Semantics of abionims in S. Snegov’s novel “People as Gods”
The article studies the onomastic space of the science fiction trilogy “People as Gods” by the Soviet science fiction writer of the second half of the 20th century. Literary abionyms related to the habitats of the heroes of the work are in the focus of the research. It is noted that the space objects ...
Metanarrative in Daniel Kehlmann’s novel Fame
This article focuses upon the features of constructing and re-constructing a literary text in the case of Daniel Kehlmann’s novel Fame (2009). Using various narrative strategies, Daniel Kehlmann manages to create a multilayered fictional space based on meta-narration and self-reflection of the characters and the narrator. The duality, amalgamation of reality and fiction, reciprocity, and the inclusion of the reader into the process of textual modeling through cross-references and intertextual ...
The intertexteme as an instrument in the past — present — future dialogical space of urbanism practices: an intersemiotic analysis of graffiti and inscriptions in Gdansk and Kaliningrad
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The problem of correlation of space and texts in A. Eppel’s short story On a dark warm night
This article focuses on the interaction between space and text in A. Eppel’s short stories. The correlation between the fictional and text spaces at the level of lexis is analysed on the basis of the short story On a dark warm night. The author proves the isomorphism of the plot and the reading process.
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Poetical reduplications in Alexander Vvedensky’s fiction
The article is devoted to the study of the poetics of reduplication in Alexander Vvedensky's fiction texts. The aim of this research is to analyse the functional range of reduplications at different textual levels, from ... ... reflection. The authors conclude that on the level of vocabulary and grammar, reduplication creates dynamism in the verbal space of the text, activates its interpretation and thus creates the situation of gnoseological doubt in the adequacy of language ...
The reality of fiction in a literary world: on an excerpt from Stanisław Lem’s Solaris
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In the corridor of moving spaces: On the poetic topology of M. Tsvetaeva's cycle Table
The poetics of the image of space in M. Tsvetaeva's cycle "Table" is considered in the context of her fictional world image. The author traces the spatial-poetical representation of the topic of poetry in the cycle.
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The image of river in A. Ivanov’s novel The gold of revolt: the linguistic aspect
This article considers the image of the river Chusovaya, which is directly connected to the idea of space and road in A. Ivanov’s fictional world. The Chusovaya is not only a place but also a character of the novel.
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Between faith and disbelief: the theme of life and death in Yu. N. Ivanov’s novel Dances in the Crematory: Ten Episodes from the Life of Königsberg
... including the spiritual memory, which secures the most vivid events and episodes from the life of the main character in the textual space of the novel. I prove that, at the ideational-thematic level, the principle of fragmentarity is manifested in the novel ... ... worldview and integrate semantically different dimensions of the novel — subjective, psychological, moral, philosophical, and fictional ones. These oppositions emphasise the novel’s leitmotif (the metaphor of the road as a person’s life journey) and ...
Language conflict in the literary discourse: Jia Pingwa’s novel “Qin Qiang”
... conflicts are analysed within the framework of emotiology, at the level of emotivity and the emotive field in the pragmatic space of artistic discourse, as a multimodal phenomenon shaped by systemic relations of emotionalism. Discursive contradictions ... ... integrating various communicative strategies. The findings provide a foundation for further research into speech collisions in Chinese fiction.
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The title of Alexander Pushkin’s novel The captain’s daughter as the textual dominant
This article considers the functional significance of the attributive combination ‘captain's daughter’ as an essential and integral component of the semantic space of Alexander Pushkin’s novel. Placed in the title, it functions as the key sign of the work of fiction since it makes it possible to interpret implied meanings. Unlike the other, more frequent, lexical and grammatical units used as nominations in the text (‘Masha’, ‘Marya Ivanovna Mironova’), ‘captain’s daughter’ explicates the image ...
Immanuel Kant in the Conversations and Reflections of Nikolay Strakhov
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From Kant to Frank: The Ethic of Duty and the Problem of Resistance to Evil in Russian Thought
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On the less obvious manifestations of the poetic function: a translator’s view
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Semantic and Stylistic Features of Kant’s Observations on the Feeling of the Beautiful and the Sublime: The Art of Seeing and Describing an Object
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