Сolour terms in the Russian short stories of the early XX and XXI centuries: a corpus study
The paper presents a comparative analysis of colour terms frequencies in the Russian short stories of the early 20th and 21st centuries. The study draws on the Russian Short Stories Corpus 1900—1930, word frequency lists compiled from the stories by particular authors (Ivan Bunin, Alexander Kuprin,...
Gustav Shpet, Immanuel Kant and Terminist Logic
... framework in which the thirteenth-century tradition of “terminist” logic was formed. Shpet attributed the fruitfulness of this approach to his concept of the inner form of the word. Terminist logic is based on the definition and analysis of such terms as significatio, suppositio, expositio, exponibilia, and Shpet, in examining them, demonstrates the consonance of his concept with terminist logic. Proceeding from thirteenth-century logical studies, he proposes his own approach to resolving the ...
Shpet, Humboldt, Kant: Forms, Concepts, Schemes. Terms and Ideas
... of Wilhelm von Humboldt on language by Gustav Shpet together with Shpet’s perception of the influence of Kant’s philosophy on Humboldt. Special emphasis is laid on terminological analysis, the underlying thesis of this analysis being that words, terms and concepts are not the same thing: one and the same word or word combination can denote different terms, and the concept is a term in each particular doctrine. The object of critical analysis is the function of Humboldt’s term “inner form ...
‘Mother’, ‘wife’ and ‘friend’: semantics and pragmatics of an address
This article explores the semantic and pragmatic features of the word 'mother' when used as a term of address. It examines secondary uses of the term in literary texts from the 1780s to the present, a sample of 4,272 tokens, alongside dictionary definitions. The study revealed that, in different communicative situations, the term 'mother' can ...
Author-coined terminology in Russian verse theory: the formalist legacy
... It often prompts a reevaluation of specific issues by returning to their origins and rekindling potential implications and developments that were set aside in the course of the subsequent evolution of the discipline. This paper focuses on several terms that emerged during the formative decades of Russian verse theory (1910s and 1920s). These include: ritmicheskii kursiv [rhythmic italics], a term coined by Mikhail Shtokmar, which became common after the works of Kiril Taranovsky and Mikhail Gasparov; ...
