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Interdiscursivity as a linguocreative appropriation of discourses: the avant-garde and Andrey Tarkovsky
... interdiscursivity make it possible to define it as a linguocreative appropriation of discourses and to elaborate a methodology of its study in films. The film “Stalker” is selected as an object of research due to the fact that Andrey Tarkovsky’s innovative cinematic approach makes his works akin to the approaches of art innovators of the avant-garde epoch. The specificity of the interdiscursivity of “Stalker” is determined both by a significant degree of transformation of its literary ...
