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Kants Denkraum: Subjektivität als Prinzip. Interview mit Prof. Dr. Jürgen Stolzenberg
... Musikalisch-Schöne. Ein Versuch mit Blick auf Kant. In: G. Mohr und J. Kreuzer, hg. 2012. Vom Sinn des Hörens. Beiträge zur Philosophie der Musik. Würzburg: Königshausen & Neumann, S. 76-95.
Stolzenberg, J., 2018. Die Natur der Freiheit. In: V. L. ... ... Gruyter.
Kant, Fichte, Neo-Kantianism, Heidegger, Wolff, self-consciousness, selfhood, subjectivity, human dignity, philosophy of music
A. S. Zilber
77-96
10.5922/0207-6918-2018-3-4
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‘The Word, an Ulcer…’: Aleksey Chicherin’s semiotic utopia
In this article, we analyse the semiotic concept of art created by the constructivist poet Aleksey Chicherin, as presented in his treatise Kan-Fun. We establish the connection ... ... Russian Literature. Vol. XXV, pp. 469—524.
Biryukov, S. E., 2006. About projective theories of Russian avant-garde. “Phonic music” and acoustic tension in avant-garde poetic systems of the twentieth century. In: Yu. S. Stepanov, ed. Semiotika i Avangard: ...
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Hybrid texts as a form of interaction between avant-garde artistic and political discourses
This paper explores hybrid texts as a special type of text that forms within ‘inter-discourse interaction’ and relates to the ‘convergence ... ... Vol. 1. Verona: Mondadori.
Derrida, J., 1990. Le Problème de la genèse dans la philosophie de Husserl. Paris: Presses Universitaires de France.
Derrida, J., 2010... ... Around the Total Work of Art. In: J. H. Rubin and O. Mattis, eds. Rival Sisters, Art and Music at the Birth of Modernism, 1815—1915. pp. 37—51.
Sinagra, A., 2009. Lo statuto...
