Gothic components of science fiction’s genealogy
Science fiction can be defined as the literature about cognizable unusual phenomena which represents hypothetical scientific, technical and social products of their rational exploration. Before the genre emerged, the subject of exploring the unusual was developed ...
How presuppositions and illocutionary force become components of sense: some implications from the analysis of fictitious names in Frege’s philosophy
... crucial to consider the speaker's intention. When making a statement, the speaker may refer to the real or the imaginary. In the latter case, the thought cannot be explicitly expressed, and consequently, denotation cannot be reached. In Frege's framework, fictional thoughts hold little significance for decision-making and actions. Therefore, we consistently seek to discern whether the discourse pertains to the real or the imaginary. To make this knowledge accessible, it must be incorporated into the ...
Metanarrative in Daniel Kehlmann’s novel Fame
This article focuses upon the features of constructing and re-constructing a literary text in the case of Daniel Kehlmann’s novel Fame (2009). Using various narrative strategies, Daniel Kehlmann manages to create a multilayered fictional space based on meta-narration and self-reflection of the characters and the narrator. The duality, amalgamation of reality and fiction, reciprocity, and the inclusion of the reader into the process of textual modeling through cross-references ...
Elements of science fiction in the French postmodernist discourse: The case of B. Werber’s novel The Thanatonauts
This article presents an interdisciplinary study on text linguistics, lingu-o¬poetics, and narratology. It addresses the problems of modern science fiction discourse and analyses the ideas of the leading theorists of postmodernism — J.-F. Lyotard and J. Derrida — as well as those of scholars focusing on the sci-ence fiction discourse — T. Todorov and R. Lachmann. The practical material of the ...
You, you, you: second-person narrative in the “Invisible” by Paul Auster (2010)
... narrative form is able, if not to redefine the narrative and its basic concepts, then to point out the need for such a redefinition.
Bell, A. and Ensslin, A., 2011. ‘I Know What It Was. You Know What It Was’: Second-Person Narration in Hypertext Fiction.
Narrative
, 19 (3), pp. 311—329, http:// doi.org/10.1353/nar.2011.0020.
Bode, Ch. and Dietrich, R., 2013.
Future Narratives: Theory, Poetics, and Media-Historical Moment
. Berlin; Boston.
Chion, M., 1999.
The Voice in Cinema
. New York....
Semantics of abionims in S. Snegov’s novel “People as Gods”
The article studies the onomastic space of the science fiction trilogy “People as Gods” by the Soviet science fiction writer of the second half of the 20th century. Literary abionyms related to the habitats of the heroes of the work are in the focus of the research. It is noted that the space objects ...
The ordinary person in the fictional world of Alexander Galich
... ‘characterology’ is identified. The groundwork for a classification of the ordinary person types is laid and key motifs of plots introducing the types are described. The Soviet small person is considered in the structural context of Galich’s fictional world in view of his ontology, anthropology, and creative philosophy.
1. Бахтин М. М. Работы 1920-х годов. Киев, 1994.
2. Бахтин М. М. Слово в романе // Бахтин М. М. Вопросы литературы ...
Intermedial text modelling: D. Lodge. Nice Work
... Лотман Ю. М. Избр. статьи : в 3 т. Таллин, 1992. Т. 1. С. 133—142.
4. Лотман Ю. М. Семиотика культуры и понятие текста // Там же. С. 129—132.
5. Lodge D. After Bakhtin: Essays on Fiction and Criticism. L. ; N. Y., 1990.
6. Lodge D. The Language of Fiction. L., 2001.
7. Lodge D. The Novelist at the Crossroad and Other Essays on Fiction and Criti-cism L., 1971.
8. Lodge D. The Modes of Modern Writing: Metaphor, Metonymy and the ...
Remembering factor and its function in the shaping of the fiction picture of the world in the texts of Austrian modernism writers (using the works of A. Schnitzler)
The article deals with the phenomenon of remembering and its place in fiction picture of the world of Austrian modernism. Special attention is paid to remembering of childhood comprehended of modernists as negative live experience.
1.
Бондарева Л.
М.
Мнемонические процессы и их речевое ...
