The phenomenon of heterogeneity of the speech subject in German retrospective discourse
The article highlights the features of self-presentation of the subject of retrospective mental and cognitive activity recorded in the texts of memoirs of German-speaking writers of the 19th and 20th centuries. The texts of fiction, which are fictional memories of the narrator and the main character of the narrative ...
Experimental deixis in the space of poetic text
The article deals with the linguopoetics of deixis as one of the key mechanisms for expressing subjectivity in artistic communication. The aim of the study is to discuss the specifics of deictic words and constructions in experimental poetic discourse. The second part of the article analyzes the functions of personal, spatial, and discourse (textual) ...
Who and how produces the future (Alexander Fedorov’s new philosophy of common cause)
The article presents a reflection on Alexander Fedorov's project aimed at analysing the future and the model of production. This model facilitates the correlation of factors related to subjectivity and sociality within the process of future production. Notably, the work emphasizes Alexander Fedorov's assertion regarding the pivotal role of children and childhood and the typology of actors involved in this process. The proposed concept ...
Central images and motifs of Gennady Shpalikov’s late poems (article one)
... the prominent representatives of poetry during the Khrushchev Thaw era, is singled out and examined in terms of the sphere of key images and motifs in the poet’s artistic world, which are encoded by the ontological-tragic situation of the lyrical subject in the enclosed chronotope of society. The central motifs of Shpalikov’s work during this period have been identified: motifs of loneliness, rootlessness, abandonment, vulnerability, farewell, hopelessness, and suicide. The semantic structure ...
The Mobius strip of the pragmasemantics of sense: from culture through subjectivity to nothingness and back
... systematically present sense formation through the lens of the pragmasemantic approach. It enables the demonstration of how the primary factors of sense formation, socio-cultural practices and personal agency interact. Their relationship is non-linear: subjectivity results from the assimilation of socio-cultural experiences and the accompanying narrative communication. Self-consciousness of the Self arises from the socialization of the individual through reflexive self-description. Thus, it engenders ...
