The four loves in C.S. Lewis’s novel “Till we have faces”10.5922/vestnikpsy-2025-2-6
The article explores the artistic embodiment of the four types of love that C. S. Lewis discusses in detail in his treatise The Four Loves and in his mythological novel “Till We Have Faces”. Given the centrality of the theme of love in the novel, it is reasonable to assume that in this 1956 work, the author was already artistically reflecting on the ethical and psychological concepts he would later elaborate ...
Genre-composition metaphor of rhizome in the novel “Primeval and other Times” by Olga Tokarchuk
... postmodernism as reflected in the writings of philosophers G. Deleuze and F. Guattari. The study investigates the concept of the “rhizome,” which in Tokarczuk’s work functions as a method of plot construction for her literary texts in general and the novel Primeval and
Other Times in particular. The metaphor of the rhizome is expressed in the novel not only through the image of a giant fungal network, a mycelium, but also through a distinctive worldview based on the interconnectedness of all living ...
The plot of Melusine in Russian literature of the XVII— XIX centuries (translations and interpretations)
... the most popular
Western European plots — the story of Melusine. The aim of the study is to examine the attempts to appropriate this plot in Russia from the 17th to the 19th centuries. The story of Melusine formed the basis of two French-language novels at the turn of the 14th—15th centuries, and a 15th-century German translation contributed to the wide dissemination of the novel in non-Francophone Europe, primarily in the form of chapbooks. In Russia, the novel appeared in the 17th century ...