Meaning of proper names in contexts of attitudes: de re naming and fictions
... to the theory of the object, where I consider two alternatives — strict, or Leibnizian, and weak. The first explains the actual non-existence by impossibility, the second — by occasionality. Here there are two ways of defining non-existent (fictional) objects — kinship and the counterpart relation, which are realized in frames that are different in their features. Nonspecific character is inherent in the kinship and counterpart relation in different ways. A special case is formed by ...
Historiography and literature: An alliance or a symbiosis?
... memory. Special attention is paid to historiographical texts as a means of representation of cultural memory. The author analyses and compares theories describing relations between historiographical and literary texts. Such relations are based on the fiction/non-fiction opposition. It is concluded that the aesthetic component assumes significance in structuring historiographical texts.
1. Assmann, A., Assmann J., 1994. Das Gestern im Heute. Medien und soziales Gedächtnis. In: K. Merten, S. J. ...
The role of Jean Chapelain in the development of French literary theory and criticism in the first half of the XVIIth century
... his theorizing, such as “verisimilitude”, “taste”, “decorum”, “utility”, “morality”, “erudition”, “fashion”, “clarity”, and “novelty”, which gain semantic complexity depending on their application to different — fictional and non-fictional — genres. Through the analysis of specific works by Chapelain, the article traces the nature of the unfolding of his critical-theoretical discourse, reflecting the principle of aesthetic-philosophical thinking of French classicism ...
Film dialogue as an auto-adaptation of a literary text (on the «Room» shooting script, 2015)
... 08.03.2021).
17. Donoghue Е. Room. N. Y., 2015.
18. Jakobson R. O. Shifters, Verbal Categories and the Russian Verb // Jakobson R. Selected Writings. Vol. 2. The Hague, 1971. P. 130—147.
19. Koivisto A., Nykänen E. Introduction: Approaches to fictional dialogue // International Journal of Literary Linguistics. 2016. Vol. 5, № 2. P. 1—14. URL: https:// journals.linguistik.de/ijll/article/view/56 (дата обращения: 10.03.2021).
20. Kozloff S. Overhearing Film Dialogue. Berkeley ...
The child that is «not of this world» in Sergey Snegov’s novel Humans as Gods
The novel by the famous Soviet science fiction writer is analysed in the context of evangelical allusions and connotations. Biblical references in the text suggest a link between one of the main characters, the boy Astr, and the image of Christ. Although well in line with the anthropology ...
Aldington’s «All people are enemies»: an analysis of the motivic structure of the novel
... авторского сознания : дис. … канд. филол. наук. Воронеж, 2002.
6. Aldington R. All men are enemies. N. Y., 1949.
7. Morris J. Richard Aldington and Death of a Hero — or Life of Anti-hero? // The First World War in fiction. L., 1978. P. 183—193.
8. Onions J. English Fiction and drama of the Great War, 1918—1939. L., 1990.
9. Rutherford A. The literature of war: studies in heroic virtue. L., 1989.
Pohalenkov O. R.
Richard Aldington, «All Men Are Enemies»,...
The distinguishing characteristics of the existential LONELINESS verbal implementation in the authorial narrative discourse of F. Kafka
... the basic notions of cognitive linguistics. More specifically, this article exposes the kernel and the peripheral concepts of the existential LONELINESS. It also reveals the analysis of their representation peculiarities in the nonfictional and the fictional discourse of F. Kafka.
1. Беньямин В. Франц Кафка. М., 2000.
2. Бланшо М. От Кафки к Кафке. М., 1998.
3. Гагарин А. С. Экзистенциалы человеческого бытия: одиночество,...
The theme of the female in the novels of Charles Brockden Brown
....
Langhorne, Dr
. The Accomplished Female Character //
Mass.
Magazine. 1792. April.
10.
Alexander W
. On the Happy Influence arising from FEMALE SOCIETY // Mass. Magazine. 1795. July.
11.
Fleischmann F.
Charles Brockden Brown: Feminism in Fiction // American Novelists Revisited: Essays in Feminist Criticism.
Boston
, 1982.
12.
Person L
. My Good Mama // Studies in American Fiction. 1981. №
9.
13.
Hinds E.
J
. Private Property: Charles Brockden Brown’s Gendered Economics ...
