The optics of vision in Daniel Kehlmann’s novel The Farthest Place
Abstract
This article considers the textual dominant in the context of The Far-thest Place — one of the most famous novel of the modern German author Daniel Kehlmann. The organization of the novel’s text is described and parallels to other literature works are drawn. The article focuses on the influence of the 20th century modernist experiments on Kehlmann’s works
Reference
1. Кельман Д. Последний предел. СПб., 2004.