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• The Late Poetry of A. Bashlachev: Changes in Performance and New Meanings

  ... manifested in word, sound, and performance. Based on earlier literary studies of the synthetic art phenomenon and its relevant methods, the authors set a theoretical and analytical framework for this research. The object of the study is verbal and musical subtexts, each performing a meaning-construction function. The difference between the performed and written texts is significant from the perspective of the capacities of meanings. However, the performed and written variants of the same text are equivalent....

• The text in the context of the Tartu Semiotic School: problems and prospects

  ... (in Russ.). Leuta, O. N., 2009. Yu. M. Lotman on the three functions of the text. In: V. Kan­tor, ed. Yurii Mikhailovich Lotman [Yuri Mikhailovich Lotman]. Moscow: ROSSPEN. pp. 294—309 (in Russ.). Lotman, M. Yu., 1984. The semantics of context and subtext in the poetry of Mandelstam. International Journal of Slavic Linguistic and Poetics, 19, pp. 133—142 (in Russ.). Lotman, M. Yu., 1988. Semanticheskaya struktura svyaznogo teksta i problemy ee pred­stavleniya v AIPS [The semantic structure of ...

• A language game with background knowledge

  ... В. «Малый жанр» большой литературы // Английская новелла ХХ века. М., 1981. С. 3—21. Lomov A., Babushkin A. background knowledge of speakers, language game, reference to context, synthetism, subtext, set phrase, speech background 55-61

• Adrian the Undertaker (the subtexts and pretexts of Nikolai Kononov’s novel The Flaneur)

  This article examines the multilanguage anagrammatic code of N. Kononov’s novel Flaneur. The authors offer an interpretation of the epigraph to the novel and identify a number of antiquity reminiscence in the text. The article focuses on the parallels between A.S. Pushkin’s short story “The Undertaker” and the novel Flaneur. 1. Властелины Рима. Биографии римских императоров от Адриана до Диоклетиана / пер. С. Н. Кондратьева. СПб., 2001. 2. Даль В. И. Толковый словарь живого великорусского языка...

• «Nomen est omen»: the role of names in the novel Parade by Nikolay Kononov

  ... Dmitrovskaya, M. A., Degtyarenko, K. A., 2016. "Full paragraph" (key concepts in the works of Nikolay Kononov). Kritika i semiotika [Critique and semiotics], 1, pp. 205—226 (in Russ.). Dmitrovskaya, M. A., Dementev, I. O., 2013. Undertaker Adrian (subtext and pre­text of the novel “Flaneur” by Nikolay Kononov). IKBFU's Vestnik: Philology, peda­go­gy, and psychology, 8, pp. 58—63 (in Russ.). Kononov, N., 2015. PARAD: Roman [PARADE: the novel]. Moscow (in Russ.). Makhov, A. E., 2006. HOSTIS ...

• Interaction of comparative struc­tu­res and their elements in modern russian prose

  ... Petrova Z. Yu., 2011. Extratextual world knowledge as the basis of interaction of comparative tropes in the text. In: Tekst i podtekst: poetika eksplitsitnogo i implitsitnogo. Materialy mezhdunarodnoi nauchnoi konferentsii 20—22 maya 2010 g. [Text and subtext: Poetics of the explicit and implicit. Materials of the international scientific conference, May 20—22, 2010]. Moscow: Azbukovnik, pp. 66—71 (in Russ.). metaphor, simile, comparative construction, interaction, formal interaction, semantic ...