Expressiveness in the theatre as a meaning-making technology and the role of gestures in its realization
The paper examines the concept of multimodal expressiveness contributing to the general study of the expressive and emotive functions in belles-lettres texts. The author attempts to prove that in heterogeneous discourse expressiveness manifests itself as a meaning-making resource responsible for the form-content fusion. The analysis is carried out on the basis of two different kinds of theatrical discourse: theatrical performance and public play-reading. The author turns to theatrical interpretations...
‘Mother’, ‘wife’ and ‘friend’: semantics and pragmatics of an address
... Academy: in 6 volumes]. 1789—1794. Vol. 1—6. St. Petersburg (in Russ.).
Slovar' tserkovno-slavyanskogo i russkogo yazyka, sostavlennyi Vtorym Otdeleniem Imperatorskoi Akademii nauk: v 4 t. [Dictionary of Church Slavonic and Russian, compiled by the Second Department of the Imperial Academy of Sciences: in 4 vols.]. 1847. St. Petersburg (in Russ.).
Sorokin, U. S., 1992—2001. Slovar' russkogo yazyka XVIII v. [Dictionary of the Russian language of the 18th century]. Vol. 7—19. St. Petersburg ...
