Translation and the ‘soft’ bridges of communication
Translation Studies scholars, on the whole, have struggled to reconcile abstract, metaphorical concepts of translation with the notion of translation as understood in the commercial world of communication, that of a product to be ... ... of translation. I will use the concept of translation as ‘cluster’, examining epistemological and social resonances in musical texts, where expression does not depend primarily on semantic meaning. I will show how translation of the non-verbal ...
The phenomenon of twelve-tone music in Samuel Beckett’s short stories
This article considered Beckett’s French short stories through the prism of philosophical and aesthetic foundations of modernist music. The rejection of tonal hierarchies by dodecaphonists to transcend the limits of the traditional sonic semiosis can be compared to Beckett’s aspiration to go beyond the ‘fetish’ of words. The study emphasizes similarities between the creative ...
Musical analogies and poetics of H. Broch’s novel «The Death of Virgil»
The article establishes the boundaries of the musical analogy in the comments of H. Broch to the novel «Death of Virgil». In the novel, musicality is associated with the motives of ‘voice’ and ‘hearing’. Noting the propensity to onomatopoeia in the work of J. Joyce, H. Broch aims to depict ...
Kants Denkraum: Subjektivität als Prinzip. Interview mit Prof. Dr. Jürgen Stolzenberg
... Musikalisch-Schöne. Ein Versuch mit Blick auf Kant. In: G. Mohr und J. Kreuzer, hg. 2012. Vom Sinn des Hörens. Beiträge zur Philosophie der Musik. Würzburg: Königshausen & Neumann, S. 76-95.
Stolzenberg, J., 2018. Die Natur der Freiheit. In: V. L. ... ... Gruyter.
Kant, Fichte, Neo-Kantianism, Heidegger, Wolff, self-consciousness, selfhood, subjectivity, human dignity, philosophy of music
A. S. Zilber
77-96
10.5922/0207-6918-2018-3-4
Review of Recent Russian Studies of Hermann Cohen’s Philosophy
The review covers scholarly publications devoted to the philosophy of Hermann Cohen, the head of the Marburg School of NeoKantianism, written by Russ ... ... pp. 98-100.
Belov, V. N., 2015a. Cohens Ethik und ihre Rezeption in der russischen Philosophie des Rechts. IDEA — Studia nad strukturą i rozwojem pojęć filozoficznych... ... Sociology. Art History, 3(5), pp. 115-146. (In Rus.)
Goryacheva, T. A., 2009. The Comic in Music as a Phenomenon of the History of Artistic Culture. Dissertation for the Candidate...
Spontaneities and Singularities: Kant’s Hypothetical Approach to the Supersensible and the Re-Foundation of Metaphysics
... des “Übersinnlichen in uns, über uns, und nach uns”. In: N. Fischer and M. Forschner, eds. 2010. Die Gottesfrage in der Philosophie Immanuel Kants. Freiburg, Basel & Wien: Herder, pp. 155-179.
Plato. 1927. First Alcibiades. In: Plato with an English ... ... praktischer Vernunft bei Kant. Frankfurt a. M.: Vittorio Klostermann.
Schueller, H. M., 1955. Immanuel Kant and the Aesthetics of Music. The Journal of Aesthetics and Art Criticism, 14(2), pp. 218-247.
Spinoza, B., 1985. The Complete Works of Spinoza. Volume ...
Shpet, Humboldt, Kant: Forms, Concepts, Schemes. Terms and Ideas
The article examines the interpretation of the teaching of Wilhelm von Humboldt on language by Gustav Shpet together with Shpet’s perception of the influence of Kant’s philosophy on Humboldt. Special emphasis is laid on terminological analysis, the underlying thesis of this analysis being ...
Creative Potential of Artificial Intelligence in the Context of the Idea of the New Enlightenment
The modern world is confronted with a series of global problems, exacerbated by technological advancements. In this context, concerns arise in the public consciousness regarding ... ... focus on the utilisation of various algorithms for implementing diverse forms of creative activities, including text, image and music generation. Additionally, I present diverse opinions of researchers regarding creativity in AI. To systematise these perspectives,...
The dialogue between linguistics and the poetic avant-garde in Russia in the 1920—1930s: experiments with a universal language
The article explores the concept of a ‘universal language’, which was prevalent in both linguistics and the poetic Avant-garde in Russia during the 1910s-1920s.... ... Elementa, 4, pp. 121—129.
Tufanov, A., 1924. K zaumi: Fonicheskaya muzyka i funktsii soglasnykh fonem [Towards zaum’: Phonic music and functions of consonant phonemes]. St. Petersburg (in Russ.).
Yushmanov, N. V., 1927. Ido is the ideal of an interlanguage....
Hybrid texts as a form of interaction between avant-garde artistic and political discourses
This paper explores hybrid texts as a special type of text that forms within ‘inter-discourse interaction’ and relates to the ‘convergence ... ... Vol. 1. Verona: Mondadori.
Derrida, J., 1990. Le Problème de la genèse dans la philosophie de Husserl. Paris: Presses Universitaires de France.
Derrida, J., 2010... ... Around the Total Work of Art. In: J. H. Rubin and O. Mattis, eds. Rival Sisters, Art and Music at the Birth of Modernism, 1815—1915. pp. 37—51.
Sinagra, A., 2009. Lo statuto...