On the Pushkin text in the poetry of Perestroika
This article is devoted to Perestroika poets referring to the Pushkin text as a ‘tuning fork’ in reconfiguring poetics. The study aims to show that, in this case, intertextual connection create a special text-within-a-text. The corpus, intertextual, and compositional methods are used to analyse Pushkin-invoking ...
Pushkin texts in the description of characters by Dostoevsky and Nabokov
In his novels, Dostoevsky refers to the Pushkin text to describe characters. For Dostoevsky, Pushkin is an ethical and aesthetic touchstone; the writer’s voice is consonant with that of the poet’s persona. In some cases, the Pushkin text is embedded in religious discourse (the parable ...
The phenomenology of Pushkin’s ‘universal sympathy (based on ‘Аscene from ‘Faust’, ‘The feast in the time of plague’, and ‘the Wanderer’)
This article attempts to approach the discovery of what Dostoevsky called Pushkin’s ‘great secret’. In his essay ‘Pushkin’, Dostoevsky wrote that the poet had ‘a capacity for universal sympathy’. The ‘secret’ of Pushkin is analysed in this article in the context of the general cultural problem of fundamental ...
Pushkin as a personal myth of the Russian avantgarde
This article analyses strategies for cultural appropriation and the appropriation of Pushkin’s personality and oeuvre by the Russian avant-garde. The treatment of Pushkin by the avant-garde is considered as a peculiar variant of cultural apophaticism when the object of reflection is asserted through its consistent negation. The factography of the Russian avant-garde proves that, from its earliest stages the creative ...
Time and eternity in the literary image of the church procession: Pushkin’s Boris Godunov and Shmeleff’s The Year of the Lord
This article considers the depiction of the church procession to examine the literary interpretation of time and eternity in Alexander Pushkin’s historical drama Boris Godunov and Ivan Shmeleff’s novel The Year of the Lord. The two texts share fundamental similarities in literary images. The church procession is portrayed as a manifestation of eternity in the tangible reality of ...
The Knight of Contemporary Russian Kantiana. On the 85th Birthday of Leonard Kalinnikov
... affection, the character of systematicity in Kant’s philosophy and the methodology of its interpretation. Cycles of articles are devoted to the reception of Kant’s ideas in the philosophical and poetic work of V. S. Solovyov, Kant’s impact on A. S. Pushkin, A. A. Fet, and E. T. A. Hoffmann. These topics are elaborated in the monographs Immanuel Kant in Russian Poetry (2008), E. T. A. Hoffmann and I. Kant (2012), The Philosophical and Poetic Worldview of A. A. Fet: the Impact of I. Kant and A. Schopenhauer ...
Imposture as a problem of reference: semiotics of the name in Boris Godunov
... of presenting oneself as another and another as oneself. In this regard, non-trivial features of the semantics of a proper name are described. Based on the analysis of contexts of inappropriate use of a name in a situation of imposture, described in Pushkin's tragedy Boris Godunov, the author considers semiotic mechanisms of transformation and assignment of identity. The article shows that Pushkin's intuition allowed him to see the problems that arose in the analytical philosophy of the name of the ...
The ‘Faust zone’ in the works of Goethe and Pushkin
This article considers the ‘Faustian motif’ in Pushkin’s life and work. The problem of the ‘Faust zone’ in history is emphasised in the context of compari-son of different ideological and poetic interpretations of the Faustian archetype in the works of Goethe and Pushkin. It is concluded that ...
The issue of interfaith interaction between the Old Believers and Islam in the works of A.S. Pushkin and L.N. Tolstoy
The issue of reflecting the ethno-cultural interaction between the Old Believers and Muslims in regions with a traditional prevalence of Islamic culture in the 18th—19th centuries is considered in the works of A. S. Pushkin and L. N. Tolstoy. The conclusion is substantiated that both writers leaned towards the necessity of uniting Christianity and Islam based on common moral principles inherent in these religions. The continuity of the artistic tradition of the 19th ...
‘What can be described can happen too…’: describing text semantics as a model structure of transworld relationships
... across possible worlds, on the other. Probably, the variety of cohesion mechanisms does not make it possible to use a single identification mechanism and requires taking into account various competing approaches. I illustrate the above conclusions, using Pushkin’s draft ‘If I were Tsar…’
Bondi, S., 1952. Original text and political content of “Imaginary Conversation with Alexander I”. In: A. M. Egolin, ed. Pushkin. Lermontov. Gogol' [Pushkin. Lermontov. Gogol]. Moscow: AN SSSR Publ. ...
The psychological profile of the robber in A.S. Pushkin’s novella Kirdzhali
This article addresses Pushkin’s works, whose characters are based on real people who opposed conventional rules and laws and dedicated their life to fighting for personal and public freedom through following the path of crime. An analysis of the psychologically complex image ...
Adrian the Undertaker (the subtexts and pretexts of Nikolai Kononov’s novel The Flaneur)
... examines the multilanguage anagrammatic code of N. Kononov’s novel Flaneur. The authors offer an interpretation of the epigraph to the novel and identify a number of antiquity reminiscence in the text. The article focuses on the parallels between A.S. Pushkin’s short story “The Undertaker” and the novel Flaneur.
1. Властелины Рима. Биографии римских императоров от Адриана до Диоклетиана / пер. С. Н. Кондратьева. СПб....
The lexical unit beautiful as a means to express the axiological fragment of A. S. Pushkin’s world image
The poetry and plays of A.S. Pushkin serve as the material for identifying the lexical–semantic paradigm of means of explicating the idea of the beautiful in its external and eternal manifestations.
1. Алимпиева Р. В. Лексема прекрасный в эстетической ...
The science of love and a classical university: Nikolay Kononov’s short story ‘Anastasia’s Amnesia
... system. The language game with the names of disciplines — philology, physics, medicine — reduces them to a science of love with a focus on the concepts of ‘ego’ and ‘body’. The article explores the role of intertextual references to A. S. Pushkin’s ‘Eugene Onegin’ and shows that the implicit and explicit names of sciences determine the autobiographical status of the text.
1. Волков И. В. Джон Барт: университет как универсум // Новое прошлое ...
Idea of Home in Alexander Pushkin's “Eugene Onegin”
....
Глушкова Т.
Искушение счастьем: Национально-духовный идеал в «Евгении Онегине» // Московский пушкинист—
VIII
. М., 2000.
N. Zhilina
„Eugene Onegin“, Pushkin, home, image, axiology
65-68
10.5922/2223-2095-2009-8-11
Philosophy of images of nature in the “eastern” poems of G.G. Byron and “southern” poems of A.S. Pushkin
... пленник // Пушкин А. С. Полн. собр. соч. : в 10 т. М., 1977—1979. Т. 4.
7. Тресиддер Д. Словарь символов. М., 1999.
8. Шеллинг Ф. В. Й. Философия искусства. М., 1966.
Byron, Pushkin, images of nature, “eastern” poems, “southern” poems, Romanticism, literary comparative studies, philosophy
Shumakova M.
51-55
From the history of the manor Trigorskoye in the Pskov province
... земельный банк. Оп. 17.
12.
Русаков В.
М.
Рассказы о потомках А.
С. Пушкина. Л., 1982.
Chernikov I.
Pskov province, Opochka district, Trigorskoye, the Osipovs, the Wulfs, the Vrevskys, A. S. Pushkin, lease agreement.
27-32
