“The Forgotten stories” by Hans Christian Andersen in the context of his creative evolution
The article analyzes H. Ch. Andersen’s works, published in Russian in 2016 under the title “The Forgotten Stories of Hans Christian Andersen”. Their content and poetics are considered at the background of the writer’s creative evolution. The authors studies the reasons that determined the incompleteness of a number of works, and the circumstances that prompted the author to refuse to publish completed texts. “The Forgotten Stories” become the source for analyzing the writer’s creative manner and...
Spatial poetics of the story “Number 13” by M. R. James
The article is dedicated to the spatial organization of the novel by M. R. James “Number 13”, published in his first book of collected stories. A shift in the poetical paradigm is noted: the transition from traditional Gothic topoi to modern urban space. According to the Gothic view on the distant past and antiquity, certain architectural features are ascribed to the reinterpreted Gothic topoi. In he novel, space does not only function as an arrangement of the hero’s inner state, but also as a plot-forming...
The novel by Marivaux “Marianna’s Life” within the context of French epistolary prose of the XVIII century
The article aims to clarify the genre and narratological features of the most famous novel by J.-P. Carlet de Chamblain de Marivaux Marianna’s Life. This work is usually mentioned as a sample of the epistolary prose of Enlightenment. However, the poetics of this literary work which sometimes is called the Second Pamela does not match the poetic manners of Richardson who is considered to have been the creator of the epistolary novel. Richardson influenced the development of European as well as French...
Allusions in poetic work of Mikhail Matusowsky: philological and cultural-historical aspects
Allusion as a technique of fiction has been studied by various scientific disciplines for the past few decades. This “translator” of cultural, historical and literary information is a significant element that serves to reveal the author’s intention. Allusive inclusions from the works of M. Matusovsky are divided into groups depending on the source of allusions. Biblical, literary and cinematic allusions are studied in detail as the most significant in terms of functional and stylistic use. Allusive...
The artistic embodiment of meteorological phenomena in the novel “Polar lands — tragic lands” by P.- E. Victor
The article examines the artistic realisation of the northern landscape and the system of images of the polar space’ nature in the novel by the French polar writer P.-E. Victor. The relevance of the research is supported not only by the relatively little-studied heritage of P.- E. Victor in Russia but also by the poor knowledge of the key aspects of his poetics. The logic of the formation of the visual complex is traced, which combines the realistic approach to the weather phenomena of the Arctic...
Text formation function of the author's modality in the poetry of Joseph Brodsky (on the poem «I always kept saying that the fate is a game...» — «Я всегда твердил, что судьба — игра...»)
... vocabulary, phonetic instrumentation, and compositional organization of speech. It is established that the combination of means expressing the author’s modality in the poem is a way of representing significant philosophical categories for the poet, such as time, space, loneliness, and fate.
A literary image as a cognitive phenomenon
The article is an attempt to examine the terms «image» and «literary image» as a concept of cognitive science (in humanities: linguistics, psychology, cognitive studies, literary studies). It analyses different approaches to defining these terms, aiming at focusing on a cognitive definition of image. The article contains an overview of the analysis of the term in psychology: psychoanalytic approach, the theory of reflection, cognitive psychology. It describes cognitive features of image and the...
Artistic individual image of the language in P.Celan's poetry
The article represents a cognitive-discursive study of means to create an image of the language in a literary text. It involves different types of analysis such as semantic, conceptual, and interpretive. Special attention is paid to the linguistic factors that influence the creation of metalinguistic utterances, in particular, the word-formation potential of the German language (neologization). The article also stresses the importance of extralinguistic context, the knowledge of which enables to...
Ontology of the «new world» in the work of Friedrich Hölderlin (to his 250th anniversary)
The work raises the issue of Hölderlin’s creative secret of, interpreting its connection with the transformation of German culture into ontology of “new light”. Considering the essence of the “poet of poets” (Heidegger), the authors relate complex discourses to the hermeneutic key for understanding the mystery of Hölderlin. They make an attempt at interpreting one of the mysteries in his work, reflected in the novel "Hyperion"....