The model of space in F. Kafka’s literary works
... Erzähler Franz Kafka. Stuttgart, 1952.
5.
Kafka F.
Das Schloss. München, 2005.
6.
Kafka F.
Der Prozess. Köln, 2007.
7.
Kafka F.
Die Verwandlung. Frankfurt a
/
M, 2007.
8.
Kim, K.-S.
Franz Kafka. Bonn
, 1983.
Tkachenko V. I.
fiction space, fiction world picture, space constitutive elements, symbols
118-123
Writer Sergei Snegov and the politics of memory in the Kaliningrad region (1950―1970s)
... the work. By analyzing the minutes of the meetings of the Kaliningrad branch of the Writers' Union, the editorial councils of the Kaliningrad book publishing house and reviews of writers on several versions of the manuscript, the mechanism of using fiction as a tool for the politics of memory is revealed. Comparison of several versions of the manuscript with each other, as well as with the published text of the work, made it possible to reconstruct the original concept of the novel and its changes ...
Poetical reduplications in Alexander Vvedensky’s fiction
The article is devoted to the study of the poetics of reduplication in Alexander Vvedensky's fiction texts. The aim of this research is to analyse the functional range of reduplications at different textual levels, from the lexical to the thematic. Reduplication is understood as one of the most important tools of Vvedensky's linguopoetic experiment,...
The reality of fiction in a literary world: on an excerpt from Stanisław Lem’s Solaris
Using an excerpt from Stanisław Lem’s Solaris, this article explores the idea that, in a literary text, a fictional world and the world of physical reality may interact to form such a reality that can paradoxically turn out to be more real than what we believe to be the actual reality. It is also shown that the fictional world realized in a literary text ...
The media image of San Escobar in the space of fictional worlds: a socio-semiotic perspective
... Russ.).
Ilyin, M. V., 2016. What can an analysis of performatives give? Politicheskaya nauka [Political science], 4. pp. 262—270 (in Russ.).
Ionov, A., 2018. Putevoditel’ po vymyshlennym stranam Marvel: Vakanda, Latveriya, dalee vezde [Marvel fictional countries guide: Wakanda, Latteria, then everywhere]. Available at:
https://www.mirf.ru/worlds/marvel-strany-wakanda-latveria
[Accessed 19 August 2018] (in Russ.).
Kwyat, A., 2013. Mediam as an instrument of political PR: cognitive approach....
Psychological tradition of "Poor Lisa" by N. M. Karamzin in the poem "Eda" by E. A. Baratynsky
... be clearly similar. The characters could be more deeply understood if the esearch goes into their inner world. Such analysis allows to discover a few psychological strategies introduced into literary practice by Karamzin: the author’s presence in fictional world, "closeups", "anthropocentric" landscape, specific fictional details, bodily "code". Comparativistic analysis of the two texts, that are storywise close to each other, not only allows to trace Karamzin’s ...
Between mysticism and technique: anagram the European Baroque culture
.... A. Stringer. Bloomington, 2000. Vol. 2: The Elegies.
10. Drévillon H. Lire et écrire l’avenir. L’astrologie dans la France du grand siècle (1610—1715). Seyssel, 1996.
11. Emrich W. Deutsche Literatur der Barockzeit. Königstein, 1981.
12. Fictions narratives en prose de l’âge baroque. Répertoire analytique / sous la dir. F. Greiner. P., 2007. Partie 1 (1585—1610).
13. Fictions narratives en prose de l’âge baroque. Répertoire analytique / sous la dir. F. Greiner. P., 2014. Partie ...
The image of Russia and Russians in the works of Józef Kraszewski in the late 1860s
... negative portrayals of Russian military personnel and government officials, Kraszewski’s writings also contain positive depictions of ordinary Russian people, characterized by their basic humanity.
Kosko D.A.
January Uprising, Russification, fiction, Polish liberation movement, tsarism
34-42
10.5922/vestnikhum-2025-1-4
“Philosophers Will Always Admire Kant…”
... Political Persecution in the Institute of Philosophy in 1930s and 1940s. Philosophy Journal, 1(8), 120-170. (In Rus.)
