Who and how produces the future (Alexander Fedorov’s new philosophy of common cause)
... future is largely grounded in this vitality, exemplified by the essence of childhood. Consequently, the question of management possibilities and the ethical dimensions of future production, as well as the balance between permissible and impermissible means employed, becomes particularly salient.
A-n, A., Zalkind, A. B., Lobach-Zhuchenko, M. B., Blokhin, P., Melik-Pashaev, N. Sh., Orlov, S. V. and Chayanov, A., 1928.
Zhizn' i tekhnika budushchego. (Sotsial'nye i nauchno-tekhnicheskie utopii) ...
Cultural code of the city: the interrelation of verbal and visual texts
... sculptural works, and to determine the role of these objects in enriching the city’s cultural code and in shaping a unique sociocultural context for its inhabitants. The objects of analysis are physical art installations, carriers of deep symbolic meaning within the cultural and semiotic field of urban space and represented in the visual cluster of the city’s cultural code. These sculptures were created based on or inspired by literary texts. Using examples of narrative sculptural compositions ...
Semantic transformation of the noun mamochka: from ‘wife’ to ‘cannon’
In the semantic theory of Gottlob Frege, the content of a linguistic sign is determined by the connection between the meaning and a set of subjective perceptions that form the meaning. Our study aims to reveal the influence of individual perceptions of the meaning on the extension of the semantic structure of a word, using the kinship term ‘mamochka’ as an example....
