The Late Poetry of A. Bashlachev: Changes in Performance and New Meanings
This article investigates variations in a synthetic text manifested in word, sound, and performance. Based on earlier literary studies of the synthetic art phenomenon and its relevant methods, the authors set a theoretical and analytical framework for this research. The object of the study is verbal and musical subtexts, each performing a meaning-construction function. The difference between the performed and written texts is significant from the perspective of the capacities of meanings. However...
The ‘Russian Poetic Speech — 2016’ Project as a Cultural Narrative of Modern Russian Poetry
This article presents a methodological description of the ‘Russian Poetic Speech — 2016’ narrative project aimed to identify, demonstrate, and study a cross-section of modern Russian poetry. The author addresses the foundations of the narrative project, its ideology, as well as its publication and promotion components. The article explores the mechanism for understanding and using the power of Russian poetry and addresses its ultimate goal — the creation of a new humanitarian ideology. The author...
Radovan Karadžić’s All-Autumn poetry collection in the Serbian- Russian context
This article considers the content and style of R. Karadžić’s poetry and their multiaspect proximity to Russian poetry. Such features include philosophicity, special lyricism oriented to the existential feeling of the author, tragic perception of the world and the place of the persona in it. Moreover, it is humour and propensity for a paradox characteristic of folklore.
1. Блок А. А. «Да. Так диктует вдохновенье…». URL:
(дата обращения: 01.02.2015)...
On the Dual Role of the Translator of Poetry and the Division of Roles
This article deals with the roles and functions of a translator of poetry. The study identifies certain components of the process, within which a translator acts simultaneously as a transmitter of the original culture, a mediator between the reader and the author of the source text, a co-author, a linguistic innovator, a poet, and a linguist. The two latter roles are crucial for translating poetry. Translators of poetry create ‘their own’ texts. It is obvious that they cannot distance themselves...
Traditional Structures in Contemporary Chinese Poetry
This paper analyses structures typical of the classical Chinese poetry and the way they are used in contemporary Chinese verse. The analysis aims to demonstrate the work of traditional textual mechanisms in contemporary Chinese poetry and to describe their functional features. Poems by Dai Weina, Han Bo, Tashi Tentso, and Zhang Zao employ linguistic means that simultaneously engage several levels of utterances. These linguistic means include non-trivial semantic links created by means of phonographics...
Poetry as a space for cognitive research: Czesław Miłosz and Howard Nemerov
The article is focuses on the interaction of artistic and scientific discourses: scientific thinking into poetry. Based on two poems (Dom filozofa by Czesław Miłosz and The Painter Dreaming in the Scholar’s House by Howard Nemerov), the author examines the possibilities of thinking about cognitive problems in the space of poetry. Reincarnating as their characters (philosopher and artist), Miłosz and Nemerov work in the subject area of professional cognitive scientists, they reproduce the process...
“Čut’ živye, v noč’ osennjuju / My s ochoty vozvraščaemsja…” Secondary predicate in Nekrasov’s poetic texts
The main aim of the article is to examine the grammatical and stylistic functions of the predicative attribute in the poetic work of Nekrasov. The study contributes to the general ‘grammar of poetry’, which has been proposed and developed by Roman Jakobson. The study shows that Nekrasov often used the predicative attribute and it constitutes one of the specific features of his style. Grammatically extended adjectival, participial and adverbial phrases, frequent in Nekrasov’s poetry, cause additional...
Functions of syntactic structures in the context of jakobson’s model of communication
The article discusses the role of the syntactic level of the organisation of a poetic text in the formation of a model of literary communication. The research aims to identify the role of syntactic structures in the construction of lyric discourse and to explore the poetic function of grammar units in the text. The author employs the principles and techniques of linguopoetic analysis and the methodology of constructing a communicative act, which was developed in the works of Vinogradov, Shcherba...
