2017 Issue №3

The paper explores the history of the anagram phenomenon in the French culture of the XVIII century. The author considers tendencies in the development of literature inherited from the Baroque period, including the practice of creating pseudonyms by anagramming and using anagrams in satirical poetry. The reduction of anagrams to the level of the language game and the secondary nature of theorizing are the characteristic features of this century, when a break with the esoteric traditions of the past eras occurred.

The poetic destiny of the outstanding German poet and novelist Johannes Bobrowski is being considered. His poetology in the most complicated synthesis of antinomic semantics and metrics is being analyzed. The existence of guilt with its exacerbated spirit of his Christian humanity’s eschatological personalism in creative work of Bobrowski is being emphasized. The conclusion about the essential equality of his poetic language and being/nothingness in his understanding is being made.

The authors study the evolution of “Polish Hamlet” image in prosaic works of the first half of the XXth century. They emphasize that the structure of this image in “Homeless” by S.Zheromsky and “Red Shields” by Ya. Ivashkevich is identified through the system of Hamlet’s character dominants as agent- ascetic personality and reflecting “ego”. The analysis concludes that Zheromsky within the frames of realistic novel successively implements the Hamlet’s psychological personality model while Ivashkevich a mystical effect of “Hamlet play” and his protagonist if a psychological type different from a Shakespeare’s one.

The correspondence between Wislava Szimborska and Cornelius Philipovich entitled “Your cat has the best of lives” and published in 2016 can be seen as a biographical account and historical evidence of two writers, a record of life of artistic people in Poland in the 1960s. Stylistic character of Szimborska is studied on the background of her creative poetry.

The textual analysis of three archetypes, "prospector", "mother" and "rebel" is conducted in the article by the example of the novel "The Prospector" by the French writer Jean-Marie Gustave Le Clézio. The concept of "archetype", its variations and functioning in the novel are discussed.