Semiotic representation of Minsk in Viktor Martinovich’s novel “Mova”
... levels of the novel and the novel space is based on the technique of inversion. There is a movement of value poles within the system of oppositions, at the level of narrative, plot and space (the aggressor — the victim, the East — the West, the centre — the periphery, one’s own — someone else’s). The generally accepted structure of the zones of the centre and the periphery is changing: the periphery is associated with order and norm, and the centre — with the concepts of chaos, disorganization,...