‘The Word, an Ulcer…’: Aleksey Chicherin’s semiotic utopia
In this article, we analyse the semiotic concept of art created by the constructivist poet Aleksey Chicherin, as presented in his treatise Kan-Fun. We establish the connection between Chicherin’s concept of the ‘sign of Poetry’, on the one hand, and the theoretical research of the early Russian avant-garde and the basic tenets of the semiotic description of the language, on the other. An analysis of Chicherin's theory shows that it rests on an attempt to overcome the linearity of linguistic signs...
Poetry sets the pace of life
This article is the author’s lyrical reflection on the literary life in modern Lithuania. One of its particular aspects is poetical festivals of different levels. In this context, the author considered the 50th festival “The spring of poetry” dedicated to the 300th anniversary of the birth of Kristijonas Donelaitis. The festival made it possible to identify the influence of Donelaitis on modern Lithuanian poetry, as well as its indirect effect on Kaliningrad poets.
1. Гильманов В. Х. Хроносотериология...
On poetic emotiology in poetry and beyond
The article presents material supporting the thesis about the discourse register of emotions in their movement from poetic communications to non-poetic ones. The subjects of the description are emotives — linguistic signs of emotions. The part of the article that deals with poetry interprets emotives in multiple aspects: in the aspect of the grammar of poetic language and in their figurative representation. Within the frames of such grammatical categories as the imperative and subjunctive moods...
In search of the text generating structure: Jakobson’s theory of the poetic function of language
The classic work of Roman Jakobson,“The Newest Russian Poetry. Sketch One. Approaches to Khlebnikov”, is invariably referred to in the works on the history of structuralism, formalism and the history of the methodology of humanities. This article aims to address several questions: what are the epistemological attitudes of Jakobson and how are they implemented in his work? Can this 'disorganised' and 'sketchy' text be interpreted in context of the future attitudes of the scholar?
Images of Paradise in the Russian Poetry of the End of the 20th Century
The article deals with the concept of Paradise and its figurative representations inherent in the poetic generation of the 1980-2000s. The study is based on the material of the poetry of Russian meta-realists — A. Parshchikov, I. Zhdanov, A. Eremenko, A. Dragomoschenko, V. Aristov, S. Soloviev, Ye. Danin, and N. Iskrenko, a member of the Moscow "Poetry" club. The author reveals the specific character of the metaphorization of the mythologeme and the realization of its symbolic meanings...
A. A. Fet as a theoretical and practical adherent of pure art¬ and the prob-lem of the nature of poetry
This article is devoted to A. A. Fet’s philosophy of art. He is a representative of ‘pure art’ in Russian poetry, whose works were opposed to tendentious art serving the socio-political agenda ofthe time. However, the objective logic of nature of art made A. A. Fet’s poetry complimentary to revolutionary-democratic poetry. A. Fet was guided by Kant’s principle of aesthetics stating that the function of art is constituting the world of values. It does not and cannot replace either science, which is...
Mapping Poetic Bilingualism in Europe: Language Contacts and Cultural Transfers
This article presents preliminary results of a project studying multilingualism in world poetry. Multilingual interactions are particularly persistent in the contexts where either writers (poets) exist in multilingual sociocultural environments or they are moving from one country to another throughout their literary career. Existing in two or more cultural and/or linguistic spaces at the same time and thus making transfers across the boundaries of different languages easier, more efficient, and more...
Text reinterpretation and the motif of transformation in a short form of Internet poetry
In this article, I analyse the vehicles of humour in two short forms of Internet poetry that developed in the 2000s: the pirozhok (literary, a ‘stuffed bun’) and the poroshok (‘powder’). Poems of these genres are quatrains written in iambic tetrameter. Pirozhoks have no rhyme scheme, whereas, in poroshoks, the fourth line truncated to two syllables rhymes with the second line. The poroshok as a genre is a descendant of the pirozhok. Just as in jokes and several other genres, a punchline plays an...
