Semantic and Stylistic Features of Kant’s Observations on the Feeling of the Beautiful and the Sublime: The Art of Seeing and Describing an Object
Immanuel Kant’s Observations on the Feeling of the Beautiful and the Sublime is examined in the context of the emergence of the epistemological practice of scientific observation. By focusing on the genre-stylistic and semantic-structural features of the text the authors demonstrate the mechanisms of ...
The Green Meadow. Kant´s new Definition of the Modal Concept of Existence in the First Moment of the “Analytic of the Beautiful”
Contrary to the standard view in the Kant literature, I argue that the concept of “existence” is the real focus of Kant’s investigation in the “First Moment” of the “Analytic of the Beautiful” in the Critique of the Power of Judgment. That is, “existence” is not a secondary or subordinate part of a more general discourse concerning the “disinterestedness of aesthetic judgment”. Rather, the whole characterization of the ...
Kant’s family ethics and philosophy of love. Part 2. Critique of Judgement
This paper deals with the forms of satisfaction in the Critique of Judgement — disinterested affection for a beautiful form in a pure feeling, vital love for something sensorily pleasant, rational respect for unconditioned good, and non-self-regarding love for humanity. A synthetic union of the above gives the conceptual key to the critical philosophy of love,...
Kant’s aesthetic theory in the light of H. G. Gadamer’s hermeneutic project
... between aesthetic judgment and cognition, whereas Gadamer defines art as a method of cognition, an event that can become genuine under the condition of maximum of understanding. The author analyses the key categories of aesthetics — taste, play, and the beautiful. It is concluded that Kant understands the category of play from the perspective of the subject, whereas Gadamer interprets it as an instance of movement, independent from the observer. The correlation between Kant’s aesthetic theory and the ...
The lexical unit beautiful as a means to express the axiological fragment of A. S. Pushkin’s world image
The poetry and plays of A.S. Pushkin serve as the material for identifying the lexical–semantic paradigm of means of explicating the idea of the beautiful in its external and eternal manifestations.
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Petroleum as a space for non-translation: Hikmet, Negarestani, Parshchikov
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The Problem of Being: Kant and Heidegger
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God’s Law or Categorical Imperative: on Crusian Issues of Kantian Morality
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Krouglov, A. N., 2009. Filosofija Kanta v Rossii v konce XVIII – pervoi polovine XIX vekov [Kant’s Philosophy in Russia ...
Kant on Human Dignity: Autonomy, Humanity, and Human Rights
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On the Role of Gesinnung in Kant’s Ethics and Philosophy of Religion. Part I
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Kant, I., 2008. Universal Natural History and Theory of the Heavens or An Essay on ...
A philosophical framework for presenting novelty in a poetic text
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Age-related characteristics of English, American, and Russian compliments
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The "aesthetic turn": from Kant and romanticism to modern philosophy
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13. Welsch W. Undoing aesthetics. L., 1997.
philosophy of Romanticism, Kant's aesthetics, "aesthetic turn", "the sublime", "the beautiful", philosophy of art, philosophy of post-structuralism
Sidorov A. M.
52-59
10.5922/0207-6918-2011-2-7
Evaluation and Modality: Interaction of Meanings in Old Russian Texts (Literary Slavic texts of the 14th — 15th Centuries)
The article considers the interaction between modality and affective evaluation on the basis of hagiography of the ХIV—ХV centuries in the framework of medieval concept of the moral meaning of the beautiful.
Ж.
Мих. Яросл. Тверск. —
Житие
Михаила Ярославича Тверского // Библиотека литературы Древней Руси: в 20 т. СПб., 1999. Т. 6.
ЖСР —
Житие
...
A triune community: Fichte’s family law against the background of Kant’s practical philosophy (I)
... Metafisicheskiye nachala ucheniya o prave [Metaphysical Elements of Justice] In: Kant, I. Soch. v 6 t. Vol. 4. Part 2, Moscow, p. 107—302.3. Kant, I, 1964. Nabliudeniya nad chuvstvom prekrasnogo I vozvyshennogo [Observations on the Feeling of the Beautiful and Sublime] In: Kant, I. Soch. v 6 t. Vol. 2, Moscow, p. 125—183.4. Kant, I., 1997. Osnovopolozheniye k metafisike nravov [Groundwork for the Meta¬phy¬sics of Morals] In: Kant, I. Soch. v 4 t. na nem. i rus. Yazykach, Moscow, p. 39—275....
Lessing’s Hamburg Dramaturgy in the “codes of hope” discourse of the Enlightenment
... people to unite in moral intersubjectivity through existential purification in the realm of beauty. This hope is based on Lessing’s pantheistic belief in the unbreakable unity between nature and the truth manifested in the code of the category of the beautiful. In the stress field between the rust of greed and the gold of sensible heart, Lessing relies on the pedagogical power of catharsis of morals under the influence of true art.
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Language as mimesis (lyric poetry in H.-G. Gadamer’s herm¬e¬neutics)
... sense of mimesis]. In: Weidle W. W.,ed. 2002. Embriologia poezii: stat’i po poetike i teorii iskusstva [Embriology of poetry: Articleson poetics and theory of art]. Мoscow. p 331—351.4. Gadamer, H.-G., 1991, Aktualnost prekrasnogo [Actuality of the beautiful]. Мoscow.5. Gadamer, H.-G. 1988, Istina i metod [Truth and method]. Translated from German by B. Bessonov. Мoscow.6. Arthos, J. 2011, The fullness of understanding: the career of the inner word in Gadamer scholarship. Philosophy Today, 55....