Gothic components of science fiction’s genealogy
Science fiction can be defined as the literature about cognizable unusual phenomena which represents hypothetical scientific, technical and social products of their rational exploration. Before the genre emerged, the subject of exploring the unusual was developed ...
How presuppositions and illocutionary force become components of sense: some implications from the analysis of fictitious names in Frege’s philosophy
... crucial to consider the speaker's intention. When making a statement, the speaker may refer to the real or the imaginary. In the latter case, the thought cannot be explicitly expressed, and consequently, denotation cannot be reached. In Frege's framework, fictional thoughts hold little significance for decision-making and actions. Therefore, we consistently seek to discern whether the discourse pertains to the real or the imaginary. To make this knowledge accessible, it must be incorporated into the ...
Metanarrative in Daniel Kehlmann’s novel Fame
This article focuses upon the features of constructing and re-constructing a literary text in the case of Daniel Kehlmann’s novel Fame (2009). Using various narrative strategies, Daniel Kehlmann manages to create a multilayered fictional space based on meta-narration and self-reflection of the characters and the narrator. The duality, amalgamation of reality and fiction, reciprocity, and the inclusion of the reader into the process of textual modeling through cross-references ...
You, you, you: second-person narrative in the “Invisible” by Paul Auster (2010)
... narrative form is able, if not to redefine the narrative and its basic concepts, then to point out the need for such a redefinition.
Bell, A. and Ensslin, A., 2011. ‘I Know What It Was. You Know What It Was’: Second-Person Narration in Hypertext Fiction.
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Elements of science fiction in the French postmodernist discourse: The case of B. Werber’s novel The Thanatonauts
This article presents an interdisciplinary study on text linguistics, lingu-o¬poetics, and narratology. It addresses the problems of modern science fiction discourse and analyses the ideas of the leading theorists of postmodernism — J.-F. Lyotard and J. Derrida — as well as those of scholars focusing on the sci-ence fiction discourse — T. Todorov and R. Lachmann. The practical material of the ...
Intermedial text modelling: D. Lodge. Nice Work
... Лотман Ю. М. Избр. статьи : в 3 т. Таллин, 1992. Т. 1. С. 133—142.
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8. Lodge D. The Modes of Modern Writing: Metaphor, Metonymy and the ...
The phenomenon of heterogeneity of the speech subject in German retrospective discourse
The article highlights the features of self-presentation of the subject of retrospective mental and cognitive activity recorded in the texts of memoirs of German-speaking writers of the 19th and 20th centuries. The texts of fiction, which are fictional memories of the narrator and the main character of the narrative in one person, were also used as linguistic material. The novelty of the research is determined by the linguocognitive approach to the problem of interaction ...
Meaning of proper names in contexts of attitudes: de re naming and fictions
... to the theory of the object, where I consider two alternatives — strict, or Leibnizian, and weak. The first explains the actual non-existence by impossibility, the second — by occasionality. Here there are two ways of defining non-existent (fictional) objects — kinship and the counterpart relation, which are realized in frames that are different in their features. Nonspecific character is inherent in the kinship and counterpart relation in different ways. A special case is formed by ...
Poetical reduplications in Alexander Vvedensky’s fiction
The article is devoted to the study of the poetics of reduplication in Alexander Vvedensky's fiction texts. The aim of this research is to analyse the functional range of reduplications at different textual levels, from the lexical to the thematic. Reduplication is understood as one of the most important tools of Vvedensky's linguopoetic experiment,...
The media image of San Escobar in the space of fictional worlds: a socio-semiotic perspective
... Russ.).
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Kwyat, A., 2013. Mediam as an instrument of political PR: cognitive approach....
Historiography and literature: An alliance or a symbiosis?
... memory. Special attention is paid to historiographical texts as a means of representation of cultural memory. The author analyses and compares theories describing relations between historiographical and literary texts. Such relations are based on the fiction/non-fiction opposition. It is concluded that the aesthetic component assumes significance in structuring historiographical texts.