The formula «If there is no God, everything is allowed» in the poetic interpretation of Czeslaw Milosz
The article considers the specific perception of Dostoevsky's creativity in poetry and essays by Milos. The author studies Milosz's multiple reinterpretations of the precedent formula “If there is no God, everything is allowed” in the poems “If not”, “Meaning” and “Oeconomia divina”. It is concluded that the poems under study form a "triptych", where the leading role is played by dialectics of word and silence.
1. Гильманов В. Х., Копцев И. Д., Мальцев Л. А. Т. Манн и Ф. М. Достоевский:...
«The images of water» in the structure of oniric spaciopoetics of K. Ishiguro’s novel «The buried giant»
The article is dedicated to the spatial organization of one of Ishiguro's latest novels "The Buried Giant". The authors focus on the process of changing of the aesthetic paradigm taking place in modern prose and affecting the foundations of its poetics. Special attention is paid to that kind of changes in the spatio-temporal organization of the text. Its peculiarity in Ishiguro's novel is the artistic synthesis of the surreal elements (mythopoetics, space of memory, the loci of consciousness...
State verbs in the progressive aspect in the contemporary Indian English
The article analyzes the texts of the English-language periodicals and the works of the English-speaking Indian writers to see how the continuous aspect (Progressive / Continuous aspect) is used with state verbs: physical perception, emotional state and mental activity. Authentic texts of Indian national and regional print media were used as research material: editorial and news materials, interviews, wedding announcements. The analysis of authentic English-language Indian texts allows us to consider...
German spiritual lyrics in the allusive space of Clemens Brentano’s fairy tales
The article analyzes the features of the allusions functioning in German spiritual lyrics in the tales by Clemens Brentano. The author's strategy of introducing allusions to the texts previously published in the collection The Boy's Magic Horn is considered, as well as the principle of double coding, in which the allusion refers simultaneously to the elements of spiritual lyrics and to the Bible or famous prayers, which increases the likelihood of recognizing an allusive meaning. Various ways of...
Prince Mikhail of Tver in Ryleev’s Duma and in the Russian Historiography: the Path to Sainthood
... historical source. Focusing on the antithesis between true and false values the research examines the oppositions freedom — captivity and life — honour. A careful examination of the protagonist’s image shows that his idealization was meant by the poet: the character is depicted as a real hero led by the Biblical values and willing to sacrifice his life for the sake of his motherland.
1. Андреева Е. А. Поэтика и жанровое своеобразие древнерусских ...
The eschatology of space in Mickiewicz’s Saint Petersburg poems and Pushkin’s The bronze horseman
Our comparative study focuses on Mickiewicz’s Saint Petersburg poems (Part III of Dzyady, 1832) and Pushkin’s The Bronze Horseman (1833). We explore the eschatological figurativeness of the two texts and the eccentricity, as Yuri Lotman put it, of the Saint Petersburg space. We conclude that Mickiewicz’s eschatology of Saint Petersburg is linked to the biblical myth of Babylon. Nominal rhetorical detachment permeates his perception of the Saint Petersburg flood. Pushkin’s position consists of two...
The ordinary person in the fictional world of Alexander Galich
Alexander Galich, a prominent singer-songwriter, built a gallery of socio-psychological types, central to which was the image of the ordinary Soviet person. This article focuses on the motif of death/immortality as a plot component describing the fate of a small person in Galich’s poetry. The place of the ordinary person in Galich’s creative ‘characterology’ is identified. The groundwork for a classification of the ordinary person types is laid and key motifs of plots introducing the types are...
Nikolai Kononov’s ‘Ceylon Island’: the poetics of mystification
Nikolai Kononov first published his story ‘Ceylon Island’ under the pen-name Alexander Chekhov (the name of Anton Chekov’s brother). This article explores the author’s literary mystification strategy as an element central to the poetic nature of ‘Ceylon Island’, its intertextuality, and its stylistic ‘settings’. The receptive nature of the text of Kononov’s story and the logic behind the creation of the author’s mask are considered. The structural sources of the text are revealed to be Chekhov’s...
