Between mysticism and technique: anagram the European Baroque culture
The author analyses the history of anagrams in the European baroque culture of the 17th century, shows a rich diversity of literary genres where anagrams are used, and identifies the main trends and techniques of creating anagrams. The article outlines the scope of problems for a future study of anagrams in different ...
Anagrams in the discourse of baroque ‘tacit theology’: The case of the Königsberg poetic circle of the 17th century
The problem of anagrams is linked to the paradigm secret of baroque poetry. It is shown that the essence of this poetry is a special type of poetic mimesis reflecting the existential and ontological fracture of being, which manifests itself in the lyrical persona of the poetic subject. Anagrams of the names of ...
The apologia of reason in J. Chr. Gottsched’s classicistic system: On the 250th anniversary of the philosopher’s death
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”What is the voice of truth?” The anagram in XVIII century French culture
The paper explores the history of the anagram phenomenon in the French culture of the XVIII century. The author considers tendencies in the development of literature inherited from the Baroque period, including the practice of creating pseudonyms by anagramming and using anagrams in satirical poetry. The reduction of anagrams to the level of the language game and the secondary nature of theorizing are the characteristic features of ...
The phenomenology of Pushkin’s ‘universal sympathy (based on ‘Аscene from ‘Faust’, ‘The feast in the time of plague’, and ‘the Wanderer’)
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