Translation Historiography
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Voices of the invisible presence: diplomatic interpreters in post-World War II Japan.
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Descriptive Translation Studies and Beyond.
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“TRACE: traducción y censura”
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https://trace. unileon. es/en/
[Accessed ...
Digital poetry between the printed page and cinema: the difference in agency structures
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Gumbrecht, H.
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Production of Presence: What Meaning Cannot Convey
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Huth, G.,
First Meaning: The Digital Poetry Incunabula of bpNichol
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Poetic Community: Avant-Garde Activism and Cold War Culture
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Encyclopaedia of Film Theory
...
Russian-German philosophical dialogue in the late 19th/the first half of the 20th centuries: Publications of Russian philosophers in the Kant-Studien and Logos journals
... of this movement. In general, the Russia-related materials published in Kant-Studien and Logos demonstrate a strong Russian presence in these periodicals. Therefore, it is possible to speak of an — although not decisive — but tangible influence of ... ... later called the ‘Silver age of Russian phi¬losophy’ and the phenomenon of Russian philosophy abroad — a product of the wars and revolu¬tions in Russia and a result of the exodus of Russian philosophers to the West, where Germany was one of their ...
Russian military engineers in the Prussian campaign of 1757— 1762
... operating under the command of D. I. Debosket in the army of S. F. Apraksin on the territory of Prussia during the Seven Years' War. It is shown that as the province was occupied by Russian troops, the engineering tasks were changing: there was a transition ... ... Restoration work was complicated by a variety of circumstances, including the lack of military engineers in the field due to their presence at the front line, the limited possibility to engage the local population in the fortifications’ restoration, as well ...
Between accomplice and victim: Civilians during the siege of Kö- nigsberg in 1945
... coercion and the living condition in the city, as well as the reasons why civilians decided to stay in Königsberg. Their large presence makes them impossible to overlook if one is to construct a view of the siege of Königsberg.
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36. Terpitz W. Das ...
Unofficial astyonyms and katoyconyms as markers of regional identity
... functions performed by these names are determined. There is noted an asymmetry in the composition of unofficial names for the residents of Kaliningrad compared to the demonyms that can potentially serve as motivating bases. It is established that the presence of a significant number of pejorative nominations within the framework of the regional onomasticon is driven by the residents’ desire to improve the city’s condition and preserve their own identity.
Zubritskaya E.V., Makarova P.F
unofficial ...
. Genre specific of the poem by P.A. Viazemsky “Commemoration of the battle of Borodino”
... the great historical event and Russian arms (Battle of Borodino) and commanders (Miloradovich and Kutuzov), colorful description of the battle, many tropes and figures (rhetorical exclamations, metaphors), image of lyrical hero-observer, the effect of presence, epic narration. Meanwhile, the poem is not so much dedicated to the great battle, but to the death of a poet’s friend and fallen warriors. Theme of death is central in the poem by Viazymsky, and many elements of work are close to the genre ...
The eschatology of space in Mickiewicz’s Saint Petersburg poems and Pushkin’s The bronze horseman
... rhetorical detachment permeates his perception of the Saint Petersburg flood. Pushkin’s position consists of two elements: the presence of a bystander in the text and compassion for Evegenii who falls victim to the flood. Pushkin combines an apologetic ... ... Historia literatury polskiej do roku 1939. Kraków, 1993.
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Maltseva, L. A., Mianowska, J.
эсхатология,...
The moving boundaries of news translation
News translation has been investigated more systematically since the mid-2000s. Since then, it has kept pushing the boundaries of translation studies by asking such questions as the following: Can we study multilingual practices that do not necessarily have an identified source text? If so, what do we analyze and compare? Can we call these practices ‘translation’? How do we integrate multimodality into our traditionally textual analyses? This article formulates tentative answers based onrecent publications...