German spiritual lyrics in the allusive space of Clemens Brentano’s fairy tales
The article analyzes the features of the allusions functioning in German spiritual lyrics in the tales by Clemens Brentano. The author's strategy of introducing allusions to the texts previously published in the collection The Boy's Magic Horn is considered, as well as the principle of double coding, in which the allusion refers simultaneously to the elements of spiritual lyrics and to the Bible or famous prayers, which increases the likelihood of recognizing an allusive meaning. Various ways of...
Kant and “Seasickness” of Modernity
On the eve of the tercentenary of Kant’s birth, just as it was a hundred years ago, Kantianism is simultaneously on the receiving end of the blows of history and attacks by rival philosophical parties, both progressivist and reactionary. The radical wings of both parties perceive modernity as a depressing, nauseating period which must be broken with by moving toward the past or toward the ...
Continuity of Texts. Metafiction in a Cortazar Short Story and its Swedish Translation
This article analyzes the Swedish translation of the short story Continuidad de los parques, written by the Argentine author Julio Cortázar and translated into Swedish by the translator Jan Sjögren. This short story is an excellent piece of metafiction as it plays with the relationship between a fictional reader and the real reader. By creating an aesthetic illusion, Cortázar leaves the reader in a tense state with a number of unanswered questions during the reading of the text. The analysis shows...
Russo-German Trade Treaty of 1904
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