Baroque music: the aesthetic and social ideals
This article analyses the evolution of aesthetic ideals of baroque as the reflection of changes that took place in social consciousness. The author formulates the content standards of aesthetic ideal of baroque music and focuses on the history of spread of baroque music in East Prussia in the 17th century.
Галилей: наука и искусство. У истоков классической науки. М., 1968.
Materials on the architectural and urban development history of Cranz
Studies published as early as the 19th century, prewar guidebooks, postcards, books of model projects, and archive materials serve as the sources of information about the architectural and urban development of ... ... Secret Archive of Prussian heritage in Berlin remains virtually unstudied. A project used in the construction of the wooden music pavilion in the park Plantage in Cranz was found in a textbook for architects published in 1894.
1. Bibliothek Preussischer ...
Kants Denkraum: Subjektivität als Prinzip. Interview mit Prof. Dr. Jürgen Stolzenberg
This interview with Professor Dr Jürgen Stolzenberg, board member of the Kant-Gesellschaft and co-editor of the Kant-Lexikon (2015), explores a wide range of topics — from Leibniz and Wolff ... ... Stolzenberg, the principle of modern subjectivity proves to be fruitful in understanding the development of the history of modern music, too.
Bomski, F. und Stolzenberg, J. hg., 2018. Genealogien des Geistes und der Natur. Diskurse, Kontexte und Transformationen ...
The myth as a source of cultural legitimation: the rock and rap versions of Orpheus and Eurydice. Article 1
Using the rock opera Orpheus and Eurydice (1975) and Hip-hopera: Orpheus & Eurydice (2018), we analyse interpretations of the ancient myth in today’s popular culture. We demonstrate how the plot and motif transformations of the pre-text bridge ... ... general semantics of the new myth of ‘mass culture Hades’. We consider secondary semiotisation of the concepts of contemporary musical culture in terms of archaic models of thinking. The revision of the mythological plot by assigning to it relevant sociocultural ...
‘The Word, an Ulcer…’: Aleksey Chicherin’s semiotic utopia
In this article, we analyse the semiotic concept of art created by the constructivist poet Aleksey Chicherin, as presented in his treatise Kan-Fun. We establish the connection ... ... Russian Literature. Vol. XXV, pp. 469—524.
Biryukov, S. E., 2006. About projective theories of Russian avant-garde. “Phonic music” and acoustic tension in avant-garde poetic systems of the twentieth century. In: Yu. S. Stepanov, ed. Semiotika i Avangard: ...
Reminiscences of Russian culture in A. S. Byatt’s novel The Children’s Book
Having considered one of the interviews, given by A. S. Byatt, the author concludes that the writer’s attitude to Russia is largely mediated by the ... ... “Petrushka” in the last part. These reminiscences are closely related to Europe (England — Gloucester candelabrum, Germany — music by Richard Wagner, puppet theater). Therefore, raca (reliquary) is only supposedly called “Russian,” and the names of ...
Hybrid texts as a form of interaction between avant-garde artistic and political discourses
This paper explores hybrid texts as a special type of text that forms within ‘inter-discourse interaction’ and relates to the ‘convergence of discourses’. The analysis focuses ... ... 2014. Opsis Melos Lexis: Before and Around the Total Work of Art. In: J. H. Rubin and O. Mattis, eds. Rival Sisters, Art and Music at the Birth of Modernism, 1815—1915. pp. 37—51.
Sinagra, A., 2009. Lo statuto della Reggenza Italiana del Carnaro: ...