Krouglov, A. N., 2012. Kant i kantovskya filosofiya v russkoi khudozhestvennoi literature [Kant and Kant’s Philosophy in Russian Fiction Literature]. Moscow: “Kanon+” ROII “Reabilitatsiya”. (In Rus.)
Krouglov, A. N., 2024. Filosofiya Kanta v Rossii [Kant’s Philosophy in Russia]. Kaliningrad: IKBFU Press, 2024. (In Rus.)
Lapshin, I. I., 2015. Kant and Modern Philosophy....
Сolour terms in the Russian short stories of the early XX and XXI centuries: a corpus study
... 17, pp. 21—48,
https://doi.org/10.25205/1818-7935-2019-17-1-21-48
(in Russ).
Perekhvalskaya, E. V., 2016.
Etnolingvistika : uchebnoe posobie
[Ethnolinguistics: a Textbook]. Moscow (in Russ).
Skrebtsova, T., 2021a. Thematic tagging of literary fiction: the case of early 20th century Russian short stories. In:
Proceedings of the International Conference “Internet and Modern Society”
. St. Petersburg, 17—20 June, 2020. Vol. 281, pp. 265—276.
Skrebtsova, T. G., 2021b. New Sociopolitical ...
Language conflict in the literary discourse: Jia Pingwa’s novel “Qin Qiang”
... demonstrates that the use of conflictogenic discourse in prose is a distinctive feature of Jia Pingwa’s idiosyncrasy, integrating various communicative strategies. The findings provide a foundation for further research into speech collisions in Chinese fiction.
Belyaevskaya, E. G., 2021. The “conflict” frame in language and text. In:
Yazyk v global'nom kontekste: yazykovye kontakty i yazykovye konflikty v sovremennom mire
[Language in a global context: language contacts and language conflicts ...
J.R.R. Tolkien and C.S. Lewis in search of the criterion of artistry
The article examines the aesthetic aspect of the artistic pursuits of famous English philologists and writers of the 20th century, Clive Staples Lewis and John Ronald Reuel Tolkien, based on their literary-critical works, essays, and fictional texts. In particular, the article traces the search for a criterion of artistry in the works of these authors. The relevance of this study is determined by the belief that the criterion of artistry in a literary text is a fundamental category ...
Features of grifonym functioning in English-language fantasy video game texts
... of a study on the cumulative functionality of fantasy character nominations in English-language video games. The relevant term “grifonym” is introduced for these nominations, proposed to denote quasi-anthroponyms of beings with a high degree of fictionality, possessing a one- or multi-component structural composition and relating to the appearance, unique characteristics, social role, activities, and origin of a fantasy character endowed with certain anthropomorphic traits. Considering the nature ...
Functioning of the frame environment in various conceptual knowledge domains in the English language
... which are prefixed, history of the language, and an English grammar: in two volumes. Vol. 2. Available at:
https://pbc.gda.pl/dlibra/publica
tion/24130/edition/19407/content [Accessed 16 January 2023].
Durkina, G. S., 2013. Frame organisation of a fiction text (on the material of Russian classical and modern literature).
Izvestiya Volgogradskogo gosudarstvennogo pedagogicheskogo universiteta
[Bulletin of the Volgograd State Pedagogical University], 9 (84), pp. 90—93 (in Russ.).
Faber, P....
‘I did know who they were’: The red horse and the white poodle in Viktor Sosnora’s The Latvian Ballad
... interpret the images of the red horse and the white poodle featured in Victor Sosnora’s poem The Latvian Ballad. These characters, mentioned in the final verses of each odd-numbered stanza, provide the leitmotif of the poem. Their appearance in the fictional world of The Latvian Ballad constitutes the primary event of the text. The title, indicating the genre and setting a national or local context, also significantly influences the meanings attributed to the red horse and the white poodle. The ...
The choices of readers and writers in Russian fanfiction
... study explores readership preferences based on age and selected text stimuli. It also provides an overview of authors’ preferences and the most popular source materials, analysing ficwriters’ selection of prose, genres (such as fantasy and science fiction) and prevalent themes (including love, historical and social themes). The study also posits a unique relationship between the author and the reader within the Russian fanfiction community, shaped by the digital landscape and operating on market ...
