Structure and functions of author’s account of internal monologue in Anton Chekhov’s stories 1880―1903
... monologue (AAIM). AAIM is the object of rare research in linguistics due to loss the features of natural inner speech. They are transformed into the content of the AAIM. Scientific interest to AAIM lies in its writing style, manner of expressing Chekhov’s individual style. The linguistic features of the narrator and the character distinguish the verbal-analytical, subject-analytical and impressionistic internal monologues in Anton Chekhov’s stories 1880— 1903. Structural, semantic and functional features determine ...
Kant in Nikolai Strakhov’s philosophical research (An experience of epistemological orientation)
... nenavisti… [How sad that in me so much hate...], Sankt-Peterburg, p. 122—128.
26. Pruzhinin, B. I. and Schedrina, T. G. 2013. Epistemologicheskij stil’ v russkoi intellek-tual¬noj culture XIX—XX vekov: Ot lichnosti k traditsiji [Epistemological style of Russian in¬tel-lectual culture of XIX—XX centuries: From the individual to the tradition], Мoscow, 447 p.
I. Kant, N. N. Strakhov, L. N. Tolstoy, A. A. Fet, hermeneutics, epistemological style, apriorism
Motovnikova E. N., Olkhov P. A.
22-37
10.5922/0207-6918-2015-3-2
Kant’s fundamental idea of state and law in Pushkin’s Boris Godunov
... genius, when a work beyond traditional literary and aesthetic styles, which interchange and establish a canon of a new style that transforms its predecessors in an act of creativity, appeared in Russian culture. Boris Godunov marked the birth of an individual author’s style in Russian art. A unique literary world — the world of Pushkin — manifested itself in a work of art. This article sets out to prove the influence of Kant’s philosophical and legal ideas on A. S. Pushkin during the poet’s work on Boris Godunov....
Role of Tolerance Zones in Functional Modality Field and Development of Author's Verbal Image (on the Basis of Anna Akhmatova's Poems)
... лингвистических терминов. М., 2005.
10.
Ахматова А.
А
. Собрание соч.: в 2 т. М., 1990. Т. 1.
11.
Ахматова А.
А
. Избранное. Смоленск, 2002.
Ye. Kukrusova
poetic language, style, individual style, modality, situation modality,
tolerance zone, lyric poetry
47-52
10.5922/2223-2095-2009-8-8
Levels of context: how textual analysis becomes discourse analysis: the case of Internet lifestyle media
... the five tiers. These dimensions are discourse (in the most general sense — as one of the 'moments' of social practice) and individuals (theorized here in two ways — in terms of cognition and as a complex of semiotic resources used to 'perform' identities).... ... Business, 27 (54), pp. 9—20,
https://doi
. org/10.7146/hjlcb.v27i54.22944.
Biber, D. and Conrad, S., 2012. Register, Genre, and Style. New York: Cambridge University Press,
https://doi.org/10.1017/cbo9780511814358
.
Blommaert, J., 2005. Discourse: A Critical ...
The morphological and syntactic features of similes in Nikolai Sukhov’s fiction
.... Широкова Н. А. Типы синтаксических конструкций с сравнительным союзом в составе простого предложения. Казань, 1960.
Chernousova O.
literary text, simile, individual style, grammatical stylistics
99-103
The unexpected someone in Nobel history
The main intention of the article is to prove that the unique style of Handke’s creative individuality reflects his special life-saving SOMEONE, who resists in his negative dialectic the dictatorship of another pernicious SOMEONE who sets the false movement. In a remarkable symmetry to post-structuralist theories about the “totalitarianism ...
Musical ekphrasis and musical code in N. Kononov’s novels
... and musical code in the context of all the acoustic nominations found in the texts. In the system of sensory codes, under the concept of "musical", the author puts the idea of reflection and introspection. The specific feature of Kononov’s style is its correlation with the visual and the tactile, it expresses the separation of the visible into the hidden and the obvious and emphasizes the "otherness" of the subject of perception. Thus, hearing is a means of individualization of the subject, a resource, permitting to disclose its unique personal and psychophysical features. The subjectively colored auditory is always eventful: the most important milestones in formation of personal self-consciousness correlate ...
The lexical unit beautiful as a means to express the axiological fragment of A. S. Pushkin’s world image
... Черных П. Я. Историко-этимологический словарь современного русского языка : в 2 т. М., 1993.
Osintseva-Rayevskaya Ye.
concept, the beautiful, beauty, aesthetics, A. S. Pushkin, lexis, individual style.
78-81
Virtual reconstruction of the Market street of 18th-century Königsberg’s Old town: sources, technologies, building history and models
... using surviving images of the market street-square alongside photographs, literature and research works, local history evidence, individual housing plans, design details and other data. Restoring the volumetric and spatial composition and external appearance ... ... complicated by the absence of historical sources dating back to the study period when the aesthetic of buildings was dominated by the style features of late Baroque, Rococo and early Classicism. Although the houses retained their Medieval layout, the appearance ...
Vladimir Bibikhin: the connoisseur of poetry and the poet
... discussed the formation of the canons of national poetry and its peculiarities. In his poetry, Bibikhin emulated the poetic style and essence of Russian poetry, surrounded by the aura of myth and replacing moralistic content with existential themes. ... ... poet to unveil the underside of the myth of the poet, revealing the role of conceptualizations in the development of creative individuality and the associated rhythm. A comprehensive examination of Bibikhin's expertise in verse and his poetry addresses ...
Linguistic creativity of the avant-garde: language functions in literary and advertising discourses
... creativity. Semiotika i Avangard: antologiya [Semiotics and Avant-garde: Anthology]. Moscow, pp. 242—250 (in Russ.).
Waugh, L., 1980. The Poetic Function in the Theory of Roman Jakobson. Poetics Today, 2 (1), pp. 57—82.
Zolyan, S. T., 2009. On the style of linguistic theory: R. O. Jakobson and V. V. Vinogradov on the poetic function of language. Voprosy yazykoznaniya [Topics in the Study of Language], 1, pp. 3—8 (in Russ.).
Zykova, I. V., 2017. Metayazyk lingvokul'turologii: Konstanty i varianty ...
