Historical policy and memorial culture of modern Romanian society
The aim of the research is to analyze the contemporary politics of memory in Romania in the early 2020s. The author examines the role and place of intellectual communities as key spaces of memory genesis and the functioning of memorial culture and collective historical memory in the contemporary social and political thought of Romania. The novelty of the study lies in exploring the current stage in the development of the historical politics of Romanian society in the context of an objective deficit ...
Culture of historical memory of modern German monarchism
... imagination, monarchism constructs alternative versions of historical memory and memorial culture, distinct from those proposed by civic identity. The article highlights that monarchist forms of historical memory contribute to ongoing transformations in memorial culture, promoting the parallel development of alternative counter-memories that operate within the political and ideological framework of monarchism. It is suggested that the visualization of collective historical memory regarding the unique historical experience of monarchy, including the narrative and discursive tactics and strategies of contemporary monarchists, enhances the heterogeneous nature of Germany’s memorial tradition, fostering ...
Kant as the German Theorist of the French Revolution: the Origin of a Dogma
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The concept of “memory wars” in contemporary studies of collective memory
The article analyses how the terms “memory wars” / “memorial wars” are applied in the contemporary research papers on conflicts of collective perceptions of the past. The author shows that in the late 1990s and early 2000s the concept was not yet associated exclusively with the political sphere, within which different social groups were producing historical narratives, but in the ...
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Visualization of the esthetics of memories in the novels of W. G. Sebald «The Rings of Saturn» and «Austerlitz»
... “The Ring of Saturn” and “Austerlitz” the significance of visual inserts for the formation of the narrative is determined by their absolute integration with the text. I hold that photography in W. G. Sebald’s works is the embodiment of a collective memory of the past. It encourages the creation of personal history and evokes individual memories. It complements the narrative and reveals parallels between different fragments of the narrative, which are not linked textually.
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... discovered that literature-as-a-medium and memories are interconnected. It is also demonstrated how reading evokes spe-cific memories and forms a certain image of the past.
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