Kant’s fundamental idea of state and law in Pushkin’s Boris Godunov
... genius, when a work beyond traditional literary and aesthetic styles, which interchange and establish a canon of a new style that transforms its predecessors in an act of creativity, appeared in Russian culture. Boris Godunov marked the birth of an individual author’s style in Russian art. A unique literary world — the world of Pushkin — manifested itself in a work of art. This article sets out to prove the influence of Kant’s philosophical and legal ideas on A. S. Pushkin during the poet’s work on Boris Godunov....
Kant in Nikolai Strakhov’s philosophical research (An experience of epistemological orientation)
... nenavisti… [How sad that in me so much hate...], Sankt-Peterburg, p. 122—128.
26. Pruzhinin, B. I. and Schedrina, T. G. 2013. Epistemologicheskij stil’ v russkoi intellek-tual¬noj culture XIX—XX vekov: Ot lichnosti k traditsiji [Epistemological style of Russian in¬tel-lectual culture of XIX—XX centuries: From the individual to the tradition], Мoscow, 447 p.
I. Kant, N. N. Strakhov, L. N. Tolstoy, A. A. Fet, hermeneutics, epistemological style, apriorism
Motovnikova E. N., Olkhov P. A.
Role of Tolerance Zones in Functional Modality Field and Development of Author's Verbal Image (on the Basis of Anna Akhmatova's Poems)
... лингвистических терминов. М., 2005.
. Собрание соч.: в 2 т. М., 1990. Т. 1.
. Избранное. Смоленск, 2002.
poetic language, style, individual style, modality, situation modality,
tolerance zone, lyric poetry
The morphological and syntactic features of similes in Nikolai Sukhov’s fiction
... Широкова Н. А. Типы синтаксических конструкций с сравнительным союзом в составе простого предложения. Казань, 1960.
literary text, simile, individual style, grammatical stylistics
The lexical unit beautiful as a means to express the axiological fragment of A. S. Pushkin’s world image
... Черных П. Я. Историко-этимологический словарь современного русского языка : в 2 т. М., 1993.
concept, the beautiful, beauty, aesthetics, A. S. Pushkin, lexis, individual style.
Musical ekphrasis and musical code in N. Kononov’s novels
... and musical code in the context of all the acoustic nominations found in the texts. In the system of sensory codes, under the concept of "musical", the author puts the idea of reflection and introspection. The specific feature of Kononov’s style is its correlation with the visual and the tactile, it expresses the separation of the visible into the hidden and the obvious and emphasizes the "otherness" of the subject of perception. Thus, hearing is a means of individualization of the subject, a resource, permitting to disclose its unique personal and psychophysical features. The subjectively colored auditory is always eventful: the most important milestones in formation of personal self-consciousness correlate ...