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... on general aesthetic categories and aesthetic perception rather than artistic phenomena. Kant’s thesis about ‘disinterested liking’ and the correlation between Kant’s definitions of art and cognition are considered. Kant distinguishes between aesthetic judgment and cognition, whereas Gadamer defines art as a method of cognition, an event that can become genuine under the condition of maximum of understanding. The author analyses the key categories of aesthetics — taste, play, and the beautiful. It ...

... treat the first-person perspective as a reflective power of judgment, and the third-person perspective as a determinative power of judgment; doing so, I establish the connection between the qualitative interpretation of phenomenal experience and the aesthetic principle of the reflective power of judgment. I conclude that conscious experience as a subject matter of research is a hybrid object, and only the project of “nonmodern” science will make it possible to create a relevant theory of consciousness that does not resort to reduction. ...

... investigation in the “First Moment” of the “Analytic of the Beautiful” in the Critique of the Power of Judgment. That is, “existence” is not a secondary or subordinate part of a more general discourse concerning the “disinterestedness of aesthetic judgment”. Rather, the whole characterization of the judgment of taste as a “judgment of an object grounded on a delight in it which is without any interest” shall be considered here as a means to constructing a new definition of the modal concept ...

... Johns Hopkins University Press. Allison, H. E., 1985. The Originality of Kant’s Distinction between Analytic and Synthetic Judgments. In: R. Kennington, ed. 1985. The Philosophy of Immanuel Kant. Washington: Catholic University of America Press, pp.... ... Cambridge: Cambridge University Press, pp. 419-442. Falkenstein, L., 1995. Kant’s Intuitionism. A Commentary on the Transcendental Aesthetic. Toronto: University of Toronto Press. Ginsborg, H., 2006. Kant and the Problem of Experience. Philosophical Topics,...

The hypothetical approach to the supersensible developed by Kant in his three Critiques, exemplified by his analysis of the aesthetic and reflective judgment in his third Critique, with their principle fortuitous purposiveness, can be considered as the basis for a new foundation of metaphysics. According to Kant’s limitation of cognition to the realm of sense intuition, theoretical knowledge of ...

... moral sense is closely linked with the aesthetic categories of the beautiful and the ugly which correspond respectively to the aesthetic categories of good and evil. The latter associates the moral sense with reason. I then examine Kant’s attitude to ... ... of the critical period in which he is more emphatic in claiming that the moral sense cannot be a criterion in making ethical judgments. However, Kant does not exclude this concept from his practical philosophy, but explains it in a different way from ...

... moral redefinition of the subject — while point 4) addresses Christ as an example (Vorbild) — sustaining and entertaining the moral redefinition as a motivating model. Allison, H., 2001. Kant’s Theory of Taste: A Reading of the Critique of Aesthetic Judgment. Cambridge: Cambridge University Press. Engstrom, S., 2009. The Form of Practical Knowledge: A Study of the Categorical Imperative. Harvard: Harvard University Press. Firestone, C. L., Jacobs, N. A., 2008. In Defense of Kant’s Religion. Bloomington: ...

.... https://dx.doi.org/10.5922/0207-6918-2015-3-4 . (In Rus.) Cohen, H., 2002.The Aesthetics of Pure Feeling. V. 1. §11. The Aesthetic Feeling of Love. Translated from German by T. A. Akindinova. Studia culturae, 3, pp. 211-224. (In Rus.) Cohen, H., 2008.... ... Theoretical Philosophy of Hermann Cohen. Voprosy Filosofii, 11, pp. 160-170. (In Rus.) Dlugach, T. B., 2010. The Concept and Judgment in the Philosophy of H. Cohen. In: I. N. Griftsova and N. A. Dmitrieva, eds. 2010. Neokantianstvo nemezkoe i russkoe: ...

... Kaliningrad: IKBFU Press. Kant, I., 1991. An Answer to The Question: ‘What Is Enlightenment?’ In: I. Kant, 1991. Political Writings, edi­ted by H. S. Reiss. Cambridge: Cambridge University Press, pp. 54-60. Kant, I., 2001. Critique of the Power of Judgment. Edit­ed by P. Guyer. Cambridge: Cambridge University Press. Konev, V., 2013. A Book about the Life of Kant’s Ideas (L. A. Kalinnikov. E. T. A. Hoffmann and I. Kant. Transcending of Romanticism). Kantian Journal, 2013, 3(45), pp. 112-114. ...

... closer examination, however, a more differentiated picture emerges. In addition to pathological enthusiasm, Kant recognises an aesthetically sublime enthusiasm, and in his reflections on the reaction to the events of the French Revolution, Kant coined the ... ... Translated and edited by M. J. Gregor. Cambridge: Cambridge University Press, pp. 139-271. Kant, I., 2000. Critique of the Power of Judgment. Edited by P. Guyer. Translated by P. Guyer and E. Matthews. Cambridge: Cambridge University Press. Kant, I., 2006a. ...

... University Press. Baumgarten, A., 1773. Acroasis logica. 2nd ed. Halle: Hemmerde. Beck, L. W., 1955. Can Kant’s Synthetic Judgments Be Made Analytic? Kant-Studien, 47(1-4), pp. 168-181. Beck, L. W., 1956. Kant’s Theory of Definition. The Philosophical ... ... Cambridge: Cambridge University Press, pp. 15-34. Falkenstein, L., 2004. Kant’s intuitionism: a commentary on the transcendental aesthetic. Toronto: University of Toronto Press. Ferrarin A., 2006. Lived Space, geometric Space in Kant. Studi Kantiani, 19, ...

... basis of the law-governed state. The process of artistic creation in the framework of inter-personal relationship is explored in Aesthetics of Pure Feeling. Finally, Religion of Reason out of the Sources of Judaism formulates the conception of religion as ... ... Translated and edited by P. Guyer and A. W. Wood. Cambridge: Cambridge University Press. Kant, I., 2000. Critique of the Power of Judgment. Edited by P. Guyer, translated by P. Guyer and E. Matthews. Cambridge: Cambridge University Press. Kant, I., 2005. Notes ...