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Between mysticism and technique: anagram the European Baroque culture
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12. Fictions narratives en prose de l’âge baroque. Répertoire analytique / sous la dir. F. Greiner. P., 2007. Partie 1 (1585—1610).
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Psychological tradition of "Poor Lisa" by N. M. Karamzin in the poem "Eda" by E. A. Baratynsky
... be clearly similar. The characters could be more deeply understood if the esearch goes into their inner world. Such analysis allows to discover a few psychological strategies introduced into literary practice by Karamzin: the author’s presence in fictional world, "closeups", "anthropocentric" landscape, specific fictional details, bodily "code". Comparativistic analysis of the two texts, that are storywise close to each other, not only allows to trace Karamzin’s ...
The role of Jean Chapelain in the development of French literary theory and criticism in the first half of the XVIIth century
... his theorizing, such as “verisimilitude”, “taste”, “decorum”, “utility”, “morality”, “erudition”, “fashion”, “clarity”, and “novelty”, which gain semantic complexity depending on their application to different — fictional and non-fictional — genres. Through the analysis of specific works by Chapelain, the article traces the nature of the unfolding of his critical-theoretical discourse, reflecting the principle of aesthetic-philosophical thinking of French classicism ...
Semantics of abionims in S. Snegov’s novel “People as Gods”
The article studies the onomastic space of the science fiction trilogy “People as Gods” by the Soviet science fiction writer of the second half of the 20th century. Literary abionyms related to the habitats of the heroes of the work are in the focus of the research. It is noted that the space objects ...
Film dialogue as an auto-adaptation of a literary text (on the «Room» shooting script, 2015)
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The ordinary person in the fictional world of Alexander Galich
... ‘characterology’ is identified. The groundwork for a classification of the ordinary person types is laid and key motifs of plots introducing the types are described. The Soviet small person is considered in the structural context of Galich’s fictional world in view of his ontology, anthropology, and creative philosophy.
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Idiolect of a piece of litterature in the mirror of translation (based on the novel of E. Vodolazkin “Laurus”)
... speech activity product are considered as objects of translation into a foreign language. The study raises the question of a strategy for analyzing the linguistic means of a literary text that would allow for the most complete reconstruction of the fictional world in the imagination of the foreign-language reader. The aim of the research is to study the influence of the interpretation of the idiostylistic aspect of a literary work on the translator’s work. The methodology of the study is based ...
The image of Russia and Russians in the works of Józef Kraszewski in the late 1860s
... predominance of negative portrayals of Russian military personnel and government officials, Kraszewski’s writings also contain positive depictions of ordinary Russian people, characterized by their basic humanity.
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... proper names and the act of telling jokes. The article explores the pragmatic principle governingproper names through the concept of the mental dossier, arguing that the introduction of a name should be accompanied by a description of its referent. In fictional texts, violation of this principle may produce specific artistic effects. The article also differentiates between the telling of jokes and related speech genres. It argues that the introduction of a forthcoming canned joke into discourse is ...
Language conflict in the literary discourse: Jia Pingwa’s novel “Qin Qiang”
... demonstrates that the use of conflictogenic discourse in prose is a distinctive feature of Jia Pingwa’s idiosyncrasy, integrating various communicative strategies. The findings provide a foundation for further research into speech collisions in Chinese fiction.
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Сolour terms in the Russian short stories of the early XX and XXI centuries: a corpus study
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‘People in Black’: Semantization of the concepts ‘sectant’ and ‘baptist’ in the anti-religious campaign of 1958—1964
In the post-revolutionary era, the population's adoption of a new political vocabulary demanded the Soviet authorities to play the role of the interpretant. They engaged in the process of assigning meanings to new concepts through mass media and fiction. Simultaneously, established concepts had to undergo reshaping to align with the new worldview of the 'Soviet citizen’. The transformation of the semantic structure of religious vocabulary, ideologically marked, reflected the shift in the fundamental ...
