Ideology in the mailman's bags: towards the pragmatics of the postage stamp
... to depicting Pushkin himself is changing, but also the symbolic context in which they are included: from endowing Pushkin with the features of an ideal example of poetry to forming detailed personal representations. The dynamics of the ‘philatelic plot’ building around the anniversaries of Pushkin's work shows that, being a ‘strong sign’ immersed in the structure of everyday practices as a means of mass influence, the postage stamp is a powerful socio-semiotic resource that has a direct impact ...
The functioning of precedent names from source domain “Literature” in Richard Brautigan’s “Trout Fishing in America”
... of the artistic significance of the text and creation of tropic relations), characterizing (description of the characters’ personalities), referential (recreation of the cultural-historical context of the era), and text-forming (formation of the plot framework and structuring of intratextual connections). It is shown that precedent names in the text of the work have a multifunctional character, with the ludic function serving as the hyperfunction.
precedent name, functions of precedent ...
Genre-composition metaphor of rhizome in the novel “Primeval and other Times” by Olga Tokarchuk
... examined in the context of the nomadological theory of postmodernism as reflected in the writings of philosophers G. Deleuze and F. Guattari. The study investigates the concept of the “rhizome,” which in Tokarczuk’s work functions as a method of plot construction for her literary texts in general and the novel Primeval and
Other Times in particular. The metaphor of the rhizome is expressed in the novel not only through the image of a giant fungal network, a mycelium, but also through a distinctive ...
The topos of the forest in N. Hawthorne’s “The Scarlet Letter”
The article explores the symbolism of the forest in N. Hawthorne’s “The Scarlet Letter.” This study aims not only to interpret the meanings associated with this topos but also to illustrate its role in developing three internal plots within the novel. A brief overview of the forest’s reception as a symbolic space in European culture reveals four primary interpretations: the forest as a source of materials and resources, the forest as hell, the forest as paradise, and the ...
Lexical and grammarical characteristics words with the root рыж- (red-) in the poetry of the first third of the XX century
... elements. The findings may be of interest to literary scholars researching the works of Russian poets of the Silver Age and may also be applicable in the practice of lexicography.
C.S. Lewis, the four loves, mythological novel, Cupid and Psyche, plot
41—50
10.5922/vestnikpsy-2025-2-4
Emotional and receptive-axiological aspects of the speech act of threat in everyday conflict communication in Russian
The article analyses the emotive aspect of the production and perception of the speech act of threat and the specificity of the perception of this act by a modern native speaker of Russian. The act of threat is an instrument of influence exerted on the listener. Its effectiveness depends on the strength of the negative emotions of anxiety, fear, etc. initiated in the listener. At the same time, the production of threatening statements is often associated with the speaker's emotional state, which...
On fate and/or providence in Pushkin’s short story ‘The blizzard’
... Pushkin’s short story ‘The blizzard’, Zhukovsky's ballad ‘Svetlana’, from which Pushkin borrowed the epigraph, and Burger's ‘Lenora’, which was twice used by Zhukovsky in different contexts. Differences in the functioning of the traditional plot are considered against the background of the interrelation and interdependence between fate, chance, and free will. In a Christian reading, the attitudes of the main characters of the three works to God's providence explain the motives behind ...
Pushkin texts in the description of characters by Dostoevsky and Nabokov
In his novels, Dostoevsky refers to the Pushkin text to describe characters. For Dostoevsky, Pushkin is an ethical and aesthetic touchstone; the writer’s voice is consonant with that of the poet’s persona. In some cases, the Pushkin text is embedded in religious discourse (the parable of the prodigal son). In interpreting the Pushkin text, Dostoevsky’s characters present and disclose themselves. The ‘dreamer’ from ‘White Nights’ invokes the Pushkin text to convey the values of his own. In her peculiar...
The journal “1812”and the 100th anniversary of the Patriotic War of 1812
... Otechestvennoi voine 1812 goda Sbornik materialov konferentsii [Moscow in the Patriotic War of 1812: Conference proceedings]. Moscow. pp. 110—121 (in Russ.).