Pictorial art and George Perec’s oeuvre
Georges Perec is a French author, literary experimenter, and member of the Oulipo group, whose works are strongly influenced by pictorial art. This paper explores various ways in which pictorial art affects the plots, style, lan¬guage, structure, and composition of Perec’s poetics. It is argued that the three most important functions of visual art in Perec’s prose are plot-forming, structural, and conceptual-stylistic ones.
1. Балаш А. Н. Изображение художественных коллекций: опыт интерпретации...
The myth as a source of cultural legitimation: the rock and hip-hop versions of the legend of Orpheus and Eurydice
... mythological pre-text, which lays a foundation for aesthetic legitimation of rock and hip-hop lyrics and their inclusion in a greater cultural context. The study explores the forms of representation of Orpheus’s dual semantics as the archetypical poet and musician as well as of the general motifs of temptation/seduction and selling one’s soul. It is established that, perceived as a single source of meanings and plots, the myth encourages the musical and poetical culture of the 20th/early 21st ...
Janusz Głowacki yesterday and today
This article is devoted to the last, posthumously published, book by Ja-nusz Głowacki – the collection of essays Bezsenność w czasie karnawałui. The focus is on the texts that were translated and published in Russian. They are compared to essays comprising another book by Głowacki, Z głowy, which resembles Bezsenność in terms of genre. The works of the author are considered in the context of 20th-century European history from World War II to the present day as well as of Głowacki’s biography, worldview...
The Masonic Word: Types and Functions
In the sources that guide the Masons, and in the sources that they produce themselves, the term “Word” dominates in the meaning of a “text, an idea or a communicative unit”. This determines the importance of the research. Its purpose is to identify the characteristics of the perception of the Word by the Masons, that is, to discover the typology of the unit and its functions. To achieve the goal, the methods of semantic, contextual and communicative analysis were used, allowing in their totality...
A. V. Makedonov and A. A. Palshkov. The history of an epistolary (based on the correspondence stored in the Literary Museum archive of SmolSU)
... Rylenkov's letters. Our analysis of the epistolary discourse has revealed a complicated situation characteristic of those years, when due to the efforts of the SSPI Chair of Literature a serious work was launched to thoroughly study creations of Smolensk poets listed by A. V. Makedonov as members of the Smolensk Poetic School (the term itself was initiated by A. V. Makedonov as far back as in 1960), and particularly its "founding fathers" − M. V. Isakovsky, A. T. Tvardovsky, N. I. Rylenkov....
Ex ungue leonem: intertextual links between Nikolai Kononov’s novel Parade and Jorge Luis Borges’s story Tlön, Uqbar, Orbis Tertius
The article states that a short story “Tlön, Uqbar, Orbis Tertius” (1940) by Jorge Luis Borges is the pretext of Nikolay Kononv’s novel “Parade” (2015). The author shows, how Kononov reproduces and, at the same time, develops the main themes from Borges’ story, resorting to geographical and anagrammatic codes, the principle of metaphorical reflection and a play upon words. The researcher interprets the hidden codes in the novel “Parade”, deciphers the names of characters, reveals allusions to the...
Evolution of the special question in English (based on examples from the Gospel of John)
The article deals with the evolution of the special question in the English language of the 10th—16th centuries. The study is conducted using examples from three versions of the Gospel of John — the Wessex Gospels of the late 10th century, the Gospel of the Wycliffe Bible (the end of the 14th century) and the Gospel of Tyndale Bible (the beginning of the XVI century). The analysis focuses on the structural and formal aspects of the problem. To demonstrate language dynamics the author identifies specific...
Parallels of psychoanalysis in the intellectual and creative biography of Hugo von Hofmannsthal
Sigmund Freud and Hugo von Hofmannsthal are among the most important representatives of the world culture of the beginning of the 20th century, which was equally influenced by science and arts. The creative work of the Austrian poet Hofmannsthal, also a dramatist and a writer, is a good example of this kind of symbiosis. The remaining part of Hofmannsthal’s library, his letters to other cultural influencers (Arthur Schnitzler, Hermann Bahr, Carl Burckhardt, Ernst Chladni) ...
