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The genre of the Instruction of Vladimir Monomakh is considered as a "deed" and "confession and selfreport" (M. Bakhtin) and is related to the fact that the way a text is created is determined by non-literary considerations; the internal plot unfolds as a confession. The creation of the Instruction is interpreted ...

... ucheb. posobie [Management of special events in the field of culture: textbook]. Vol. 5. St. Petersburg (in Russ.). Vorob'ev, O. Ju., 2007. Jeventologija [Eventology]. Krasnoyarsk (in Russ.). event, narrative, socio-cultural process, social reality, deed Gerasimov S. V. 29-44 10.5922/2225-5346-2021-2-2

The article analyses the genre of the autobiographical novel by Vl. Maksimova in the context of the spiritual tradition and in connection with the typology of literary heroes. The study reveals closeness of the novel-confession “Farewell from Nowhere” to the semantic form of “confession-deed” (M. Bakhtin), embodied in the ancient Russian “Teachings” by Vladi­mir Monomakh. The type of hero-protagonist is determined by the spiritual movement he makes along the path of personal repentance and gaining...

... God as the external judge in the internal court of justice, respectively as one’s conscience. This reference to God implies that one makes oneself susceptive to the principle of the good instead of vainly trying to make it dependent on one’s own deeds and thoughts. The renunciation of the attempt to justify one’s evil disposition, i.e. the moral conversion to a good disposition, is thus enabled by the principle of the good. Thus one can reasonably hope to achieve goodness in one’s moral conduct ...

This article analyses the problem of understanding the deeds of a holy fool in Russian Orthodox culture. Through considering the images of two “classical” saints – Simeon the Holy Fool ad Andrew the Holy Fool, the author emphasises the idea of humility as the dominant type of behaviour and the main ...

... Би­би­хина. М., 1993. С. 316—326. 18. Krouglov A. N. Leo Nikolaevič Tolstoj als Leser Kants: Zur Wirkungsgeschichte Kants in Russland // Kant-Studien. 2008. H. 3 (№ 99). S. 361—386. ethics, practical philosophy, moral ontology, freedom, deed, ultimate end, thing in itself, agnosticism Polozhentsev A. M. 83-95 10.5922/0207-6918-2010-3-8

... that has the meaning of justice. Moreover, such translation of Billigkeit creates a false connection with the realm of law, which Kant tried to avoid stressing the difference between Billigkeit and Gerechtigkeit. If Gerechtigkeit relates to external deeds subject to legal regulation and external enforcement, Billigkeit relates to tacit intentions and dispositions that cannot be controlled from the outside. This supports the thesis about the difference between ethics and law and the need for a more ...

The hagiographical image of Svyatopolk is analysed as one determined by Christian anthropology. The author asserts that Svyatopolk performs an evil deed neither due to predestination, nor under the influence of fatal circumstances, but of his own free will. Svyatopolk embodies the model of a person of string will, which is opposed to the will of God and leads the character to captivity of the devil....

This article presents an analysis of the influence of Russian culture on the central character of F. Klinger’s philosophic novel Faust's Life, Deeds, and Journey to Hell. The typical traits of Russian mentality exhibited by the character are examined in the light of the fact that the novel was written in Russia. 1.  Гёте И.   В. Фауст: трагедия / пер. с нем. Б....

... Kant’s definition of evil as a deviation of rules regulating the actions of a human being from their principle of morality. The author analyses the factors underlying the “predisposition” to evil. It is emphasised that Kant measures wickedness not by deeds but solely by the way of thinking. The author discusses the question as to whether the intelligible good, i. e. the critical verification of rules regulating the actions against the categorical imperative, necessarily entail the empirically good....