Mitroshenkova, L. V. and Lvov, S. V., 2014. Panorama “Borodino”: to the history of the plot. In: Epokha napoleonovskikh voin: lyudi, sobytiya, idei. Sbornik materialov konferentsii [The Age of Napoleonic Wars: people, events, ideas. Conference proceedings]. Moscow. pp. 111—116 (in Russ.).
Melnikova, L. V., Sekirinsky, S. S., Podmazo,...
The philosophy of the text as texts of philosophy
... In this interpretation, being in itself appears as a text. Philosophizing as such is realized in various forms of textualization, which are the focus of this article. Verbal textualization (single words, paremia, aphoristics, parables, detailed plots, hermeneutic interpretations, conceptual systems) does not exclude visual, activity-driven textualizations and their mutual translations. Philosophy is capable of taking on diverse, dissimilar forms. It is as diversified as the paths of human ...
The text in the context of the Tartu Semiotic School: problems and prospects
... [Transactionses on Sign Systems], 9, pp. 51—61 (in Russ.).
Lotman, Yu. M., 1981. The brain — text — culture — artificial intelligence. Semiotika i informatika [Semiotics and Computer Science], 1, pp. 13—17 (in Russ.).
Lotman, Yu. M., 1993. Death as a plot issue. In: Studies in Slavic Literature and Poetics. Vol. XX: Literary Tradition and Practice in Russian Culture: Papers from an International Conference on the Occasion of the Seventieth Birthday of Yu. M. Lotman. Amsterdam: Rodopi. pp. 1—15 ...
Experiences in translation: the text as a pattern, the pattern as a text
...
Il‘in, M. V., 2018. Image, appearance, eidos, figure, pattern. How do words help to recognize images, feel them, understand meanings and meanings? Slovo.ru: the Baltic accent, 9(2), pp. 6—20 (in Russ.).
Kovalev, O. A., Negreeva, A. D., 2013. The plot and rhythm in the lyrics of Brodsky: to the question of the relationship between semantics and the rhythmic structure of the lyric text. Filologiya i chelovek [Philology and Man], 3, pp. 60—66 (in Russ.).
Kovtunova, I. I., 2005. Syntax of poetic ...
The hagiographic genre of the life of Alexander (Plutarch’s Comparative biographies)
The article describes the main features of the hagiographic genre in the Life of Alexander from Plutarch’s Comparative Biographies. I use the comparative, reverse and structural-semantic methods to analyse the biography of Alexander the Great, the images of the protagonist and the narrator, the unreality and the deification of the protagonist. There is a certain typological convergence between bios as a genre and Plutarch’s ancient biographies. This convergence is reflected in the structure of Alexander’s...
Hagiographic genre in the works of Konrad von Wurzburg
... a genre in the medieval epoch and compared them with the notion used by Konrad von Würzburg. I examine the peculiarities of the text structure, the functions of the prologue and the epilogue and analyse a number of specific features typical of the plot of the above-mentioned hagiographic poems. Conrad von Würsburg’s outstanding merit lies in the establishment of hagiographic canons in German literature.
Gugnin, J. A., 2003. Tvorchestvo Konrada Würzburgskogo v kontekste nemeckoj literatury ...
OPOIAZ and Bakhtin: the Decision Science’s perspective
... Shklovskii, ed. Gamburgskii schet: stat'i — vospominaniya — esse (1914—1933) [The Hamburg Account: articles — memoirs — essay (1914—1933)]. Moscow: Sovetskii pisatel'. pp. 35—39 (in Russ.).
Shklovskii, V., 1919. Connection of the methods of plot with the general methods of style. In: Poetika: sborniki po teorii poeticheskogo yazyka [Poetics: collections on the theory of poetic language]. pp. 115—150 (in Russ.).
Shklovskii, V., 1923. Sentimental'noe puteshestvie. Vospominaniya 1917—1922 ...
Energy and the Ways of its Conceptualisation in Cognition: an Attempt at an Epistemological Analysis
Thе article examines the connection between conceptualisation and transfer of knowledge in the humanities and analyses the role of these processes in the formation of conceptual and terminological framework for different types of discourse. The study draws on an analytical description of the development of the concept of energy in the Christian Orthodox discourse. The description was provided from the perspective of transferology — a new metadiscipline aimed to study the meaning-focused transformations...
