Conceptual opposition Soul-Body in N. Kononov's "Eugenia’s Genius": levels of explicit and implicit semantics
Abstract
The author explores the conceptual opposition Soul-Body in N. Kononov's story «Eugenia’s Genius". The opposite members of the dichotomy Soul-Body have different forms of linguistic representation. The concept Body is expressed explicitly, whereas Soul is often implicit. Being related to each other, they form an inseparable binom as opposite parts of one whole.