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«The images of water» in the structure of oniric spaciopoetics of K. Ishiguro’s novel «The buried giant»
... along with the images appearing in the process of recollecting in characters’ minds as a result of including multifunctional images of the sea and other water objects. Those images are traditional and unique at the same time. In this regard, the transgression of archetypal images and their artistic functions in the novel are investigated.
1. Башляр Г. Избранное: поэтика пространства. М., 2004.
2. Женетт Ж. Фигуры : в 2 т., М., 1998. Т....
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The role of discourse in modern linguistics
... neo-rhetorical approaches. Despite being based on different methodological principles, the concepts analysed in a text have a common ground: they focus on the same research object, namely, the text. Mono- and transtextual discourse models make it possible to transgress the limits of the text placing it within the dynamic space of communication. Discourse theory and the notion of discourse mark a new turn of the spiral of cognition that makes it possible to see and justify the cognitive and communicative potential ...
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Vernunft und Glaube. Zu Kants Deduktion der Gnadenlehre
..., R., 1990. Kants kritische Religionsphilosophie. Berlin und New York: de Gruyter.
Winter, A., 1975. Kant zwischen den Konfessionen. Theologie und Philosophie, 51, S. 1-37.
conversion, conscience, deduction, faith, God, guilt, grace, justification, transgression
U. Seeberg
7-34
10.5922/0207-6918-2018-4-1
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Peritext of the Russian translation of William Hogarth’s Analysis of Beauty: a case study
... Sciences and Humanities: Circulating and Canonizing Knowledge. Alif Journal of Comparative Poetics, 38, pp. 62—90.
Tahir Gürçağlar, Ş., 2002. What Texts Don’t Tell: The Use of Paratexts in Translation Research. In: T. Hermans, ed. Crosscultural Transgressions. Research Models in Translation Studies II: Historical and Ideological Issues. pp. 44—60.
Tahir Gürçağlar, Ş., 2013. Agency in allographic prefaces to translated books: An initial exploration of the Turkish context. In: H. Jansen ...
