. M., 2002. The problem of speech genres in the works of M. M. Bakh­tin. In: Zhanry rechi [Genres of speech]. 3. Saratov, pp. 92—104 (in Russ.). Bakhtin, M. M., 1979. Problems of speech genres. In: Estetika slovesnogo tvorchestva [Aesthetics of verbal creativity]. Moscow, pp. 237—280 (in Russ.). Bakhtin, M. M., 1996. Problema rechevykh zhanrov [The problem of speech genres]. Vol. 5. Moscow, pp. 159—206 (in Russ.). Balashova, L. V. and Dementev, V. V., 2022. Russkie rechevye zhanry [Russian ...

... mechanisms guiding the reader through the text; meta-position in digital text analysis has the quality of relativity. A possible course of digital intermedial text analysis is proposed based on these considerations. Asmus, V. F., 1962. Reading as work and creativity. Voprosy literatury [Problems of Literature], 9, pp. 34—46 (in Russ.). Barthes, R., 1994. Izbrannye raboty. Semiotika. Poetika [Selected works. Semiotics. Poetics]. Moscow (in Russ.). Beloedova, A. V. and Kozhemyakin, E. A., 2002. Multimodal ...

... refute the famous artistic idea of William Blake about a fruitful union or the marriage of Heaven and Hell, which personifies the creative mixture of good and evil, and as a result, the blurring of the boundaries of the main ethical categories, manifested ... ... ethical binary opposition of interest to us is at the center of Tolkien’s narrative. In both Lewis’s text and Tolkien’s work, good and evil are not relative categories inherent in the consciousness of the perceiving person, but existential categories ...

... presents a brief biography of Friedrich Münzer (1868—1942), a prominent German historian of Antiquity, a expert in Roman political history. Throughout his life, Münzer taught at the universities of Basel, Königsberg, and Münster, demonstrating high creative activity and publishing numerous works on ancient history. His fate was tragic. Münzer became one of the victims of the National Socialist regime in Germany and died in the Theresienstadt concentration camp. The “Königsberg period” (1912—1921) in his career is characterized, ...

... disguised as a poem’. Specific linguistic traits of the treatise genre, typically found in scientific and philo­sophical works, are transposed onto poetic texts. These include discourse words and expres­sions conveying metatextual deixis and the ... .... St. Petersburg (in Russ.). Feshchenko, V. V., 2022. Andrey Bely’s linguistic innovation in terms of theory of linguistic creativity. Proceedings of the V. V. Vinogradov Russian Language Institute, 1, pp. 208—219, https://doi.org/10.31912/pvrli-2022....

The main purpose of this work is to explore the experience of confronting guilt ‘after Auschwitz’ in the creative dialogue between two significant poets of the twentieth century — Paul Celan and Johannes Bobrowski. Despite their importance, their works remain inade­quately studied, particularly in the context of the interaction between language and existence,...

... Problem of Logic. Some of these handwritten rough notes are devoted to Kant, indeed some of them have already seen the light of day in the “Kant­ian Journal” (2022, № 3). The notes published below continue to acquaint the reader with Shpet’s creative laboratory. His method of work with the concepts and ideas is instructive in that it enables us to raise questions about the meaning of “positive critique”, its difference from Kant’s own “critical method” and why contemporary historical-philosophical attempts to actualise ...