The space of metaphor in the space of the created locus (based on Hrant Matevosyan’s prose)
The article provides a comparative description of different types of metaphors based on an analysis of the prose of Hrant Matevosyan (1935—2002), a classic of Armenian literature. To analyze the specific type of societal relations reproduced by Matevosyan in his Tsmakut Cycle, the article uses the model of ‘mix of ...
Poetic figurativeness as a foreign culture cognition instrument
The article analyzes the metaphorical conceptualization of intercultural space in French and Russian lyric poetry of the 20th and 21st centuries. The research goal is to determine the cognitive potential of poetic imagery as a means of exploring the space of another culture. ...
Genre-composition metaphor of rhizome in the novel “Primeval and other Times” by Olga Tokarchuk
... G. Deleuze and F. Guattari. The study investigates the concept of the “rhizome,” which in Tokarczuk’s work functions as a method of plot construction for her literary texts in general and the novel Primeval and
Other Times in particular. The metaphor of the rhizome is expressed in the novel not only through the image of a giant fungal network, a mycelium, but also through a distinctive worldview based on the interconnectedness of all living things and all entities (human beings, living and ...
Neologisms with the meaning of “fake” goods in modern Russian
... neological units that have been functioning in the Russian language since the 1990s to characterize artisanal products or various types of counterfeit goods. The cognitive mechanisms underlying their formation are identified, based on the metonymic or metaphorical use of the image of fire, as represented in the root morpheme pal-. It is noted that the word-formation paradigm of the verb palit’ has expanded with the addition of derivatives with figurative meanings, including the adjectives palёny,...
Time synaesthesia in W. Shakespeare’s texts: the semantics and pragmatics of colour
... semantics and pragmatics of each color that shades time in Shakespeare’s texts are determined by metonymic correlation with the phenomena of the external and internal world. Thus, black color, identified with the darkness of night, becomes a methonymic-metaphorical name for the unknown, danger, and suffering. Grey color, associated with the transition from darkness to light, correlates with the images of morning, youth, and hope, becoming an element of vivid authorial metaphors of personification. Red ...