‘The Radical Black Colour’. On the Semantics of the Black Colour in Anarchist Discourse
..., N. B., 1975. Istoriya tsvetooboznachenii v russkom yazyke [History of color designations in Russian]. Moscow.
3. Burenina-Petrova, O. D., 2016. Anarchy and power in art (Varvara Stepanova and Alexander Rodchenko). Syuzhetologiya i syuzhetografiya [Plot theory and plotography], 2, pp. 120—137. Available at:
http://www.philology.nsc.ru/journals/sis/pdf/SS2016-2/15.pdf
[Accessed 18 August 2017].
4. Vezhbitskaya, A., 1996. Color designations and universals of visual perception. In: Vezhbitskaya,...
The motif of forgiveness in the Russian romantic poetry of the first third of the 19th century
This article considers works of two famous Russian poets of the first third of the 19th century. Both works depict the violation of the sixth commandment - ‘thou shalt not kill’. An axiological analysis of the plot and composition structure of both poems shows that the central problem is forgiving enemies – completely amoral persons that violate moral laws and do evil.
1. Гладков Б. И. Толкование Евангелия. СПб., 1913.
2....
The title and text in M. Lomonosov’s spiritual “Meditation”
The title and text of Lomonosov’s spiritual Meditation is considered within the system of an integrated context of meanings. The role of the title is identified through its connection with the structural and semantic framework of the poetic plot.
1. Даль В. И. Толковый словарь живого великорусского языка : в 4 т. М., 2001.
2. Кржижановский С. Д. Поэтика заглавий. М., 1931.
3. Ломоносов М. В. Полн....
A revision of the syllabus (The model of “eternal return” in A. Platonov’s short stories)
This article compares two short stories by A. P. Platonov separated by a ten-year inter¬val but following the same plot scheme. Both works address the idea of “enteral return,” therefore they can be considered in the context of the problem of “Platonov and Nietzsche.”
1. Дмитровская М. «Огненная Мария» // «Страна философов» ...
The axiological discourse in A. Veltman’s poem The Woods of Murom
... became central to Russian Romanticism. An analysis of the poem in the axiological aspect shows that A. Veltman – as well as other Russian poets – is interested in the moral and psychological reasons behind this phenomenon rather than social ones. The plot structure and the author’s position suggest that robbery is depicted in the poem as a cardinal sin that cannot be justified; it forces a person to abandon the moral law and leads to spiritual death.
1. Вельтман А. А. Муромские ...
The multi-language coding and anagrammatic foundations of the “Venice text” in Yu. Buida’s short story “All the floating by”
This article examines the use of a multi-language anagrammatic code in Yu. Buida’s works. The authors identify the anagrammatic foundations of the “Venice text” in the shorty story “All the floating by” from the collection The Prussian Bride. It is shown that the core of the system is the anagrammatic variation of the words Венеция / невеста и море / amor / mors. The matrimonial and funeral semantics of the night boat rides of the female character along the Pregolya is emphasised. The authors consider...
Reception of Kant’s Epistemological Ideas in Fyodor Golubinsky’s Metaphysics
Kant’s views on space and time as well as his doctrine of the categories of understanding attracted the attention of thinkers belonging to the Russian spiritual-academic philosophical tradition of the nineteenth and early twentieth centuries. A prominent representative of these was Fyodor Golubinsky. He was among the first to react to Kant’s “Copernican turn”. He did not merely study the epistemological ideas of Kant but embraced them and modified them in the framework of his own philosophical teaching...
Philosophy of Hermann Cohen (Publication, Foreword and Commentary by N. A. Dmitrieva)
Anon., 1914. Formular List of the Service of Alexander Liverievich Sakketti, a titular councillor attached to the Ministry of National Education. Compiled to 17 May 1914. [manuscript] Ministry of Public Education Collection, 733. Inventory 155, Folder 1087, Sheet 92. St. Petersburg: Russian State Historical Archive (RGIA). (In Rus.)
