Slovo.ru: Baltic accent

2020 Vol. 11 №2

Back to the list Download the article

Pushkin texts in the description of characters by Dostoevsky and Nabokov

DOI
10.5922/2225-5346-2020-2-4
Pages
47-57

Abstract

In his novels, Dostoevsky refers to the Pushkin text to describe characters. For Dostoev­sky, Pushkin is an ethical and aesthetic touchstone; the writer’s voice is consonant with that of the poet’s persona. In some cases, the Pushkin text is embedded in religious discourse (the parable of the prodigal son). In interpreting the Pushkin text, Dostoevsky’s characters present and disclose themselves. The ‘dreamer’ from ‘White Nights’ invokes the Pushkin text to con­vey the values of his own. In her peculiar account of the ‘poor knight’ ballad, Aglaya is trans­forming religious discourse into aesthetic and mundane. Pushkin’s St Petersburg text, whose sign is wet snow, creates the space in which contradiction-ridden Hermann (The Queen of Spades) and Dostoevsky’s paradoxalists develop. The Pushkin code in Dostoevsky’s texts is what the images of characters are built on. It is a text-producing and plot-building technique and an element of literary discourse, of author-reader interactions. These techniques are used by Vladimir Nabokov in Despair and “The Visit to the Museum”.

Reference

Almi, I. L., 1986. Novels F. M. Dostoevsky and poetry. In: I. L. Almi, ed. Uchebnoe posobie k spetskursu [Textbook for the special course]. Leningrad (in Russ.).

Barsht, K. A., 2010. «Poor people» by F. M. Dostoevsky in the literary and histori­cal-cultural context. In: K. A. Barsht, ed. Dostoevskii. Materialy i issledovaniya [Dostoev­sky. Materials and research]. Vol. 19. St. Petersburg. pp. 259—281 (in Russ.).

Bakhtin, M. M., 1979. Problemy poetiki Dostoevskogo [Problems of Dostoevsky's po­etics]. Moscow (in Russ.).

Berkov, P. N., 1958. About one reflection of the «Stone guest» of Pushkin by Dos­toevsky. In: P. N. Berkov, ed. Pushkin. Issledovaniya i materialy [Pushkin. Research and materials]. Moscow, Leningrad. pp. 394—398 (in Russ.).

Blagoi, D. D., 1972. Dostoevsky and Pushkin. In: K. N. Lomunov, ed. Dostoevskii — Khudozhnik i myslitel': sbornik esse i statei [Dostoevsky — Artist and Thinker: a col­lection of essays and articles]. Moscow. pp. 344—350 (in Russ.).

Dostoevsky, F. M., 1972. Poor people; Tales and stories. 1846—1847. In: V. G. Ba­zanov, ed. Polnoe sobranie sochinenii: V 30 t. [Complete Works: In 30 vol.]. Vol. 1. Le­ningrad (in Russ.).

Dostoevsky, F. M., 1972. Tales and Stories, 1848—1859. In: V. G. Bazanov, ed. Polnoe sobranie sochinenii: V 30 t. [Complete Works: In 30 vol.]. Vol. 2. Leningrad (in Russ.).

Dostoevsky, F. M., 1973. Crime and Punishment: A Novel. In: V. G. Bazanov, ed. Polnoe sobranie sochinenii: V 30 t. [Complete Works: In 30 vol.]. Vol. 6. Leningrad (in Russ.).

Dostoevsky, F. M., 1973. Idiot: A Novel. In: V. G. Bazanov, ed. Polnoe sobranie so­chinenii: V 30 t. [Complete Works: In 30 vol.]. Vol. 8. Leningrad (in Russ.).

Dostoevsky, F. M., 1976. Brothers Karamazov: Roman in 4 parts with an epi­lo­gue. In: V. G. Bazanov, ed. Polnoe sobranie sochinenii: V 30 t. [Complete Works: In 30 vol.]. Vol. 14. Leningrad (in Russ.).

Dolinin, A. A., 2004. Prose Nabokov and the Petersburg Text of Russian Litera­ture. In: A. A. Dolinin, ed. Istinnaya zhizn' pisatelya Sirina [The True Life of the Writer Sirin]. St. Petersburg (in Russ.).

Dostoevsky, F. M., 1984. Letters, 1878—1881. In: V. G. Bazanov, ed. Polnoe sobranie sochinenii: V 30 t. [Complete Works: In 30 vol.]. Vol. 30 (1). Leningrad (in Russ.).

Zakharov, V. N., 1996. Petersburg chronicler. In: V. N. Zakharov, ed. Polnoe sobr. soch.: Kanonicheskie teksty [Complete Works: Canonical Texts]. Petrozavodsk. pp. 683—698 (in Russ.).

Kondratiev, B. S., 2005. Pushkin quotes in the artistic discourse of the works of F. M. Dostoevsky. In: B. S. Kondratyev, ed. Pushkin na poroge XXI veka: provintsial'nyi kontekst [Pushkin on the threshold of the 21st century: a provincial context]. Vol. 7. Arzamas. pp. 133—142 (in Russ.).

Kroo, K., 2005. The Queen of Spades A. S. Pushkin in the novel F. M. Dostoevsky «Player». In: K. Kroo, ed. Tvorcheskoe slovo Dostoevskogo — geroi, tekst, intertekst [Dos­toevsky's creative word — hero, text, intertext]. St. Petersburg. pp. 9—29 (in Russ.).

Kunilsky, A. E., 2006. «Lik zemnoi i vechnaya istina». O vospriyatii mira i izobrazhenii geroya v proizvedeniyakh F. M. Dostoevskogo [«The face of the earth and the eternal truth». On the perception of the world and the image of the hero in the works of F. M. Dostoevsky]. Petrozavodsk (in Russ.).

Nabokov, V. V., 1996. Lektsii po russkoi literature: Chekhov, Dostoevskii, Gogol', Gor'kii, Tolstoi [Lectures on Russian literature: Chekhov, Dostoevsky, Gogol, Gorky, Tolstoy]. Moscow (in Russ.).

Nabokov, V. V., n. d. Poseshchenie muzeya [The Visit to the Museum]. Available at: https://www.litmir.me/br/?b=64516&p=3 [Accessed 7 May 2019] (in Russ.).

Nabokov, V. V., n. d. Otchayanie [Despair]. Available at: https://e-libra.ru/read/ 318149-otchayanie.html [Accessed 7 May 2019] (in Russ.).

Petrunina, N. N., 1978. «Egyptian Nights and the Russian story of the 1830s». In: N. N. Petrunina, ed. Pushkin. Issledovaniya i materialy [Pushkin. Research and materi­als]. Leningrad. pp. 22—50 (in Russ.).

Poddubnaya, R. N., 1978. The hero and his literary development (Reflection of «Shot» by Pushkin in the works of Dostoevsky). In: R. N. Poddubnaya, ed. Dostoev­skii. Materialy i issledovaniya [Dostoevsky. Materials and research]. Vol. 3. Leningrad. pp. 54—66 (in Russ.).