The image of N. M. Karamzin in Russian poetry
There are virtually no specialized studies into the creation of poetic image of N. Karamzin in late 18th — early 19th centuries in Russian literature; though it is the expressiveness and imagery of poetry which can have a great impact on the myths in public consciousness. The present study is based on the texts published in the following collections of poems: “Epigrams and Satire: from the history of literary feud of the 19th century” (Epigramma i satira: iz istorii literaturnoy bor’by XIX veka....
On the Pushkin text in the poetry of Perestroika
This article is devoted to Perestroika poets referring to the Pushkin text as a ‘tuning fork’ in reconfiguring poetics. The study aims to show that, in this case, intertextual connection create a special text-within-a-text. The corpus, intertextual, and compositional methods are used to analyse Pushkin-invoking texts by Yuri Arabov, Vladimir Druk, Timur Kibirov, and other poets. It is concluded that these authors perceive Pushkin’s poetry as a lexicon whose units can be used for building countless...
A poetic function in an expanding context: title — monoverse — polytext (on the example of Ivan Zhdanov's poetry)
The article analyses the poetic function as a mechanism for the semantic and compositional structuring of the text. The research aims to study repetition and parallelism, expanding the context from the heading to the minimal text and the textual unity within a poetic book and forming micro- and metacycles with movable boundaries. The material of the research is Ivan Zhdanov's monoverses, which were considered both immanently and as part of the book. The main methods of research are semantic, contextual...
A philosophical framework for presenting novelty in a poetic text
Texts of different eras relate to varying degrees to the question of generating and presenting novelty. Recent poetry has been undergoing visible changes in poets’ attitudes to demonstrating linguistic novelty in texts. Young poets write texts that do not use the established algorithms of presenting and perceiving the new but disguise or surreptitiously reveal apparent novelty. One must explore the current practices of hedging against the new in the light of the philosophy of the text and in the...
Anagrams in the discourse of baroque ‘tacit theology’: The case of the Königsberg poetic circle of the 17th century
The problem of anagrams is linked to the paradigm secret of baroque poetry. It is shown that the essence of this poetry is a special type of poetic mimesis reflecting the existential and ontological fracture of being, which manifests itself in the lyrical persona of the poetic subject. Anagrams of the names of 17th century Königsberg poets – Simon Dach, Robert Roberthin, and Andreas Adersbach – comprise an ironical baroque reflection of the new “tacit theology” of poetry, whose mimesis reveals the...
Functions of somatisms in the poetry of B. Pasternak
The article analyzes the somatic vocabulary in the poetry of B. Pasternak. It is concluded that the poet actively uses the words of this semantic class that is associated with some peculiarities of his world perception. The quantitative analysis of somatic elements shows that more than 100 somatisms are used in the poet's lyrics. Of these, the words associated with visual perception (eyes, pupil, etc.) are most actively used, the second most important unit is the hand and its components (arm, shoulders...
The Knight of Contemporary Russian Kantiana. On the 85th Birthday of Leonard Kalinnikov
This is a review of the main research achievements of Professor L. A. Kalinnikov presented in his articles and monographs. The theoretical issues of Kantianism considered in Kalinnikov’s works include the problem of cognisability of “the thing in itself” and noumenal affection, the character of systematicity in Kant’s philosophy and the methodology of its interpretation. Cycles of articles are devoted to the reception of Kant’s ideas in the philosophical and poetic work of V. S. Solovyov, Kant’s...
The Serbian-Russian circle: A poet translates a poet
This article examines, in lyrical terms, the practices of poetical translations, identifies its key theoretical principles, and considers the role of a translator in the creation of a good translation. Serbian Russian poetical connection and the translations of S. Raičković
1. Горький М. Собр. соч. : в 30 т. М., 1955. Т. 30.
2. Заболоцкий Н. А. Собр. соч. : в 3 т. М., 1983.
3. Памятники средневековой латинской литературы IV—IX веков. М., 1970.
4. Пушкин А. С. Полн. собр. соч. : в 16 т. М. ; Л...