Dmitrieva, N. A., 2007. Russkoe neokantianstvo: “Marburg” v Rossii. Istoriko-filosofskie ocherki [Russian Neo-Kantianism: “Marburg” in Russia. Historical and Philosophical...
Schelling’s Criticism of Ontological Argument and Interpretation of Kant’s Doctrine of the Ideal of Reason
To reconstruct a critique of the ontological proof of the existence of God in Schelling’s philosophy I examine his interpretation of the ontological argument by Anselm of Canterbury and Descartes as well as Schelling’s assessment of the critique of the Kantian ontological proof of the existence of God. I propose a reconstruction of Schelling’s account of undoubted being which cannot be deduced from the concept of the totality of all that is possible and therefore must come before any thought. He...
Legal Consciousness at the Early Stage of Personality Development from the Perspective of Russian Neo-Kantian Philosophy of Pedagogy
In this study, I investigate the philosophico-pedagogical concepts developed by German and Russian Neo-Kantians, namely P. Natorp, S. I. Hessen, M. M. Rubinstein. In order to identify the peculiarities of the approaches of the Neo-Kantians to legal consciousness in children, I show that the widely accepted view that Hessen borrowed Natorp’s hierarchical triad of moral development — anomie, heteronomy, and autonomy — lacks a solid ground. Moreover, Natorp generally does not use the concept of anomie...
Kantian Motives in Neuroscience
Review: Valentin A. Bazhanov, Brain — Culture — Society: Kantian Programme in Cognitive Science. Moscow: Kanon+ ROOI “Reabilitatsiya”, 2019, 288 pp.
Bazhanov, V. A., 2019. Brain — Culture — Society: Kantian Programme in Cognitive Science. Moscow: Kanon+ ROOI “Reabilitatsiya”. (In Rus.)
Lorenz, K., 1982. Kant’s Doctrine of the a priori in the Light of Contemporary Biology. In: H. C. Plotkin, ed. 1982. Learning, Development, and Culture. Chichester: Wiley, pp. 121-143.
Analytic philosophy, its history, and Kant
... in the United States // The Blackwell Companion to Philosophy / ed. N. Bunnin, E. P. Tsui-Lames. Oxford, 1996. P. 1—24.
23. Soames S. Philosophical analysis in the twentieth century. Princeton, 2003. Vol. 1, 2.
24. Story of analytic philosophy: plot and heroes / ed. by A. Biletzki, A. Matar. L., 1998.
25. Stroll A. Twentieth-century analytic philosophy. N.Y., 2000.
26. Talisse R. B., Scott F. A. Pragmatism: a guide for the perplexed. L., 2008.
Narrative in structure of genre: A.I. Kuprin’s “Four beggars” ..... 15 Babenko N.G., Koreshkova E.K. Functional analysis of the linguistic reflection in Evgeny Vodolazkin’s “Justification of the Island”
... the narrative is developed by the author. Significant influence here is the narrative strategies of the parable and the novella, transforming the genre structure of the legend. The genre identifiers of the legend are found in the title complex and the plot structure, objectifying the precedent picture of the world, however, the components of the imperative and occasional picture of the world make it possible to present events from different narrative angles, characterizing the hero and his actions ...
Text-forming function of modal explicators of necessity in Leo Tolstoy’s “Anna Karenina”
... novel “Anna Karenina” by Leo Tolstoy. The contexts of their use are analyzed in relation to the artistic aspect of the linguistic world view. The author investigates the usage pattern of the predicative necessary for the main characters in various plot situations. The interrelation of the artistic image and the representation of individual reality perception by explicators of the modal meaning of necessity is revealed.
Specific ways of creating a northern landscape in H. de Balzac’s “Seraphita”
The article continues a series of author’s works devoted to the study of various types of landscape in the works of French writers of the 19th century. A understudied novel by H. de Balzac “Seraphita” reveals the specific ways of creating the northern landscape. It is determined that Balzac’s landscape does not only create an additional emotional background, affect the perception of the characters of the characters, but also becomes a plot-forming factor. Natural space is depicted in the novel using...
