The metaphor as a means of colour and light perception in M. Voloshin’s idiostyle
The poetic texts of M. Voloshin help consider the metaphorical use of mineralogical lexis as a means of light and colour perception. The author identifies the features of semantic and aesthetic realization of these lexemes and stresses their representative function within the structure of poetic images.
1. Бранский В. П. Искусство и философия: ...
The conceptualization of light and colour as a means to express the perceptive dominant in a poetic text (on the basis of the poetry of A. Blok and M. Voloshin)
This article analyses the functioning of colour naming in a poetical text. The authors identify the features of its semantic and aesthetical implementation, as well as their role in the structure of poetic images.
1. Алимпиева Р. В. Способы реализации концепта прекрасный в ранней лирике А. Блока // Языкознание: ...
Time synaesthesia in W. Shakespeare’s texts: the semantics and pragmatics of colour
... some cases rising to the level of value-laden symbolic co-meanings. The semantics and pragmatics of each color that shades time in Shakespeare’s texts are determined... ... danger, and suffering. Grey color, associated with the transition from darkness to light, correlates with the images of morning, youth, and hope, becoming an element of... ... metonymic parallels are generalized into metaphorical images reflecting the author’s perception of the complex diversity of existence. A conclusion is drawn that the conjugation...