Language as mimesis (lyric poetry in H.-G. Gadamer’s herm¬e¬neutics)
This article deals with the essence of art in Gadamer’s philosophy, including his critical approach to Kantian aesthetical consciousness and subjectification of aesthetical experience in Kant’s philosophy. According to Gadamer, art deals with the notion of truth and should be associated not with aesthetics, but rather with ontology. Thus, art is the experience of truth. In Gadamer’s philosophical hermeneutics, the basis of art is the notion of mimesis, which is not the Platonic copy of idea, but...
The concept of ideal space in V.A. Zhukovky’s lyric poetry
This article analyses V. A. Zhukovsky’s images of ideal space in the context of Christian notions of paradise.
энциклопедический словарь: в 3 т. М., 1995.
словарь. М., 1994.
. Соч.: в 3 т. М., 1980. Т. 1.
. Толковый словарь живого великорусского языка: в 4 т. М., 2001.
. Субъективация и психологизм цветообозначений в языке поэзии // Языковая структура и социальная среда: межвуз. сб...
A. A. Fet and Kant’s stars-and-morals motif in Russian philosophical poetry
This article maintains that the founder of the “stars-and-morals” cycle in Russian philosophical poetry of the 1840s is A. A. Fet. From the poems “I stood a long time without moving” (1843) and “To Le Verrier's Neptune” (1846) to “To extinguished stars” (1890), i. e. over half a century, Fet created lyrical miniatures under the influence of Kant’s and Schopenhauer’s ideas.
1. Благой Д. Д. Мир как красота. (О «вечерних огнях» А. Фета) // Фет А. А. Вечерние огни. М., 1981.
2. Григорьев А. А. Комета...
Female Characters in German Rock Poetry
The female character is one of the central constants forming the poetic world of a German rock author. This article examines the variants of this character.
. «Минойский матриархат»: Социальные роли мужчины и женщины в общественной жизни минойского Крита // Вестник Древней истории. 1992. №
. Греческие богини: Архетипы женственности. М.: Класс, 2005.
. Бегущая с волками. Женский архетип в мифах и сказаниях. Киев: София, 2000...
The “rough style” of Vladimir Vysotsky: Problem statement
V. Vysotsky’s poetry is typologically close to the principles of the “rough style” Soviet painting of the 1960s. The author outlines the promising areas of comparative analysis and addresses the issue of typological similarities between different texts within the field of a common cultural and historical situation of the Khrushchev era.
1. Бобриков А. Суровый стиль: мобилизация и культурная революция // Художественный журнал. 2003. № 51/52 : [сайт]. URL: http://xz.gif.ru/numbers/51-52/surovo (дата...
Kalinnikov L. A. Immanuel Kant in Russian poetry (philosophical-aesthetic sketches)
Zilber Andrey S.
Guitar poetry in the context of culture
Contemporary Polish Poetry. Translated by I. Belov
Pushkin as a personal myth of the Russian avantgarde
This article analyses strategies for cultural appropriation and the appropriation of Pushkin’s personality and oeuvre by the Russian avant-garde. The treatment of Pushkin by the avant-garde is considered as a peculiar variant of cultural apophaticism when the object of reflection is asserted through its consistent negation. The factography of the Russian avant-garde proves that, from its earliest stages the creative system has been constructing its own Pushkin myth, within which the poet has the...
A. Schopenhauer and I. Kant in A. A. Fet’s philosophical and political worldview
This article offers an analysis of the influence of Kant’s and Schopenhauer's philosophical ideas on Fet’s worldview. The author demonstrates that the poet was not a strict follower of A. Schopenhauer, since he interpreted the German pessimist’s doctrine cum grano salis. The influence of Kant’s ideas on A. Fet was, at least, not less significant.
1. Благой Д. Д. Мир как красота // Фет А. А. Вечерние огни. М., 1981.
2. Григорьев Ап. Мои литературные и нравственные скитальчества // Григорьев Ап...
"Aortic dissection": Katayev's trace in V.Vysotsky's poetry
This article considers the role of the late prose of V. Katayev in the formation of V. Vysotsky's poetics. The author emphasises the influence of Vysotsky's theatrical works on his interpretation of Katayev's pretext.