Spatial poetics of the story “Number 13” by M. R. James
The article is dedicated to the spatial organization of the novel by M. R. James “Number 13”, published in his first book of collected stories. A shift in the poetical paradigm is noted: the transition from traditional Gothic topoi to modern urban space. According to the Gothic view on the distant past and antiquity, certain architectural features are ascribed to the reinterpreted Gothic topoi. In he novel, space does not only function as an arrangement of the hero’s inner state, but also as a plot-forming...
The opposition of homeland — foreign country in “american” novels “For Daily Bread” by H. Sienkewicz and V.G. Korolenko’s “Without Language”
The article deals with the peasant emigration to America in the novels of Henryk Sienkiewicz “For Daily Bread” and Vladimir Korolenko “Without Language”. The plot structure of the stories and the system of characters are contrasted for spatial oppositions “close — far” and “homeland — foreign land”. It is demonstrated that the peasant traditional patriarchal picture of the world is in conflict ...
The motive of duality in the novel “Cursed Place” by M.I. Voskresensky
... Voskresensky, little known author of the “second line” is revealed through the changes the main character has undergone within three years and female twin-images, who look similar, but differ in nature. Duality plays a significant role in novel’s plot, it reveals characters’ personalities. At the same time duality of female images becomes a moment of their testing, examination of their morality and feelings. Male images (Linsky and Lonsky) do not pass this test, female ones (Claudia and Masha),...
Prince Mikhail of Tver in Ryleev’s Duma and in the Russian Historiography: the Path to Sainthood
The author analyzes a well-known work by Ryleev in axiological aspect using historiographical sources and presents a new interpretation of its ideological structure. The article reveals a number of important details that differ the duma’s plot from the original historical source. Focusing on the antithesis between true and false values the research examines the oppositions freedom — captivity and life — honour. A careful examination of the protagonist’s image shows that his idealization ...
The theme of Old Believers in the works of Alexander Kuprin: discussion and study prospects
This article clarifies the significance of the phenomenon of Old Belief in the artistic heritage of A. Kuprin. The sources of Old Believer images in the writer's work, as well as their influence on the plot of his works, are investigated. A hypothesis is put forward about the significant influence of L. Tolstoy and A. Chekhov on the formation of the author's idea of old-timers. The thesis of the crucial importance of stereotypes ingrained in the people ...
German spiritual lyrics in the allusive space of Clemens Brentano’s fairy tales
... are cases of carnival parodying of spiritual lyrics in The Tale of the Tailor Seven-in-One-Blow. The key, meaning-forming value of allusions to spiritual lyrics in two Italian fairy tales is revealed, which contributes to the transfer of Italian plots to German culture.
1. Гарифуллина А. М. Аллюзии сквозь призму культурного кода // Вестник Башкирского университета. 2009. Т. 14, № 4. С. 1431—1434.
2. Кикоть ...
The ordinary person in the fictional world of Alexander Galich
Alexander Galich, a prominent singer-songwriter, built a gallery of socio-psychological types, central to which was the image of the ordinary Soviet person. This article focuses on the motif of death/immortality as a plot component describing the fate of a small person in Galich’s poetry. The place of the ordinary person in Galich’s creative ‘characterology’ is identified. The groundwork for a classification of the ordinary person types is laid and key ...
The child that is «not of this world» in Sergey Snegov’s novel Humans as Gods
... Biblical references in the text suggest a link between one of the main characters, the boy Astr, and the image of Christ. Although well in line with the anthropology of enlighten-ment, the idea of the salvation of the universe, which is central to the plot of the novel, and the image of the saviour, the child that is ‘not of this world’, are counterposed to Christian philosophy.
1. Ринекер Ф., Майер Г. Библейская энциклопедия Брокгауза. URL: https:// ...
Pictorial art and George Perec’s oeuvre
Georges Perec is a French author, literary experimenter, and member of the Oulipo group, whose works are strongly influenced by pictorial art. This paper explores various ways in which pictorial art affects the plots, style, lan¬guage, structure, and composition of Perec’s poetics. It is argued that the three most important functions of visual art in Perec’s prose are plot-forming, structural, and conceptual-stylistic ones.
1. Балаш А. Н. Изображение ...