Functioning of the frame environment in various conceptual knowledge domains in the English language
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Semantic transformation of the noun mamochka: from ‘wife’ to ‘cannon’
... aims to reveal the influence of individual perceptions of the meaning on the extension of the semantic structure of a word, using the kinship term ‘mamochka’ as an example. The article focuses on instances where the word ‘mamochka’ is used in fiction and, to some extent, Internet texts. The article examines cases spanning from the 1840s to the 2010s to explore the secondary usage of the term. The corpus, comprising a total of 2,192 cases, was carefully collected and annotated. Out of these ...
Translation as a journey through possible and impossible worlds
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Continuity of Texts. Metafiction in a Cortazar Short Story and its Swedish Translation
... the short story Continuidad de los parques, written by the Argentine author Julio Cortázar and translated into Swedish by the translator Jan Sjögren. This short story is an excellent piece of metafiction as it plays with the relationship between a fictional reader and the real reader. By creating an aesthetic illusion, Cortázar leaves the reader in a tense state with a number of unanswered questions during the reading of the text. The analysis shows that this state of tension is weakened and ...
On poetic emotiology in poetry and beyond
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On the less obvious manifestations of the poetic function: a translator’s view
... sredstva yazyka v aspekte funktsional'no-semanticheskogo polya (na materiale sovremennoi britanskoi belletristiki) [Expressive grammatical means of the language in the aspect of the functional and semantic field (based on the material of modern British fiction). PhD Dissertation. Yekaterinburg (in Russ.).
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“Russian people” in the literature and documents of the 19th century: an experience of linguistic portraiture
The article describes the ideologeme “Russian people” and its use in the texts of fiction and documentary literature of the 19th century. The authors explored both the socio-political concept “'Russian people” and its verbalization in Russian. The research material included examples from the Russian National Corpus, which were ...
Emotional and receptive-axiological aspects of the speech act of threat in everyday conflict communication in Russian
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Novozhenova, Z. L. and Probst, N. A., 2019. On the question of the speech act nature of the verbal threat. Vestnik Baltiiskogo federal'nogo universiteta im. I. Kanta. Ser.: Filologiya,...
‘What can be described can happen too…’: describing text semantics as a model structure of transworld relationships
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The reality of fiction in a literary world: on an excerpt from Stanisław Lem’s Solaris
Using an excerpt from Stanisław Lem’s Solaris, this article explores the idea that, in a literary text, a fictional world and the world of physical reality may interact to form such a reality that can paradoxically turn out to be more real than what we believe to be the actual reality. It is also shown that the fictional world realized in a literary text ...
The intertexteme as an instrument in the past — present — future dialogical space of urbanism practices: an intersemiotic analysis of graffiti and inscriptions in Gdansk and Kaliningrad
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Between faith and disbelief: the theme of life and death in Yu. N. Ivanov’s novel Dances in the Crematory: Ten Episodes from the Life of Königsberg
... binary oppositions (peace/war, life/death, god/evil, love/hate, faith/disbelief, God/devil), which reveal the author’s worldview and integrate semantically different dimensions of the novel — subjective, psychological, moral, philosophical, and fictional ones. These oppositions emphasise the novel’s leitmotif (the metaphor of the road as a person’s life journey) and its central moral-philosophical idea and dilemma — the tragic fate of a person who has chosen the independent path of overcoming ...
Age-related characteristics of English, American, and Russian compliments
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Indirect translation: Main trends in practice and research
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Linguistic Means Expressing Argumentation in Judicial Discourse late 19th: The Prosecutor’s Speech in Dostoevsky’s The Brothers Karamazov
... rhetorical linguistic means, it is necessary to follow the rules of usage and consider the suitability of such means. An excessive use of rhetorical devices leads to unintended communicative mistakes and may cause a communicative failure. In a work of fiction, such a use of a linguistic means can contribute to the overall aesthetic effect as well as to the compositional, cognitive, logical, illocutive, expressive, and pragmatic expressiveness of the narrative.
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