The four loves in C.S. Lewis’s novel “Till we have faces”10.5922/vestnikpsy-2025-2-6
... Have Faces”. All four forms of love are analyzed at the levels of plot development, the construction of the main female characters (Psyche and Orual), and the philosophical dimension of the mythological novel in the context of the ancient Greek myth of Cupid and Psyche, which serves as the narrative foundation of the work.
C.S. Lewis, the four loves, mythological novel, Cupid and Psyche, plot
65—77
10.5922/vestnikpsy-2025-2-6
Lexical and grammarical characteristics words with the root рыж- (red-) in the poetry of the first third of the XX century
The study examines the description of the artistic color space constructed with lexemes containing the root ryzh- (“reddish-brown” or “ginger”), which differ in their grammatical characteristics, in Russian poetry of the first third of the 20th century. It is revealed that color designations with the meaning ryzhiy were predominantly used by poets in 1916, with the most frequent usage observed in the poetry of E. Bagritsky, I. Selvinsky, V. Mayakovsky, Sasha Chyorny, and M. Tsvetaeva. Uneven frequency...