Visualization of the esthetics of memories in the novels of W. G. Sebald «The Rings of Saturn» and «Austerlitz»
The article explores the meaning and functions of photography in W. G. Sebald's works exemplified by his novels “The Rings of Saturn” and “Austerlitz”. The relevance of the study of the intermediary component, the photographic one, in the novels of the German writer is confirmed by the abundance of works on this problem written by Western literary critics. Early novels of W. G. Sebald have been studied in more detail. Photography performs an illustrative function in them. In “The Ring of Saturn”...
On the correspondence between Wislawa Szymborska and Kornel Cornelius Filipowicz
The correspondence between Wislava Szimborska and Cornelius Philipovich entitled “Your cat has the best of lives” and published in 2016 can be seen as a biographical account and historical evidence of two writers, a record of life of artistic people in Poland in the 1960s. Stylistic character of Szimborska is studied on the background of her creative poetry.
1. Ворошильская Н. Коллажи Виславы Шимборской // Радио Польша : [сайт]. URL:
http://radiopolsha.pl/6/139/Artykul/160957
(дата обращения:...
Anthroponyms as the markers of cultural memory in epic texts
The author explores the relationship of the notions ‘collective memory’ and ‘cultural memory. Anthroponyms represented in the brothers Grimm’s sagas are analysed as exponents of cultural memory. The main focus is on the functions of anthroponyms in the semantic structure of the sagas texts.
1. Алефиренко Н. Ф., Голованёва М. А., Озерова Е. Г., Чумак-Жунь И. И. Текст и дискурс : учеб. пособие для магистрантов. М., 2012.
2. Бондарева Л. М. Типологические признаки ретроспективного дискурса как гетерогенного...
Rock poetry between music and words: the drive and poetics of lyrics
1. Агата Кристи : официальный сайт [группы]. URL:
http://agata.rip/
(дата обращения: 03.09.2017).
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3. Акопян Л. Музыка ХХ века : энцикл. словарь. М., 2010.
4. Бахтин М. М. Творчество Франсуа Рабле и народная культура средневековья и Ренессанса. М., 1990.
5. Башлачев А. Стихи. СПб., 1997.
6. Востокова Е. С. Специфика интертекстуальности рок-текста (на примере творчества Егора Летова) : выпускная квалификационная работа … бакалавра филологии. СПб...
Semantics of P. B. Shelley’s artistic imagery in the Marque of Anarchy poem
... Shelley’s literary images, the authors argue that allegorical characters of P. Shelley’s poem form two opposite groups, those of good and evil, light and darkness, and truth and falsehood. P.Shelley’s negative characters are a reflection of the poet’s views on reality and the sociopolitical situation in the country. The mythological and poetic image of the Earth is one of the central in the poem; the Earth calls for the people of England to regain their freedom. The authors reveal a special ...
Musical analogies and poetics of H. Broch’s novel «The Death of Virgil»
The article establishes the boundaries of the musical analogy in the comments of H. Broch to the novel «Death of Virgil». In the novel, musicality is associated with the motives of ‘voice’ and ‘hearing’. Noting the propensity to onomatopoeia in the work of J. Joyce, H. Broch aims to depict the music of human speech. By doing so, he follows the prevailing tendencies in the music art of the beginning of the 20th century, reviving interest in vocal genres (cantata, oratorios).
1. Broch H. Der Tod des...
The idea of destiny and its intertextual projections in ‘fairstory’ in “The Djinn in the Nightingale's Eye” by A. Byatt
The originality of the author's aesthetic conception lies in A. S. Byatt’s reflections on the origins of creative energy and their connection with the processes taking place on the border of the real merging with the imaginary, Otherworldly. The author shows the role and organization of these poetical paradigms in the text, the center of which is the idea of Destiny. It is reflected not only in the plot twists and turns, but also in the formation of characters, the creation of the book composition...
Axiological content of the ‘altering modus’ of the inserted texts in the novel Morfo Eugenia by A. S. Bayette
The author shows a change of the axiological paradigm in the literature of the 20th—21st centuries using examples from the novel Angels & Insects by the contemporary British writer A. S. Byatt. Retreat from the traditional characterization in the creation of an artistic image and the aesthetic accentuation of its importance are manifested in the rejection of the unambiguous assessment of moral and ethical evaluation and emphatic characterological art image. The tale “Things Are Not What They Seem”...