Allusions in poetic work of Mikhail Matusowsky: philological and cultural-historical aspects
Allusion as a technique of fiction has been studied by various scientific disciplines for the past few decades. This “translator” of cultural, historical and literary information is a significant element that serves to reveal the author’s intention. Allusive inclusions from ...
The image of the pilot in the eschatological vision «The Great Divorce» K. S. Lewis
The author considers the image of the guide and its artistic interpretation proposed by C. S. Lewis in his eschatological vision “The Great Divorce”. The article traces different approaches to distinguishing the genre of the book and establishes the relation between the transformation of the genre of eschatological vision and the image of the guide in it. The purpose of the article is to provide a thorough characteristic of the image of George MacDonald (the guide) in “The Great Divorce” by C....
A literary image as a cognitive phenomenon
... of Art / еd. by P. F. Bundgaard, F. Stjernfelt // Contributions to Phenomenology. Vol. 81. N. Y., 2015. P. 15—30. doi: 10.1007/978-03-319-14090-2_2.
18. Richardson A. Studies in literature and cognition: A field map (inroduction) // The work of fiction: Cognition, culture, and complexity / ed. by A. Richardson, E. Spolsky. N. Y., 2004. P. 1—29.
19. Smith G. Film structure and the emotion system. Cambridge, 2003.
20. Stockwell P. Cognitive Poetics. An Introduction. L. ; N. Y., 2002.
21. Turner ...
The phenomenon of twelve-tone music in Samuel Beckett’s short stories
.... J., Gontarski S. E. The Grove Companion to Samuel Beckett. Grove Press, 2004.
12. Bair D. Samuel Beckett: A Biography. L., 1990.
13. Beckett S. Pour finir encore et autres foirades. P., 1976.
14. Caselli D. Beckett's Dantes: Intertextuality in the fiction and criticism. Manchester, 2005.
15. Cohn R. A Beckett Canon. University of Michigan Press, 2001.
16. Craig G. The Letters of Samuel Beckett. Cambridge, 2011. Vol. 2 : 1941—1956.
17. Friedman A. W. Beckett's Musicals // Dans Études anglaises....
The title of Alexander Pushkin’s novel The captain’s daughter as the textual dominant
... considers the functional significance of the attributive combination ‘captain's daughter’ as an essential and integral component of the semantic space of Alexander Pushkin’s novel. Placed in the title, it functions as the key sign of the work of fiction since it makes it possible to interpret implied meanings. Unlike the other, more frequent, lexical and grammatical units used as nominations in the text (‘Masha’, ‘Marya Ivanovna Mironova’), ‘captain’s daughter’ explicates the image ...
The concept of Joy in C. S. Lewis's autobiography
.... // Вестник Вятского государственного гуманитарного университета. 2008. № 4—2. С. 173—176.
5. Крифт П. К. С. Льюис: критическое эссе. URL:
https://azbyka.ru/fiction/
k-s-lyuis-kriticheskoe-esse-piter-krift/ (дата обращения: 02.12.2018).
6. Степанов Ю. С. Константы: Словарь русской культуры. М., 2004.
7. Трауберг Н. Л. Несколько слов ...
Art as a means of developing professionally important qualities among the psychology students
... Хезмондалш Д. Музыка. Почему она так важна для нас. Харьков, 2014.
15. Ball Ph. The Music Instinct: How Music Works and Why We Can`t Do Without It. Oxford, 2010.
16. Kidd D. C., Castano E. Reading Literary Fiction Improves Theory of Mind // Science. 2013. Vol. 342, № 6156. URL:
http://science.sciencemag.org/content/early/recent
(дата обращения: 11.06.2018).
Kozhemyakin M. V.
professional education, the psychology of art, professionally ...
Reminiscences of Russian culture in A. S. Byatt’s novel The Children’s Book
... writer’s attitude to Russia is largely mediated by the Russian literature from Dostoevsky and Tolstoy to Pelevin. The researcher brings forward the problem of mythologization and demythologization of the image of Russia, and stresses the fact, that the fictional (Tatarinov) and real (Stepnyak, Kropotkin) images of Russian anarchists are given in the perception of the British. The author comes to the conclusion that the reminiscences of Russian culture do not so much support the national myth as they ...
