‘The Radical Black Colour’. On the Semantics of the Black Colour in Anarchist Discourse
... practices of blackout (painting over/blocking out in black ink), which are interpreted in the context of the criticism of the political idea of transparency. In conclusion, the opacity of the black and white colours is compared. It is shown that the colour black can serve as a tool to create a radical semantic gap.
1. Batai, Zh., 1997. Vnutrennii opyt [Internal experience]. St. Petersburg.
2. Bakhilina, N. B., 1975. Istoriya tsvetooboznachenii v russkom yazyke [History of color designations in Russian]. Moscow.
3. Burenina-Petrova, O. D., 2016. Anarchy and power in art (Varvara Stepanova and Alexander Rodchenko). Syuzhetologiya i syuzhetografiya [Plot theory and plotography], 2, pp. 120—137. Available at:
http://www.philology....
Consequences and Design in General and Transcendental Logic
... Semantics, Metamathematics. Papers from 1923 to 1938, transl. by J. H. Woodger. Indianapolis.
Wittgenstein, L. 1997, Remarks on Colour, ed. by G. E. M. Anscombe, transl. by L. McAlister, M. Schättle. Oxford.
Wittgenstein, L. 2002, Tractatus Logico-Philosophicus,... ... formal consequence, general logic, Kant, transcendental logic, transcendental relation, Bolzano—Tarski programme, logic of design
E. G. Dragalina-Chernaya
25-39
10.5922/0207-6918-2018-1-2
Colour naming as a means to present the concept of ‘life’ in N. Gogol’s epic poem Dead Souls
... Яковлева Е. С. Фрагменты русской языковой картины мира (модели пространства, времени и восприятия). М., 1994.
Alimpiyeva R., Sotnichnenko Yu.
concept, fiction text, text function, colour designators, connotative attributes
34-40
Kant and Wittgenstein on Thought Experiments and the Matter of Transcendental Arguments
... limits of language and the limits of possible experience respectively; ii) Both philosophers developed arguments that can be designated as transcendental if only from a methodological standpoint; and iii) some key arguments put forward by the middle Wittgenstein ... ... Crary and R. Read, eds. 2000. The New Wittgenstein. London & New York: Routledge, pp. 149-173.
Dragalina-Chernaya, E. G., 2020. Colours in Ludwig Wittgenstein’s Logical Space. Voprosy Filosofii, 6, pp. 146-156.
Engelmann, M. L., 2013. Wittgenstein’s ...
The Soteriological Aspect of the Murals in the Kaliningrad Cathedral of Christ the Saviour
... iconography is one of the most traditional and semantically justified. It is reflected in the composition and the choice of colours as well as in the selection and juxtaposition of motifs and their correlation with the architectural elements of the Kaliningrad ... ... aspect does not diminish the significance of other factors determining the iconography of the murals, i. e. the architectural design, the dedication of the Cathedral, liturgical aspects etc. On the contrary, it contributes to a deeper understanding of ...
