The intertexteme as an instrument in the past — present — future dialogical space of urbanism practices: an intersemiotic analysis of graffiti and inscriptions in Gdansk and Kaliningrad
... intervisual tools for creating the past — present — future dialogic axis in urban practices, using the example of graffiti and inscriptions in Gdansk and Kaliningrad. The authors describe the urban space as an object of research, give a definition of the urban inscription, characterize the semiotic nature of the latter, consider terminology problems relating to the category of intertextuality, and broadly interpret the intertexteme as a tool in the ‘past — present — future’ dialogical space in the ...
Towards a dictionary of urban untranslatables
... conclusion proposes a "Dictionary of Urban Untranslatables" (inspired by Barbara Cassin’s project), advocating for multimedia documentation (visual, auditory, tactile) alongside textual descriptions. Special attention is paid to cryptographic urban codes — spontaneous graffiti, inscriptions, and spatial modifications that are legible only to locals.
urban texts, untranslatability, cultural code, urban semiotics, municipal utility art, flânerie, jugaad, tertúlia, urban anthropology, visual methods
181—195
10.5922/2225-5346-2025-4-10
Representation of the image of Kaliningrad in the names of guided city tours
... “The Worst Tours” in a European World Heritage city. International Journal of Heritage Studies, 25 (9), pp. 943—957.
Sładkiewicz, Ż. R. and Wieladek, K., 2020. The intertexteme as an instrument in the past—present—future dialogical space of urbanism practices: an intersemiotic analysis of graffiti and inscriptions in Gdansk and Kaliningrad. Slovo.ru: baltic accent, 11 (1), pp. 108—133 (in Russ.).
Terskikh, M. V. and Malenova, E. D., 2015. Image of a Region: Theoretical Aspect (Russian and Foreign experience). Politicheskaya lingvistika [Political ...