Linguopoetic potential of verbs and verbal noun collocations in classical and modern russian literature
... теории и практики. 2015. № 2, ч. 2. С. 195—198. URL:
www.gramota.net/materials/2/2015/2-2/55.html
(дата обращения: 27.04.2018).
Babenko N. G.
verbs, deverbatives, collocation, syntactical derivation, language of fiction
39-47
Non-verbal elements of a film text in the semiosis of power
... СПб., 2006.
16. Якобсон Р. О лингвистических аспектах перевода // Вопросы теории перевода в зарубежной лингвистике. М., 1978. С. 16—24.
17. Dynel M. Stranger than fiction? A few methodological notes on linguistic research in film discourse // Brno Studies in English. 2011. Vol. 37, № 1. P. 67—91.
18. Eco U. Towards a Semiotic Inquiry into the Television Message // Working Papers in Cultural Studies. 1972. Vol....
Text filiation in S. Dovlatov's fiction (article two)
The author analyses S. D. Dovlatov’s prose and examines the littlestudied intertextual process of filiation. The filial offshoot of a literary text is related to, and separate from, the initial text and is written by the same author. The study presents a ‘working’ definition of filiation and outlines its basic principles — a creative use of clichés, text reduplication, and the employment of the parent text’s ‘genomes’.
1. Барт Р. Избранные работы: Семиотика. Поэтика. М., 1994.
2. Генис А. На уровне...
Text filiation in S. D. Dovlatov’s fiction (article one)
This article considers SD Dovlatov’s prose to examine the little-studied intertextual process of filiation. The filial offshoot of a literary text is related to, and separate from, the initial text and is written by the same author. The study presents a ‘working’ definition of filiation and outlines its basic principles — a creative use of clichés, text reduplication, and the employment of the parent text’s ‘genomes’.
1. Барт Р. Избранные работы: Семиотика. Поэтика. М., 1994.
2. Генис А. На уровне...
Anthroponyms as the markers of cultural memory in epic texts
... Zürich, 1998.
20. Vorrede der Brüder Grimm zum ersten Band // Deutsche Sagen / hrsg. von den Brüdern Grimm. Düsseldorf ; Zürich, 2002. Bd. 1, 2. S. 7—18.
Bondareva L.
collective memory, cultural memory, sagas, anthroponyms, historiography, fiction
5-11
Lingvopoetics of "light worlds" of Tatyana Tolstaya
... рассказы. М., 2001. С. 231—252.
3. Толстая Т. Река Оккервиль // Там же. С. 331—345.
4. Толстая Т. Ночь // Там же. С. 117—127.
5. Толстая Т. Н. Легкие миры. М., 2014.
Babenko N. G.
fiction text, lingvopoetics, possible world, text-forming function
68-74
Pragmatic aspects of gender-specific compliments in the English language culture
The aim of this article is to examine linguistic manifestations of gender in complimentary utterances in English. The author uses modern fiction as an object of research. Linguistic manifestations of gender characteristics are analysed against the target-related orientation of the complimentary utterances. The author concludes that the overwhelming majority of compliments are paid from ...
Language specificity of Franz Kafka’s non-fiction texts
The characteristic features of non-fictional texts by F. Kafka are studied on the material of the author’s diaristic and epistolary texts, which manifest his linguistic personality. The epistolary texts are analysed in reference to the addressee and their relationship with the author. Special attention is paid to the functional specificity of the parable as a genre and the absurd character of the author’s narration.
1. Бабенко Н. С. О лингвистическом смысле разграничения текстов на жанры // Лексика...
The game of Daniel Kehlmann’s novel Measuring the World
... Художественное слово в пространстве культуры: проблемы игрового начала. Иваново, 2013. С. 49—59.
9. Edel L. Writing Lives: Principia Biographica. N. Y., 1987.
10. Nadel I. B. Biography: Fiction, Fact and Form. L., 1984.
11. Woolf V. The New Biography // Biography as an Art. Selected Criticism. 1560—1960. L., 1962. P. 123—134.
12. Zimmermann Ch. von. Biographische Anthropologie in lebensgeschichtlicher Darstellung (1830—1940)....