‘Term memory’ and its varieties in the history of the genre nomination of English novel
AbstractThe history of interaction between romance and novel reflects the richness and originality of English prose and contemporary theoretical reflections about the novel as a free-form and the semantics of its terminological definitions. This was enshrined in the dual terminological definition of novel in English literary studies as romance (stressing its genesis from chivalry romance) and novel (nominating the subsequent genre transformations).