The myth as a source of cultural legitimation: the rock and hip-hop versions of the legend of Orpheus and Eurydice
... explores the forms of representation of Orpheus’s dual semantics as the archetypical poet and musician as well as of the general motifs of temptation/seduction and selling one’s soul. It is established that, perceived as a single source of meanings and plots, the myth encourages the musical and poetical culture of the 20th/early 21st centuries to exploit deep¬er levels of the mythological metasystem and to build new cultural mythologies. Contemporary artists transform the traditional models of mythical ...
Image of Princess Olga in K.Ryleyev’s DUMA: hagiographical reference points
... K.Ryleyev pays special attention to an antithesis, showing that Prince Igor concedes to passions throughout his life whereas Princess Olga is always guided by a moral imperative. This antithesis is the main artistic means, and the cornerstone of the plot. The analysis of the main characters shows that Princess Olga, the ruler of the Russian land, is the epitome of the ideal Russian female character. The authors conclude that there are hagiographical references in depicting her image.
1. Вацуро ...
From ekphrasis to autobiography (Nikolay Kononov’s story “Svetotomia”)
... mythopoetic semantics of cycle and mutual transition. Ekphrastic descriptions are both explicit and implicit in Kononov’s short story. The authors conclude that in “Svetotomia”, the text produces ekphrasis and at the same time, ekphrasis shapes the plot, and painting and photography create autobiography.
1. Барт Р. Camera lucida. Комментарий к фотографии / пер. с фр., послесл. и коммент. М., 2011.
2. Дашкова Т. Визуальная репрезентация ...
The idea of destiny and its intertextual projections in ‘fairstory’ in “The Djinn in the Nightingale's Eye” by A. Byatt
... processes taking place on the border of the real merging with the imaginary, Otherworldly. The author shows the role and organization of these poetical paradigms in the text, the center of which is the idea of Destiny. It is reflected not only in the plot twists and turns, but also in the formation of characters, the creation of the book composition, as well as in numerous intertexts.
1. Байетт А. С. Джинн в бутылке из стекла «соловьиный глаз» / пер....
Axiological content of the ‘altering modus’ of the inserted texts in the novel Morfo Eugenia by A. S. Bayette
... of the unambiguous assessment of moral and ethical evaluation and emphatic characterological art image. The tale “Things Are Not What They Seem” brings together an ensemble of inserted structures, changing the prism of the axiological system, the plot and the meaning of the novel. It creates a wide variability of axiological senses, and the changable axiological poetics of the novel.
1. Байет А. С. Ангелы и насекомые. М., 2000.
2. Бейтс Г. У. Натуралист ...
Aldington’s «All people are enemies»: an analysis of the motivic structure of the novel
... specific stages in the development of the image of the main character were identified; a nuclear-peripheral motif model was built where the movement of motifs from the nucleus to the peripheral zone demonstrates the importance of a particular event at the plot level of the novel. The movement of story and fable motifs reflects the evolution of the main character’s relations towards reality and its conscious refusal to become a part of a post-war society.
1. Головань О. В. Семантико-ассоциативная ...
Christmas motif in R. L. Stevenson's story "Markheim"
The analysis of R. L. Stevenson's story "Markheim" shows an essential role of Christmas motifs in the semantic space of the work. There are various forms of expressing this motif in the key moments of the plot. The value space of the main character is connected to the Christian values inherent in Christ-mas motifs, and the story line develops along the rules of a Christmas story.
1. Амелина Е. Е. Феномен двойничества в новеллах ...
The problem of self-identification in H. Hesse’s short novel “Klein Wagner” and M. Frisch’s novel “Stiller”
This article compares the poetics of two works by Hesse and Frisch brought together by a similar topic and complex of motives up to identical plot elements. It is shown that the problem of self-identification is solved differently by two writers: Hesse’s solution lies in Klein’s rejection of the role and mask of Wagner, which was imposed on him by the society, through a voluntary death,...
The motif of temptation in G. G. Byron’s mystery play Cain
This article considers one of the most complex works of Byron. The author focuses on the key motif in the plot of the philosophical drama. The analysis shows that Byron’s interpretation of the Biblical events makes it possible to conclude that, striving for absolute freedom, the human being is incapable of protecting themselves from the spiritual captivity ...