. Сочинения: в 2 т. 9-е изд., испр. Екатеринбург, 1997.
. Полное собрание стихотворений. СПб., 1997.
. Поэзия В.
С. Высоцкого: Творческая эволюция. М., 1997.
. Влияние профессии актера на мироощущение...
Role of Tolerance Zones in Functional Modality Field and Development of Author's Verbal Image (on the Basis of Anna Akhmatova's Poems)
The article analyses the textual function of tolerance zones of particular modal meanings in Anna Akhmatova's poetry. The author pays special attention to the zones involved in the development of the author's verbal image, determines the explications of the zones describes and their interrelations.
Г., Васильев И.
Е., Казарин Ю.
Лингвистический анализ художественного текста. Екатеринбург, 2000.
Общая лингвистика. М., 1974.
The phenomenology of Pushkin’s ‘universal sympathy (based on ‘Аscene from ‘Faust’, ‘The feast in the time of plague’, and ‘the Wanderer’)
This article attempts to approach the discovery of what Dostoevsky called Pushkin’s ‘great secret’. In his essay ‘Pushkin’, Dostoevsky wrote that the poet had ‘a capacity for universal sympathy’. The ‘secret’ of Pushkin is analysed in this article in the context of the general cultural problem of fundamental ontological predicates, which determined the main cultural codes of the literary worlds reflected in the poet’s oeuvre. The methodological approach is based on Valentin Nepomnyashchiy’s concept...
Me and Kaminski and Kaminskaya is me and? On the subject of Kehlmann’s oeuvre and German poetry
After 1900, literary manifestations of subjectivity underwent serious changes, which contributed to the increasing diversity and synthesis of means to create a literary reality. Daniel Kehlmann’s novel I and Kaminski (2003) is analysed from this perspective. Its text is compared with poetic works of German authors, which makes it possible to identify similarities and understand the general trends in modern culture
1. Кондратьев К. В. Кризис идеи и феномена субъекта в пространстве ново-временного...
Russian Poetry in Translation
1. Соловьева Н. «Горе от ума» А. С. Грибоедова в переводе М. Хобсон //Русский язык: исторические судьбы и современность: труды и материалы. М.,2007.
2. Pushkin A. S. The Complete Works: in 15 vol. L., 2004. Vol. 5.
Romantic Mythologisation in “New Poems” by Rainer Maria Rilke
The article analyses the peculiarities of Rainer Maria Rilke’s “New Poems” in the context of mythological constructions of German Romanticism.
The author formulates the hypothesis of mythologisation as the expression of the sacred in poetry. The epiphany of the image of the Thing (das Ding) is reached by means of artistic representations, which allows stating the connection between the 'matter' of poetry and its higher source, as well as its inner mythological quality.
Grammatical aspects of depersonalization in Yegor Letov's idiostyle
The article discusses several strategies of Egor Letov’s idiostyle associated with his subjective position, which is expressed in a literary text. The authors analyze some models of Letov’s poetic syntax — subject-predicate relations and the prevalence of infinitives. The article describes certain constants of the Egor Letov’s poetic model of the world, characterizing the position of the author’s «I» in the world.
1. Авилова Е. Р. «Культовый» статус автора в русской рок-поэзии // Русская рок-поэзия:...
B. Pasternak’s “February”: infinitive writing and its translations
Based on a comparison of translations of B. Pasternak’s poem “February”, the author raises the question as to the possibility of preserving the grammar strategies of the original in translation and the degree of stability of “poetry grammar” as a meaning generating mechanism.
1. Гин Я. И. К вопросу о построении поэтики грамматических категорий //Гин Я. И. Проблемы поэтики грамматических категорий : избр. работы. СПб.,1996. С. 75—86.
2. Жолковский А. К. Бродский и инфинитивное письмо (Заметки к...
