Heine’s dolnik in the academic discussion and the Russian translation practice of the 1900s—1930s
... consistently analysed in comparison with German tonic verse in general and Heine's poetry in particular. The theoretical interest in ‘dolnik’ was fueled not only by the prevailing poetic processes but also by new translation experiments, primarily the equirhythmic translations of Heine by Alexander Blok, published in his collection “Night Hours” (1911). The formal similarities between Russian and German ‘dolnik’ prompted scholars to develop comparative metrics and theories of tonic verse, while the rhythmic ...