The resonance of a tragic sound: G. Ivanov’s poetry in B. Ryzhy’s interpretation
The author analyses the specific features of B. Ryzhy’s poetry, showing that G. Ivanov’s works influenced his poetic manner. The author reveals the reasons of commonality of their existentialistic worldview, which was predetermined by some biographic and sociocultural factors. Reinterpreting G. Ivanov’s key motifs and imagery, B. Ryzhy enriches his lyrics by bringing in Soviet and post-Soviet connotations. G. Ivanov’s tragic intonation gains a new sound expressing the experience of man living in...
Neither more nor less: the grounds for A.Skidan’s system
... author analyzes a series of verses by A.Skidan of a “Delirium” collection (1993) and establishes the equality of semantics between giving/gift and parting, breaking apart, which allows to bring the concept of “giving/ gift” to the core of the poet’s concept structure. The article defines a semantic invariant and studies the ways of its invariant development, analyzes connection between the relevant concepts and categories of space and movement, life and death. The semantic reconstruction ...
”What is the voice of truth?” The anagram in XVIII century French culture
The paper explores the history of the anagram phenomenon in the French culture of the XVIII century. The author considers tendencies in the development of literature inherited from the Baroque period, including the practice of creating pseudonyms by anagramming and using anagrams in satirical poetry. The reduction of anagrams to the level of the language game and the secondary nature of theorizing are the characteristic features of this century, when a break with the esoteric traditions of the past...
Hermeneutics of Guilt in Johannes Bobrowski’s Works
The poetic destiny of the outstanding German poet and novelist Johannes Bobrowski is being considered. His poetology in the most complicated synthesis of antinomic semantics and metrics is being analyzed. The existence of guilt with its exacerbated spirit of his Christian humanity’s eschatological ...
Regularity and serendipity: a systemic asymmetry of singer songwriting
The author analyses the works of singer songwriters, i. e. lyrics of bard songs and rock poetry, from the point of view of their plot and their place in the typology of texts. The author identifies a discrepancy between the principles of building the plot of songs and the methods of creating the poetic model of the world in the central and peripheral areas of this type of songs. This internal asymmetry of the analysed context is associated with the borderline position of the songs in literature....
Mythologization of the city in the works of B. Schulz and F. Kafka
The author examines the poetic specificity of depicting Drohobych and Prague using the novels «Cinnamon shops» and «The Hourglass Sanatorium » by Bruno Schulz and the novel «The Trial» by F.Kafka as an example. It is alleged that an insurmountable boundary between nature and culture leads to the creation of the negative myth of the city in Kafka's works, while for B.Schultz the connection between nature and spirituality of the city returns the author to the idea of the mythical alfa and omega of...
The motif of light and the criticism of the autonomous subject in the works of I. Murdoch
The article considers the Heideggerian principle of autonomy as a philosophical principle of self-dependence of Being, and its actualization in Murdoch’s works. The motif of autonomous reason as a «barrier»against the light of Being, the motif of mechanization of thought and feeling in the world of metaphysics completing itself, together with Platonic motifs and the esthetic diagnosis of the «death of light» in the 20th century (H. Zedlmayr), form the poetology of light in Murdoch’s works in the...
The problem of self-identification in H. Hesse’s short novel “Klein Wagner” and M. Frisch’s novel “Stiller”
This article compares the poetics of two works by Hesse and Frisch brought together by a similar topic and complex of motives up to identical plot elements. It is shown that the problem of self-identification is solved differently by two writers: Hesse’s solution lies in Klein’s rejection of the role and mask of Wagner, which was imposed on him by the society, through a voluntary death, whereas Frisch’s character Stiller faces desolation and shows outward acceptance of his name and role still rejecting...
What Saussure wrote/did not write: A half a century discussion on the anagram theory
This article explores the history of studies into Ferdinand de Saussure’s ideas of anagrams. When Saussure’s notebooks were published in the late 1960s and his drafts in the 1990s, scholars received a wealth of material for in-terpretation going far beyond the initial topic of ancient Indo-European poetry. The paper emphasises the diversity of approaches to Saussure’s ideas — from J. Kristeva’s semiotics to M. Gronas’s mnemotechnical analysis. Over the recent decades, the study of anagrams has rested...