Semantics of P. B. Shelley’s artistic imagery in the Marque of Anarchy poem
Analyzing the system of P. Shelley’s literary images, the authors argue that allegorical characters of P. Shelley’s poem form two opposite groups, those of good and evil, light and darkness, and truth and falsehood. P.Shelley’s negative characters are a reflection of the poet’s views on reality and the sociopolitical situation in the country. The mythological and poetic image of the Earth is one of the central in the poem; the Earth calls for the people of England to regain their freedom. The authors...
The tactics of appeal to happiness/regret as speech instruments for implementing the strategies of defining recipient’s emotional status
This article deals with the ways of the strategies of defining recipient’s emotional status explication in the modern German poetry discourse. Especially we are concentrating on lexical tools of the tactics of appeal to happiness and tactics of appeal to regret. The examples of implementation of the strategy of defining recipient’s emotional status are poems, which are devoted to consideration of concept LOVE.
1. Борисова И. Н. Русский разговорный диалог: структура и динамика. Екатеринбург, 2001...
Simon Dach in the history of Königsberg University
This article considers the literary career of the famous East Prussian poet Simon Dach in connection with the history of Koenigsberg University. With the support of the ruling house of the Electorate of Branderburg and Prussia, Dach managed to obtain the position of a professor of poetry at the university, with which both his work and life are closely connected. One of Dach’s university works is the poetic composition “Prussiarchus” dedicated to the centenary of Albertina (1644). This work is a poetical-allegorical...
The myth as a source of cultural legitimation: the rock and hip-hop versions of the legend of Orpheus and Eurydice
A comparison of two original versions of the legend of Orpheus and Eu-rydice, the rock opera Orpheus and Eurydice (1975) and A Hip-Hopera: Orpheus & Eurydice (2018), shows how contemporary mass culture revives and deconstructs the ancient mythological pre-text, which lays a foundation for aesthetic legitimation of rock and hip-hop lyrics and their inclusion in a greater cultural context. The study explores the forms of representation of Orpheus’s dual semantics as the archetypical poet and musician...
The resonance of a tragic sound: G. Ivanov’s poetry in B. Ryzhy’s interpretation
The author analyses the specific features of B. Ryzhy’s poetry, showing that G. Ivanov’s works influenced his poetic manner. The author reveals the reasons of commonality of their existentialistic worldview, which was predetermined by some biographic and sociocultural factors. Reinterpreting G. Ivanov’s key motifs and imagery, B. Ryzhy enriches his lyrics by bringing in Soviet and post-Soviet connotations. G. Ivanov’s tragic intonation gains a new sound expressing the experience of man living in...
What Saussure wrote/did not write: A half a century discussion on the anagram theory
This article explores the history of studies into Ferdinand de Saussure’s ideas of anagrams. When Saussure’s notebooks were published in the late 1960s and his drafts in the 1990s, scholars received a wealth of material for in-terpretation going far beyond the initial topic of ancient Indo-European poetry. The paper emphasises the diversity of approaches to Saussure’s ideas — from J. Kristeva’s semiotics to M. Gronas’s mnemotechnical analysis. Over the recent decades, the study of anagrams has rested...
Frame approach to analysing the semantisation of the biblical quasi-anthroponym prodigal son in the language of Russian poetry
This article describes ways to semanticise the biblical quasi-anthroponym ‘prodigal son’ in a poetic text, using the frame approach as a means of cognitive modelling and description. This approach helps to identify and characterise meaning construction mechanisms in a precedent onomastic sign, which conveys the conceptual meanings of the biblical text. The study proposes a new methodology for analysing the biblical anthroponym in a poetic text.
The results obtained suggest that the realisation...
The mutual similarity of meanings and structures in a literary text
This paper discusses a discourse grounding strategy that has not been described before. It is shown that the fragments of a literary text that are perceived as impressive, aphoristic, etc., tend to have a set of recurrent features. Firstly, in such fragments, there often is mutual reflectedness of meanings (it emerges in metaphors, similes, parallelisms, or juxtapositions of contradictory notions). Second, mutual reflectedness goes through pronounced detrivialization, i.e it is emphasised using...