Iconostasis of the Late Middle Ages: East Slavic crossroads
The article considers the evolution of the structure and form of Eastern Slavic iconostasis as a reflection of the major social and political ideas of their creators in terms of cultural and confessional affinity. The author emphasizes the role of mutual influences during periods of ideological crises. The role of ...
Ideology of Armenian and Russian Orthodoxy in the mirror of ritual objects: khachkars and wayside crosses
... all, the creation of a sacred milieu, unification of the Orthodox believer with God, and the formation of Orthodox memory. At the same time, it is noted that the Armenian khachkars are closer to pagan cultures in comparison with wayside crosses of the Eastern Slavs; the fact that can be conditioned by the cultural history of these peoples.
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The features of the Last Judgement theme in Galich icons at the threshold of the Modern Age
This article considers the transformation of traditional iconographic elements of the Western branch of Eastern Slavic icon painting in view of the civilisational processes developing in the late Middle Ages. It is stressed that the iconography of the Last Judgement was represented by more complex — in terms of composition and ideas — works reflecting ...
Really: syntactics without semiotics?
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Monarchical iconographers at the turn of a new time: Slavonic parallels (Simon Ushakov and Matvey Domoradsky)
The article compares the facts of life and work of the Eastern Slavonic Orthodox artists of the second half of the XVII century — Simon Ushakov (Moscow) and Matvey Domaradsky (Lviv), who were granted the highest official status in their profession by the governors of the states.
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Transposition — retelling — translation: the destiny of Areopagitica in Slavia Orthodoxa
... challenges associated with translating works from the Corpus Areopagiticum, a collection of theological treatises attributed to Dionysius the Areopagite from the 1st century. However, these works are unequivocally associated with early medieval Eastern Christian mystical-theological thought, presumably from the turn of the 5th—6th centuries. These texts first appeared in the Slavic Orthodox area in 1370, and subsequent translations emerged at the end of the 17th century, in the 18th and 19th ...
Transformations in the Communicative Characteristics of Political Discourse in the Current Information Space
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The ‘secret portrait’ in Eastern Slavic religious paintings on the threshold of modernity: The southwestern accent
This article examines the first attempts at introducing realistic portraits into Eastern European religious paintings. The author identifies stages in the development of this trend and describes aspects of cultural synthesis embodied in a portrait as the first secular genre of painting. A distinctive feature of this process is depicting ...
The features of choosing an institutional development trajectory in Eastern Europe in the 16th—17th centuries: Moscovy and the Polish — Lithuanian Commonwealth
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The State Academy of Artistic Sciences versus Petrograd formalism: Verse theory. II. On Zhirmunsky’s “Rhyme, its history and theory”
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The stylistic aspect of Russian and English biblical idioms
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Assessment of transport accessibility of rural territories of the Kaliningrad region using methods of sociological research
... city. As a result, the rural population expects a high-quality transport infrastructure and an efficiently functioning public transport network. Using sociological tools, the authors analyze the degree of satisfaction of the rural population from the eastern municipalities of the Kaliningrad region with a current public transport network and the quality of transport services provided. The findings led to the conclusion that the existing passenger management system satisfies most of the respondents....
Polynominativity of geographical objects in the linguocultural context
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