Peter Handke’s novel “A moment of true feeling“ as a catalyst for the transition from modernism to postmodernism
Peter Handke’s novel is considered in the context of a change of eras in European and German art. The results of the study is the identification of the aesthetic characteristics of the writer’s prose that exhibits the features of both modernist and postmodernist poetics reflecting the general historical and literary pattern that has become the focus of current discussions.
1. Гладилин Н. В. Становление и актуальное состояние постмодернизма в странах немецкого языка (Германия, Австрия, Швейцария)...
Kononov’s “Tripartite Sibling”: Prerequisites for intertextuality
This article considers the correlation between N. Kononov’s short story and the literary pretexts. The authors stresses the connection between N. Kononov’s citation writing and the postmodernism worldview and literary strategies of postmodernism. The short story’s intertextual poetics is determined by the patterns of the author’s literary world. The identifies the structural and functional features of intertext in the “Tripartite Sibling” short story, as well as its role in the poetic whole of the...
Danilewicz-Zielińska on Polish émigré poets
This article analyses the books of the Polish writer Maria Danilewicz-Zielińska The fado of my life and Essays on literary emigration. The author focuses on Danilewicz-Zielińska’s recollections and criticism of the members of the Skamander group: Julian Tuwim, Jan Lechoń, Kazimierz Wierzyński, Stanisław Baliński, etc. The article explores the logic of the writer’s assessments of her contemporaries and emphasises the historical significance of Danilewicz-Zielińska’s memoirs.
1. Historia literatury...
The house in the plot structure of A. I. Podolinsky’s poem “Borsky”
The plot structure of the poem by a Russian author of the Pushkin era A. Podolinsi is characterised in comparison with the context of Russian Romanti-cism and the conceptual constants of Russian cultural consciousness. The au-thor identifies the function of the image of house in the poetic body of the poem. The ‘house’ is analysed as an element of the literary space and as a topos with symbolical and mythological connotations.
1. Афанасьева Н. Е., Плотникова А. А. Гроб // Славянские древности: Этно-лингвистический...
The axiology of images of space and time in B.L. Pasternak’s poem «When it Clears Up»
This article focuses upon the 'time' and 'space' concepts in Boris Paster-nak’s poem “When it Clears up” (1956) and its English translation by Lydia Pasternak-Slater. Special emphasis is laid upon the significance of the 'holi-day' concept for the structural unity of the poem. In the atemporal dimension of a ‘holiday,’ visible images of the natural world become symbolic representa-tions of the invisible. In the English translation, the overt concreteness of some of the poetic images results in the...
The motif of temptation in G. G. Byron’s mystery play Cain
This article considers one of the most complex works of Byron. The author focuses on the key motif in the plot of the philosophical drama. The analysis shows that Byron’s interpretation of the Biblical events makes it possible to conclude that, striving for absolute freedom, the human being is incapable of protecting themselves from the spiritual captivity of passions and their soul cannot remain independent from such opposite forces as the light and the darkness, good and evil, god and the devil...
Schliesslich will man ja Kunst schaffen. Daniel Kehlmanns humoristische Poetik («Finally, there is a need to create art»: Daniel Kehlmann’s humoristic poetics)
Daniel Kehlmann’s oeuvre is often interpreted as ‘ironic’ and thus put on a par with works following Friedrich Schlegel’s tradition of Romanticism. It would be more accurate to speak of ‘humour’ in the context of Schopenhauer’s philosophy of pessimism characteristic of the 19th century poetic realism. The central element is not nurturing ennui resulting from awareness of the con-trast between the ideal and reality, but rather cheerful disposition (consola-tion) in the face of reality.
Kehlmann’s...
Male Cinderella: the character, genre, and poetics of Jerzy Kosiński's novel Being There
This article presents a comprehensive analysis of the novel of the Polish émigré author Erzy Kosiński written in the English language. The image of the main character is considered in the typological comparison with the prece-dent images of world literature; the plot and composition structure is de-scribed; the genre is identified. Using the analysis of the novel’s key episodes, the article stresses the meaning-creating function of the reflection technique. The receptive field of the novel is identified...