Metanarrative in Daniel Kehlmann’s novel Fame
This article focuses upon the features of constructing and re-constructing a literary text in the case of Daniel Kehlmann’s novel Fame (2009). Using various narrative strategies, Daniel Kehlmann manages to create a multilayered fictional space based on meta-narration and self-reflection of the characters and the narrator. The duality, amalgamation of reality and fiction, reciprocity, and the inclusion of the reader into the process of textual modeling through cross-references and intertextual ...
The reality of fiction in a literary world: on an excerpt from Stanisław Lem’s Solaris
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The model of space in F. Kafka’s literary works
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In the corridor of moving spaces: On the poetic topology of M. Tsvetaeva's cycle Table
The poetics of the image of space in M. Tsvetaeva's cycle "Table" is considered in the context of her fictional world image. The author traces the spatial-poetical representation of the topic of poetry in the cycle.
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The problem of correlation of space and texts in A. Eppel’s short story On a dark warm night
This article focuses on the interaction between space and text in A. Eppel’s short stories. The correlation between the fictional and text spaces at the level of lexis is analysed on the basis of the short story On a dark warm night. The author proves the isomorphism of the plot and the reading process.
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The image of river in A. Ivanov’s novel The gold of revolt: the linguistic aspect
This article considers the image of the river Chusovaya, which is directly connected to the idea of space and road in A. Ivanov’s fictional world. The Chusovaya is not only a place but also a character of the novel.
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Sergiusz Piasecki’s The Tower of Babel: the poetics of the genre
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The media image of San Escobar in the space of fictional worlds: a socio-semiotic perspective
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Berlin in the contemporary German literature
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Between faith and disbelief: the theme of life and death in Yu. N. Ivanov’s novel Dances in the Crematory: Ten Episodes from the Life of Königsberg
... including the spiritual memory, which secures the most vivid events and episodes from the life of the main character in the textual space of the novel. I prove that, at the ideational-thematic level, the principle of fragmentarity is manifested in the novel ... ... worldview and integrate semantically different dimensions of the novel — subjective, psychological, moral, philosophical, and fictional ones. These oppositions emphasise the novel’s leitmotif (the metaphor of the road as a person’s life journey) and ...
The intertexteme as an instrument in the past — present — future dialogical space of urbanism practices: an intersemiotic analysis of graffiti and inscriptions in Gdansk and Kaliningrad
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The title of Alexander Pushkin’s novel The captain’s daughter as the textual dominant
This article considers the functional significance of the attributive combination ‘captain's daughter’ as an essential and integral component of the semantic space of Alexander Pushkin’s novel. Placed in the title, it functions as the key sign of the work of fiction since it makes it possible to interpret implied meanings. Unlike the other, more frequent, lexical and grammatical units used as nominations in the text (‘Masha’, ‘Marya Ivanovna Mironova’), ‘captain’s daughter’ explicates the image ...
Current Geodemographic Problems in the European Union and Migration Crisis of the 2010s
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